Dutch public broadcasting system


The Dutch public broadcasting system is a group of organizations that are responsible for public service television and radio broadcasting in the Netherlands. It is composed of the Nederlandse Publieke Omroep foundation, which acts as its governing body, and a number of public broadcasters. The Dutch Media Act 2008 regulates how air time is divided and puts the administration of the public broadcasting system in the hands of the NPO Board of Directors.
In addition to the national broadcasters, there are also regional and local broadcasters in the Netherlands.
Unlike most other countries' public broadcasting organizations – which are either national corporations, federations of regional public-law bodies or governmental and member-based institutions with their own channels and facilities – those in the Netherlands are member-based broadcasting associations that share common facilities. This arrangement has its origins in the system developed in the Netherlands early in the 20th century, known as pillarisation. Under this system the different religious and political streams of Dutch society all have their own separate associations, newspapers, sports clubs, educational institutions, and also broadcasting organizations.
Their stated aim is to give a voice to each social group in multicultural Dutch society. The number of hours allocated to each broadcaster corresponds roughly to the number of members each organization can recruit. Since 2000, the system has been financed out of general taxation rather than from broadcast receiver licence fees. This is supplemented by a limited amount of on-air advertising, which has been allowed since 1967.
Nearly all viewers in the Netherlands receive most of their linear TV via cable, IPTV or satellite systems. Regional public TV exists in parallel to the national system described below. Commercial television in the Netherlands began in 1989, with the Luxembourg-based RTL 4. In 1992, the government of the Netherlands legalised commercial TV, and many new commercial channels have become established since then.

Finance

Every year, the Dutch public broadcasting system is allocated funds from the Ministry of Education, Culture and Science. In 2018 the allocation was 794 million Euro with yearly revenues from advertising averaging around 200 million Euro.
The cost to each adult Dutch citizen is approximately 45 Euro per year, which is on a similar level to VRT in Flemish Belgium. In comparison, the BBC in the United Kingdom gets its revenue from an annual household licence fee of 159 GBP, approx 188 Euro. As of 2020, the BBC's average annual licence fee income is 3.7 Billion GBP and the UK adult population is about 53 million, so the average cost per person is about 70 GBP.

History

The closed system (1920–1960)

Since the very beginning in the early 1920s, public broadcasting in the Netherlands has been split into different broadcasting associations with their members composed of listeners and viewers. These associations were based on the different ideological sections of Dutch society, called Verzuiling. Catholics, Protestants and Socialists were the first groups to create their own institutions, including schools, hospitals, trades unions and political parties. When radio in the Netherlands started in the 1920s the existing groups quickly created their own broadcasting associations, producing programmes for the primary radio channel, Hilversum 1. The first to start was the liberal AVRO, founded as radio broadcaster Hilversumsche Draadlooze Omroep by the NSF transmitter factory in Huizen on 8 July 1923. The first regular radio broadcasts started on 21 July 1923. Airtime was rented to the various religious and political radio organisations—the Protestant NCRV, the Roman Catholic KRO, the Socialist VARA and the liberal Protestant VPRO.
Under the system of pillarisation in place at the time, each audience group was faithful to its pillar's broadcasting company. The programmes were funded by the associations' members. KRO and NCRV started their own station in 1927 with a transmitter also located in Huizen and built by the NSF.
In 1930 the government regulated equal airtime for all organisations on the two stations, and the semi-public broadcasting system was born. As a result, AVRO lost most of its airtime then to VARA and VPRO.
The radio licence fee was introduced by the Nazi occupation during World War II; the different broadcasting groups were urged by the Government to co-operate more with each other, and the Netherlands Radio Union was formed, producing joint programmes.
The Netherlands Radio Union was one of 23 founding organisations of the European Broadcasting Union in 1950.
1951 saw the introduction of television, and a similar union was founded: the , supplying studios and facilities for the associations. These broadcasts would air on the Nederland 1 channel; a second channel, Nederland 2, was launched in 1964.

The closed system opens up (1960–1990)

With the arrival of illegal offshore commercial radio stations, such as Radio Veronica in 1960 and Radio Noordzee in 1964, Hilversum 3 was launched in 1965 to provide a legal alternative and to steer audiences towards the public service channels. Hilversum 3, along with the other two channels, were renamed as Radio 1, Radio 2 and Radio 3 towards the late 1980s.
In 1967 a Broadcasting Act was passed, providing for an official framework to supply the public with information, entertainment, culture and education, with time allocated to appointed broadcasting associations based on the number of members each association had. This allowed other organisations access to the public system, including the former commercial unlicensed broadcasters TROS and Veronica and the evangelical Christian EO to diversify programming. Advertising revenue was added, handled by an independent agency called STER.
The Netherlands Radio Union and the Netherlands Television Foundation merged to form the NOS, charged with providing news and sport programmes as well as with the general coordination of the public system.
A new Media Act in 1988 meant that broadcasters were no longer obliged to use production facilities supplied by the NOS. These facilities were spun off into a new private company, NOB. Programme quotas were introduced: Associations had to produce:
  • 25% news and information programmes
  • 25% entertainment and general programming
  • 20% cultural
  • 5% educational
A new media regulator was created to regulate the public and private networks. The regulator could impose fines, with a programming fund designed to encourage cultural broadcasts. New rules for the cable industry were also introduced: the public channels were designated a must-carry status.

The start of private media (1990–2000)

In anticipation of the launch of new commercial satellite channels, a third television channel, Nederland 3, launched in April 1988. Luxembourg-based RTL-Véronique began broadcasting in October 1989. In 1992, the government of the Netherlands legalised commercial television, and a number of new commercial channels were established. As a result, the market share of public television had fallen from 85% to 50% by 1994. Veronica decided to leave the public system after 20 years to become a commercial broadcaster. By 1996 the arrival of more private channels from RTL and SBS had further reduced the market share of the public channels to 40%.
With the change in the television landscape, changes were made to strengthen the public sector. Its financial revenues were improved by an increase in advertising time and the indexation of the licence fee to the cost of living.
In 1995 the programming duties of the Nederlandse Omroep Stichting were split in two, with the creation of the NPS. NOS was charged with providing news, sport and coverage of important live events, while the NPS provided cultural and children's programming.
The previous NOS management was replaced by a three-person board, charged with developing strategies and responsibility for all public output. Programming co-ordinators were appointed for each of the television and radio channels, and channel identities were created, largely replacing the varying on-air presentation of the pillar broadcasters. The broadcasting associations also have a degree of input through a supervisory board.
The market share of the public broadcasters stabilized in 1999 at 38%, with the entry of a new broadcasting association, the first in 25 years. BNN replaced Veronica as programme supplier to teenagers and young adults.

Diversification, expansion and the creation of the NPO (2000–2010)

Under the newer "open system" any company can become a broadcasting company and obtain radio and TV airtime. As of 2024, the primary requirements set out in the require that new broadcasters provide additional diversity to the public broadcasting system, and that all associations attain - and continue to maintain - a certain number of members. Such recruitment can be compared with that used for community or public broadcasting in other countries, with incentives such as magazines or other offers provided by some associations to attract membership.
Many people question whether the current system is still appropriate in this age of digital broadcasting. There were plans in the run-up to the 2002 general election to change the way broadcast companies are selected, and to abolish the member-based system completely. Vocal critics included Pim Fortuyn, the assassinated leader of his own right-wing party. However, currently the system is still the way it always has been.
Prior to the 2002 reorganization, the Dutch public broadcasting system was managed by NOS. In 2002, it was put under control of "Nederlandse Publieke Omroep", abbreviated as NPO. According to Articles 2.2 and 2.19 of the Media Act, NPO was appointed as the governing organization of the public broadcasting system of the Netherlands until 2020; this concession was later extended until the end of 2031.
From September 2010, Minister of Culture and Education Ronald Plasterk approved the entry of new broadcasting associations PowNed and Wakker Nederland into the public broadcasting system. Another association, MAX, was given full recognition and can increase its broadcasting hours. Conversely, LLiNK was withdrawn and no longer has access. Meanwhile, the NPS, Teleac and the RVU institutions merged into one public broadcaster, the NTR, delivering cultural, educational, current affairs and children's programmes to the public system.