Oliver Brothers Fine Art Restoration
Oliver Brothers Fine Art Restoration and Conservation is believed to be the first art restoration establishment in the United States. For more than one and one-half centuries, the Olivers and their successors have restored and conserved antique and contemporary paintings, original works on paper, fine art prints, icons, murals, original photographs, documents, sculpture, gilded objects, and picture frames for private collectors, museums, art dealers, auction houses, galleries, corporations, universities, historical societies, libraries, and others.
History
Origins
James Oliver, who was trained as an art restorer in his native Scotland, and his son George founded what is believed to be the first art restoration business in the United States in New York City in 1850. Throughout the nineteenth century, clients included The Metropolitan Museum of Art, art dealers Samuel Putnam Avery and M. Knoedler & Co., and restaurateur Lorenzo Delmonico. In the late 1860s, George Oliver moved to Boston, Mass., where he opened a second art restoration shop. Eventually, the New York location was closed.Early 20th Century- Innovation
In time, George’s two sons, brothers George T. and Frederick Oliver, joined and eventually took over the family business, which, for the first time, would operate under the name "Oliver Brothers". Taylor perfected several procedures for removing surface blemishes and transferring paintings on canvasses with defective supports. In the 1920s, he designed and constructed a prototype vacuum hot table to use in his process for relining paintings, for which he received a patent in 1937– U.S. Patent# 2,073,802. The vacuum hot table has since been adopted throughout the art restoration and conservation industry for use in restoring paintings on textile supports. Taylor's original prototype table remained in use at Oliver Brothers until the early 2000s.