My Barbarian
My Barbarian is a Los Angeles based collaborative theatrical group consisting of Malik Gaines, Jade Gordon and Alexandro Segade. The trio makes site-responsive performances and video installations that use theatrical play to draw allegorical narratives out of historical dilemmas, mythical conflicts, and current political crises.
Key collaborators
- Malik Gaines Gaines received a B.A. in History from UCLA, an MFA in Writing from Cal Arts' School of Critical Studies and a PhD in Theater and Performance Studies from UCLA. Gaines is the author of Black Performance on the Outskirts of the Left: A History of the Impossible, which analyzes black art and music in the 1960s to trace out how performances of blackness rescripts and retools dominant discourses which constrain and contain black life. Reading artists through three registers—blackness, the period of the 1960s, and the transnational routes between the United States, West Africa, and Western Europe—Gaines explores how the "destabilizing excess of difference" challenge visual representation across sexual, racial, and political lines.
- Jade Gordon. Gordon received a BA in Theater at USC and teaches at the Stella Adler Studio of Acting in Los Angeles.
- Alex Segade. Segade received a BA in English from UCLA, studied in the School of Film and Television at USC, received an MFA in Interdisciplinary Studio Art from UCLA, and also currently works as a solo artist. Segade is a professor of Studio Art at Hunter College.
Other collaborators
- Norwood Cheek
- Andy Ouchi
- Lara Schnitger
- Pearl C. Hsiung
- Scott Martin
- Matthew Monahan
- Giles Miller
- Richard Lee 2011
Work
My Barbarian had solo exhibitions with Steve Turner Contemporary in Los Angeles and at Participant, Inc. in New York. In 2008, the group made a collaborative exhibition with the sculptor Lara Schnitger at Museum Het Domain, Sittard, NL, which, in 2009, traveled to the Luckman Gallery in Los Angeles.
In 2016, My Barbarian presented a residency and exhibition at the New Museum entitled The Audience is Always Right. The piece drew elements of theater, visual arts, critical practice, and specifically performance to theatricalize social issues.