Peter Crossley-Holland
Peter Crossley-Holland was a composer and ethnomusicologist. He wrote several books on the music of Tibetan Buddhism and composed music in ethnic styles including Celtic.
Early life and education
Born in London, Crossley-Holland attended Abbotsholme School. Although he was a keen pianist, he studied medicine not music at St John's College, Oxford, when he matriculated in 1933. However, his composition "Fantasy Quintet" for piano and strings enjoyed a professional performance in Sheffield by George Linstead. Further his "Violin Sonata" and "Suite No. 1 for strings", both composed in 1938, won him a composition scholarship at the Royal College of Music, where he was taught by John Ireland. He later he returned to Oxford for a B. Mus. degree. His graduating piece was in the celtic style, "A Song of Saint Columba". He later studied privately with Mátyás Seiber, Edmund Rubbra and Julius Harrison.Career
From 1948, he was a producer for the BBC Radio classical music station Third Programme, until he moved to Germany from 1964 to 1966 where he was assistant director of the State Institute for Music Research in Berlin. After teaching assignments in Illinois and Hawaii universities, he was appointed Professor of Music at the University of California, Los Angeles in 1969. He retired in 1983 and moved to Wales.Compositions
In 1983, Robert Stevenson of UCLA listed 92 performed compositions by Crossley-Holland in Selected Reports in Ethnomusicology, Volume IV: Essays in Honour of Peter Crossley-Holland on his Sixty-Fifth Birthday:- 1933–1937
- 1938–1943
- 1943–1947
- 1948–1960
Selected works
Orchestral- Suite for Strings Maguire’s Lamentation for strings Ulick, and Soracha, suite for chamber orchestra The Land Beyond for small orcheatra Symphonic Adventure Pilgrimage The Golden Pathway
- Symphony
- Violin Sonata
- Trio for two violins and viola
- Trio for Flute, Oboe, and Viola A Little Suite for descant Recorder and piano Irish Tunes for descant and two treble recorders Albion for descant, treble, tenor recorders and harpsichord Breton Tunes for descant recorder and piano Invocation at Midsummer for tenor recorder Tribute to Manannan for treble recorder and piano
- Piano Sonata The Distant Isle for piano
- Introit for organ
Dramatic
- Incidental music for five radio plays