Oskar Fleischer

Oskar Fleischer was a German musicologist.

Life

Born in Zörbig Anhalt-Bitterfeld, after attending the Latin secondary school at the Francke Foundations in Halle, Fleischer studied ancient and modern languages, history of literature and philosophy at the Martin Luther University of Halle-Wittenberg from 1882 to 1886 and was promoted to Dr. phil. He then completed a four-year degree in musicology in Berlin. In 1888, he took over the management of the "Royal Collection of Ancient Musical Instruments" at the Berlin University of the Arts, whose holdings he was able to expand considerably with the acquisition of Snoeck's private collection. From 1892, he worked as a "Privatdozent", and from 1895 as an associate professor of musicology at the Humboldt-Universität zu Berlin. Among his best-known students were the Mozart scholar Hermann Abert, Komitas Vardapet and his successor Curt Sachs.
In 1899, he was a co-founder of the International Music Society and editor of its publication organs. His main academic field was not so much the study of musical instruments but rather the study of medieval and ancient Greek chant scales. In the last years of his life, he became an outsider with his attempt to reconstruct a "Germanic neume script" and published in the völkisch-national journal Die Sonne. He was a "Geheimrat".
Fleischer died in Berlin aged 76. After being reburied, he found his final resting place at the Stahnsdorf South-Western Cemetery near Berlin.

Publications

Das Accentuationssystem Notkers in seinem Boethius, Halle 1882 Denis Gaulthier. In VfMw 2, Neumenstudien. Abhandlungen über mittelalterliche Gesangs-Tonschriften. 3 volumes., vol.I, Leipzig 1895, vol.II, Leipzig 1897, vol.III, Berlin 1904Königliche Hochschule für Musik zu Berlin. Führer durch die Sammlung Alter Musikinstrumente, Berlin 1892Die Bedeutung der internationalen Musik- und Theaterausstellung in Wien für Kunst und Wissenschaft der Musik, Leipzig 1894Die Reste der altgriechischen Tonkunst, Leipzig 1899C.F. Weitzmann: Geschichte der Klaviermusik, Leipzig 1899 Mozart, Berlin 1900Führer durch die Bach-Ausstellung im Festsaale des Berliner Rathauses, Berlin 1901Zur Phonophotographie. Eine Abwehr, Berlin 1904Musikalische Bilder aus Deutschlands Vergangenheit, Berlin 1913Vom Kriege gegen die deutsche Kultur – ein Beitrag zur Selbsterkenntnis des deutschen Volkes, Berlin 1915Eine astronomisch-musikalische Zeichen-Schrift in neolithischer Zeit, Berlin 1915Die germanischen Neumen als Schlüssel zum altchristlichen und gregorianischen Gesang, Frankfurt 1923Vor- und frühgeschichtliche Urgründe des Volkslieds. In Die Sonne. Monatsschrift für nordische Weltanschauung und Lebensgestaltung 5.