Noriko Tsuiki


Noriko Tsuiki is a Japanese textile artist and weaver, best known for reviving the lost tradition of Kokura-ori. She is the president of Yuh Textile Studio and a regular member of the Japan Art Crafts Association. Her works are held in major museum collections including the National Museum of Modern Art, Tokyo and the Victoria and Albert Museum, London.

Biography

Tsuiki was born in 1952 in Kitakyushu, Fukuoka Prefecture.
She studied at the School of Letters, Arts and Sciences, Waseda University, leaving in 1974 to pursue dyeing and weaving independently. She studied tsumugi-ori and kimono making in Kumejima, the Shinshu region, and other areas.
In 1984 she successfully revived the dormant Kokura-ori tradition, followed by the revival of Kokura-chijimi in 1994.
In 1996, she was selected as a trainee for successors to traditional crafts under Takeshi Kitamura, a recognized Living National Treasure. That same year, the Kitakyushu Municipal Museum of Art held a solo exhibition of her work.

Career and exhibitions

Tsuiki has held numerous solo exhibitions in Japan and abroad, including:
She continues to exhibit regularly, including at the annual Japan Art Crafts Exhibitions and the Fukuoka Prefectural Art Exhibition.

Awards

Tsuiki has received numerous awards for her contributions to textile arts, including:
  • 2005 – Prize for Excellence, 25th Pola Traditional Japanese Culture Awards
  • 2008 – Excellence Award of the Commissioner for Cultural Affairs
  • 2010 – Grand Prize, Asahi Shimbun
  • 2012 – Fukuoka Prefectural Cultural Prize
  • 2015 – 1st Kikuchi Kanjitsu Award
  • 2018 – Regional Person of Cultural Merit Award, Agency for Cultural Affairs of Japan
  • 2022 – Mitsui Golden Takumi Award, Special Recognition Award

Work

Tsuiki is renowned for her revival of Kokura stripes, a cotton fabric once produced in Kokura for over 350 years until it disappeared in the early Shōwa period. Traditionally used for samurai hakama and obi, Kokura-ori is distinguished by vertical stripes created with warp threads at three times the density of the weft, producing a strong, smooth, and lustrous fabric.
In 1984, she revived Kokura-ori as a handwoven art textile. Since 2007, she has also directed the development of machine-woven Kokura fabrics under the brand KOKURA SHIMA-SHIMA, extending the traditional craft to wide-width fabrics suitable for fashion and interiors. These textiles have been used by interna