Partita (Widmann)
Partita, five reminiscences for large orchestra is a collection of musical pieces by Jörg Widmann. It was written for the 275th anniversary of the Leipzig Gewandhaus Orchestra in 2018.
History
Widmann was appointed for the season 2017–2018 as the first Gewandhauskomponist. Leipzig Gewandhaus Orchestra and Boston Symphony Orchestra commissioned Partita in 2015 as part of the collaboration between both orchestras. The work was composed from 2017 to 2018 for the 275th anniversary of the Gewandhaus Orchestra.Structure
The five reminiscences, a partita, are:- Grave – Gigue
- Andante
- Divertimento
- Sarabande
- Chaconne
Music
The five pieces refer to the musical history of Leipzig and Boston. All movements begin with woodwinds. The whole concept of Partita is to link the music of Bach and Mendelssohn. The first reminiscence is influenced by Bach, Bruckner, and Wagner. A bass clarinet solo, playing an endless melody line, dominates the opening, followed by a section with Wagner tubas. The expansionary prelude leads to a first dance of the orchestra, a brief gigue. The "melancholic" second reminiscence Andante cites Mendelssohn's Clarinet Sonata, but starts with an English horn solo.Mendelssohn was the Gewandhauskapellmeister from 1835 to 1847. Woodwind figures open the "humorous" third movement of neo-Baroque ancestry. Widmann cites in the Divertimento the Bach cantata Tue Rechnung! Donnerwort, BWV 168. The fourth reminiscence, Sarabande, contains bassoons whimpering in highest register. The last reminiscence, a chaconne, starts with a modern decatonic scale, played by an alto flute. Reminiscence: Bach's Crucifixus from Mass in B minor. This final movement leads to a "joyful, ecstatic" coda.
Instrumentation
Woodwinds: 4 flutes, 4 oboes, 4 clarinets in A and B, 4 bassoons Brass: 6 horns in F, 4 trumpets in C, 3 trombones, tubaStrings: 16 violins I, 14 violins II, 12 violas, 10 cellos, 8 double basses Percussion: 3 players, timpani- harp, celesta