Nebula Awards Showcase 2000
Nebula Awards Showcase 2000 is an anthology of science fiction short works edited by Gregory Benford. It was first published in hardcover and trade paperback by Harcourt in April 2000.
Summary
The book collects pieces that won or were nominated for the Nebula Awards for best novel, novella, novelette and short story for the year 1999, a profile of 1999 Damon Knight Memorial [Grand Master Award|grand master winner] Hal Clement and a representative early story by him, and various other nonfiction pieces related to the awards, together with the Rhysling Award-winning poems for 1998 and an introduction by the editor. Not all nominees for the various awards are included, and the best novel is represented by an excerpt.Contents
- "Introduction: The Science Fictional Century"
- "Reading the Bones"
- "Lost Girls"
- "Thirteen Ways to Water"
- Forever Peace
- "Genre and Genesis: A Discussion of Science Fiction's Literary Role"
- "Respectability"
- "Gatekeepers and Literary Bigots"
- "Good News About SF in Bad Publishing Times"
- "The Truth About Sci-Fi Movies, Revealed at Last"
- "Why Can't We All Just Live Together?: A Vision of Genre Paradise Lost"
- "Winter Fire"
- "Lethe"
- "The Mercy Gate"
- "The 1998 Author Emeritus: William Tenn"
- "My Life and Hard Times in SF"
- "The Grand Master Award: Hal Clement"
- "Uncommon Sense"
- "Rhysling Award Winners"
- "Explaining Frankenstein to His Mother"
- "why goldfish shouldn't use power tools"
Reception
Ray Olson in The Booklist also notes the debate begun by Lethem, observing that it and the nonfiction pieces on publishing and movies, along with William Tenn's speech, "fairly steal the award-winning stories' thunder," as does the reprinted 1946 Hal Clement story. "Still, the winners... aren't bad."
Kurt Lancaster in the Christian Science Monitor calls Benford's introduction "helpful" and comments in detail on the pieces by Haldeman, Finch, Yolen and Rogers, noting that "n all of these stories, the theme of the spirit of humanity transcends the limitations the characters have imposed on themselves, as they discover something new about themselves and their relationship to others."
Marta Boswell in The Missouri Review finds the volume's editorial commentary "reeks of 'those-were-the-good-old-days' attitude," nostalgic "for the era when SF writers were 'the bards of science.'" That said, "the fiction itself is, for the most part, fresh and interesting." Boswell singles out the Haldeman excerpt and the Williams story, which she calls "my favorite of the collection" for particular praise. She also comments positively on the Yolen, McGarry and Landis pieces, while deeming Finch's and Rogers' less successful.
The anthology was also reviewed by Gary K. Wolfe in Locus #471, April 2000, and Greg L. Johnson in The New York Review of Science Fiction, September 2000.