Paul Kantner
Paul Lorin Kantner was an American rock musician. He is best known as the co-founder, rhythm guitarist, and a secondary vocalist of Jefferson Airplane, a leading psychedelic rock band of the counterculture era. He continued these roles as a member of Jefferson Starship, Jefferson Airplane's successor band.
Jefferson Airplane was formed in 1965 when Kantner met Marty Balin. Kantner eventually became the leader of the group and led it through its highly successful late-1960s period. In 1970, while still active with Jefferson Airplane, Kantner and several Bay Area musicians recorded the album Blows Against the Empire, which was co-credited to both Paul Kantner and "Jefferson Starship".
Jefferson Airplane continued to record and perform until 1973. Kantner revived the Jefferson Starship name in 1974 and continued to record and perform with them through 1984. He later led a reformed Jefferson Starship from 1992 until his death in 2016. Kantner had the longest continuous membership with the band, with 19 years in the original run of Jefferson Airplane and Jefferson Starship and 24 years in the revived Jefferson Starship. At times, he was the only founding Jefferson Airplane member to remain in Jefferson Starship. He was inducted into the Rock and Roll Hall of Fame as a member of Jefferson Airplane in 1996.
Early life
Kantner was born on March 17, 1941, in San Francisco, California, the son of Cora Lee and Paul Schell Kantner. Kantner had a half-brother and a half-sister by his father's first marriage, both much older than he. His father was of German descent, and his mother was of French and German ancestry. His mother died when he was eight years old, and Kantner remembered that he was not allowed to attend her funeral; his father sent him to the circus instead.After his mother's death, his father, who was a traveling salesman, sent young Kantner to Catholic military boarding school. At the age of eight or nine, in the school's library, he read his first science fiction book, finding an escape by immersing himself in science fiction and music from then on. As a teenager he went into total revolt against all forms of authority, and he decided to become a protest folk singer in the manner of his musical hero, Pete Seeger.
After graduating from Saint Mary's College High School, he attended the University of Santa Clara and San Jose State College, completing three years of coursework before dropping out to enter the music scene. For a while, he shared a communal house in Venice, Los Angeles with several other folk singers who would subsequently transition to rock, including David Crosby and David Freiberg.
Musical career
1965–1974: Jefferson Airplane, ''Blows Against the Empire'', ''Sunfighter'', and ''Baron von Tollbooth''
During the summer of 1965, singer Marty Balin saw Kantner perform at the Drinking Gourd, a San Francisco folk club, and invited him to co-found a new band, Jefferson Airplane. When the group needed a lead guitarist, Kantner recommended Kaukonen. As rhythm guitarist and one of the band's singers, Kantner was the only musician to appear on all albums recorded by Jefferson Airplane as well as Jefferson Starship. Kantner's songwriting often featured whimsical or political lyrics with science fiction or fantasy themes, usually set to music that had an almost martial rock sound.Although the band retained a relatively egalitarian songwriting structure, Kantner became Jefferson Airplane's dominant creative force from 1967's After Bathing at Baxter's onward, writing the chart hits "The Ballad of You and Me and Pooneil", "Watch Her Ride" and "Crown of Creation"; the controversial "We Can Be Together"; and, with Balin, "Today" and "Volunteers". He also co-wrote the song "Wooden Ships" with David Crosby and Stephen Stills, but was not credited initially due to pending litigation with Jefferson Airplane's first manager. Balin praised Kantner's music, but said Kantner was difficult to get along with and that he refused to do the music of others.
With Jefferson Airplane, Kantner was among the performers at the Monterey Jazz Festival in 1966, the 1967 Monterey Pop Festival and the 1969 Woodstock Festival. In 1969, the group played at Altamont, where Balin was knocked unconscious during their set by a Hells Angels member hired as security for the concert. Kantner appears in the documentary film about the Altamont concert, Gimme Shelter, in an on-stage confrontation with a Hell's Angel regarding the altercation.
Despite its commercial success, the Airplane was plagued by intra-group fighting, causing the band to begin splintering at the height of its success. This was exacerbated by manager Bill Graham, who prodded the group to do more touring and more recording. During the transitional period of the early 1970s, as the Airplane started to come apart, Kantner recorded Blows Against The Empire, a concept album featuring an ad hoc group of musicians whom he dubbed Jefferson Starship. This earliest edition of Jefferson Starship included members of Crosby, Stills, Nash & Young and the Grateful Dead alongside some of the other members of Jefferson Airplane.
In Blows Against the Empire, Kantner and Slick sang about a group of people escaping Earth in a hijacked starship. The album was nominated in 1971 for the Hugo Award, the premiere prize awarded by science fiction fandom. Although it received a plurality of the vote in the Best Dramatic Presentation category, this was superseded by a majority that elected not to award the prize that year. A sequel including several Blows Against the Empire participants was released as a Kantner solo album in 1983.
Kantner had been in love with Grace Slick for some time, but she was involved in a relationship with the band's drummer, Spencer Dryden. After their two-year affair ended, he finally had a chance with Grace. In 1969, they began living together publicly as a couple. Rolling Stone called them "the psychedelic John and Yoko." Slick became pregnant, and a song about their child's impending birth, "A Child Is Coming," appeared on Blows Against the Empire. Kantner and Slick's daughter China Wing Kantner was born in 1971.
Kantner and Slick released two follow-up albums. Sunfighter was an environmentalism-tinged album released in 1971 to celebrate China's birth. China appears on the album cover, and the track list includes "China", a song written and sung by Slick about her new baby. Kantner and Slick made news again in 1972, when they were accused of assaulting a policeman after their Akron, Ohio concert. 1973's Baron von Tollbooth and the Chrome Nun was named after the nicknames David Crosby had given to the couple. Through longtime friend Jack Traylor, Kantner discovered teenaged guitarist Craig Chaquico in 1971. Chaquico contributed to Sunfighter and Baron von Tollbooth before going on to play with all of the incarnations of the Starship name until 1990.
1974–1984: Jefferson Starship and ''Planet Earth Rock and Roll Orchestra''
After Kaukonen and Casady left the Airplane in 1973 to devote their full attention to Hot Tuna, the core band on Baron von Tollbooth was formally reborn as Jefferson Starship in early 1974. Kantner, Slick and the three remaining late-Airplane holdovers were joined by Chaquico and Peter Kaukonen, who was shortly replaced by Pete Sears, a contributor to previous solo efforts by Creach and Slick who alternated with Freiberg on bass and keyboards. Following a long sabbatical, Marty Balin began to work with Jefferson Starship while their first album, Dragon Fly, was still in the works, co-writing the early power ballad "Caroline" with Kantner and performing the song on the album. Although "Caroline" failed to chart, the album peaked at No. 11, better than any Jefferson Airplane-related effort in three years. By 1975's bestselling Red Octopus, Balin was a full member and had ensconced himself as a major creative force in the group with the epochal song. Both Red Octopus and 1976's Spitfire saw Kantner amalgamate his usual songwriting approach with the soft rock ethos favored by the group in such songs as "I Want To See Another World," "St. Charles" and the "Song to the Sun" suite.Although Earth – to which Kantner contributed just one song – duplicated the success of Red Octopus and Spitfire with two major Balin-sung soft rock hits, Jefferson Starship saw major personnel changes before year's end. Slick had left Kantner in 1975 to marry Skip Johnson, a Jefferson Starship roadie. Despite the dissolution of their romantic relationship, she remained with the band through June 1978, when she left the group to seek rehabilitation for her alcoholism after Kantner asked for her resignation following two disastrous concerts in Germany. Shortly thereafter, Balin quit the group in October 1978 to pursue a solo career. While no attempt was made to replace Slick, Balin was soon replaced by Mickey Thomas, who had previously achieved success as a member of the Elvin Bishop Group.
Freedom at Point Zero, a hard rock album dominated by Kantner compositions, was released in November 1979; it marked the band's last Top Ten album and included the No. 14 "Jane", a collaboration between Freiberg, musician Jim McPherson, Kantner and Chaquico. Kantner's new wave-inspired "Girl with the Hungry Eyes" also charted, peaking at No. 55.
In October 1980, Kantner was taken to Cedars-Sinai Medical Center in serious condition from a cerebral hemorrhage. Kantner had been working in Los Angeles on an album when he became ill. He was 39 years old at the time and beat considerable odds with a full recovery without surgery. A year later, Kantner talked about the experience, saying, "If there was a Big Guy up there willing to talk to me, I was willing to listen. But nothing happened. It was all just like a small vacation." It was his second brush with serious illness or injury, having suffered a serious motorcycle accident in the early 1960s: "I hit a tree at 40 miles an hour head first and nearly shattered my skull. I had a plate in there for a while." The injury from the motorcycle accident was credited with saving Kantner from serious complications from the cerebral hemorrhage; the hole left by the accident relieved the accompanying cranial pressure.
Grace Slick returned for 1981's Modern Times. The album, which peaked at No. 26, featured "Stairway to Cleveland," a Kantner-penned declamatory punk rock pastiche inspired by a phrase uttered by Nite City guitarist Paul Warren. It marked the beginning of a new era of diminished success for the group; although Modern Times, Winds of Change and Nuclear Furniture all attained RIAA gold certifications and yielded several minor hits, they failed to eclipse the Balin-era group from a critical or commercial standpoint. Despite Kantner's efforts to retain a dialogue with the punk/new wave vanguard and a more idiosyncratic approach, Jefferson Starship became increasingly beholden to the limitations of the album-oriented rock format. Additionally, the band continued to depend on external collaborators, including lyricist Jeannette Sears and songwriter/producer Peter Wolf.
In June 1984, Kantner left Jefferson Starship, complaining that the band had become too commercial and strayed too far from its countercultural roots. At the time, he was the only remaining original member of Jefferson Airplane in the group. Kantner made his decision to leave in the middle of the Nuclear Furniture tour. Upon his departure, Kantner took legal action against his former bandmates over the group's name after the rest of the band resolved to continue as Jefferson Starship; as Kantner's lawsuit proceeded, the group briefly performed as "Starship Jefferson." Kantner settled in March 1985, and the group name was reduced to Starship. Under the terms of the settlement, no group could call itself Jefferson Starship without Paul Kantner as a member, and no group can call itself Jefferson Airplane unless Grace Slick is on board.