Maudgalyayana


Maudgalyāyana, also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra, and Mahākāśyapa, he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that.
Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life.
Through post-canonical texts, Maudgalyāyana became known for his filial piety through a popular account of him transferring his merits to his mother. This led to a tradition in many Buddhist countries known as the ghost festival, during which people dedicate their merits to their ancestors. Maudgalyāyana has also traditionally been associated with meditation and sometimes Abhidharma texts, as well as the Dharmaguptaka school. In the nineteenth century, relics were found attributed to him, which have been widely venerated. His female counterpart was Utpalavarṇā.

Person

In the Pali Canon, it is described that Maudgalyāyana had a skin color like a blue lotus or a rain cloud. Oral tradition in Sri Lanka says that this was because he was born in hell in many lifetimes. Sri Lankan scholar Karaluvinna believes that originally a skin was meant, not blue. In the Mahāsāṃghika Canon, it is stated that he was "beautiful to look at, pleasant, wise, intelligent, full of merits ...", as translated by Migot.
In some Chinese accounts, the clan name Maudgalyāyana is explained as referring to a legume, which was eaten by an ancestor of the clan. However, the Indologist Ernst Windisch linked the figure of Maudgalyayana to the figure of Maudgalya who appears in the Sanskrit epic Mahabharata, which would explain the name. Windisch believed the account of the diviner Maudgalya had influenced that of Maudgalyayana, since both relate to a journey to heaven. Author Edward J. Thomas considered this improbable, though. Windisch consider Maudgalyāyana a historical person.

Life

Meeting the Buddha

According to Buddhist texts, Maudgalyāyana is born in a family of the village Kolita, after which he is named. His mother is Mogallāni, and his father is the village chief. Kolita is born on the same day as Upatiṣya, and the two are friends from childhood. Kolita and Upatiṣya develop an interest in the spiritual life when they are young. One day while they are watching a festival a sense of disenchantment and spiritual urgency overcomes them: they wish to leave the worldly life behind and start their spiritual life under the mendicant wanderer Sañjaya Vairatiputra. In the Theravāda and Mahāsāṃghika canons, Sañjaya is described as a teacher in the Indian Sceptic tradition, as he does not believe in knowledge or logic, nor does he answer speculative questions. Since he cannot satisfy Kolita and Upatiṣya's spiritual needs, they leave. In the Mūlasarvāstivāda Canon, the Chinese Buddhist Canon and in Tibetan accounts, however, he is depicted as a teacher with admirable qualities such as meditative vision and religious zeal. He falls ill though, and dies, causing the two disciples to look further. In some accounts, he even goes so far to predict the coming of the Buddha through his visions.
Regardless, Kolita and Upatiṣya leave and continue their spiritual search, splitting up in separate directions. They make an agreement that the first to find the "ambrosia" of the spiritual life will tell the other. What follows is the account leading to Kolita and Upatiṣya taking refuge under the Buddha, which is considered an ancient element of the textual tradition. Upatiṣya meets a Buddhist monk named Aśvajit, one of the first five disciples of the Buddha, who is walking to receive alms from devotees. In the Mūlasarvāstivāda version, the Buddha has sent him there to teach Upatiṣya. Aśvajit's serene deportment inspires Upatiṣya to approach him and learn more. Aśvajit tells him he is still newly ordained and can only teach a little. He then expresses the essence of the Buddha's teaching in these words:
These words help Upatiṣya to attain the first stage on the Buddhist spiritual path. After this, Upatiṣya tells Kolita about his discovery and Kolita also attains the first stage. The two disciples, together with Sañjaya's five hundred students, go to ordain as monks under the Buddha in Veṇuvana. From the time of their ordination, Upatiṣya and Kolita become known as Śāriputra and Maudgalyāyana, respectively, Maudgalyāyana being the name of Kolita's clan. After having ordained, all except Śāriputra and Maudgalyāyana attain arhat. Maudgalyāyana and Śāriputra attain enlightenment one to two weeks later, Maudgalyāyana in Magadha, in a village called Kallavala. At that time, drowsiness is obstructing him from attaining further progress on the path. After he has a vision of the Buddha advising him how to overcome it, he has a breakthrough and attains enlightenment. In some accounts, it is said that he meditates on the elements in the process. In the Commentary to the Pali Dhammapada, the question is asked why the two disciples attain enlightenment more slowly than the other former students of Sañjaya. The answer given is that Śāriputra and Maudgalyāyana are like kings, who require a longer time to prepare for a journey than commoners. In other words, their attainment is of greater depth than the other students and therefore requires more time.
Aśvajit's brief statement, known as the Ye Dharma Hetu stanza, has traditionally been described as the essence of the Buddhist teaching, and is the most inscribed verse throughout the Buddhist world. It can be found in all Buddhist schools, is engraved in many materials, can be found on many Buddha statues and stūpas, and is used in their consecration rituals. According to Indologist Oldenberg and translator Thanissaro Bhikkhu, the verses were recommended in one of Emperor Asoka's edicts as subject of study and reflection. The role of the stanza is not completely understood by scholars. Apart from the complex nature of the statement, it has also been noted it has not anywhere been attributed to the Buddha in this form, which indicates it was Aśvajit's own summary or paraphrasing. Indologist T.W. Rhys Davids believed the brief poem may have made a special impression on Maudgalyāyana and Sariputta, because of the emphasis on causation typical for Buddhism. Philosopher Paul Carus explained that the stanza was a bold and iconoclastic response to Brahmanic traditions, as it "repudiates miracles of supernatural interference by unreservedly recognising the law of cause and effect as irrefragable", whereas Japanese Zen teacher Suzuki was reminded of the experience that is beyond the intellect, "in which one idea follows another in sequence finally to terminate in conclusion or judgment".
Although in the Pali tradition, Maudgalyāyana is described as an arhat who will no longer be reborn again, in the Mahayāna traditions this is sometimes interpreted differently. In the Lotus Sutra, Chapter 6, the Buddha is said to predict that the disciples Mahākasyapa, Subhuti, Mahakatyayana, and Maudgalyāyana will become Buddhas in the future.

Śāriputra and Maudgalyāyana

On the day of Maudgalyāyana's ordination, the Buddha allows him and Śāriputra to take the seats of the chief male disciples. According to the Pali Buddhavaṃsa text, each Buddha has had such a pair of chief disciples. As they have just ordained, some other monks feel offended that the Buddha gives such honor to them. The Buddha responds by pointing out that seniority in the monkhood is not the only criterion in such an appointment, and explains his decision further by relating a story from the past. He says that both disciples aspired many lifetimes ago to become chief disciples under him. They made such a resolution since the age of the previous Buddha Aṇomadassī, when Maudgalyāyana was a layman called Sirivadha. Sirivaddha felt inspired to become a chief disciple under a future Buddha after his friend, Śāriputra in a previous life, recommended that he do so. He then invited Buddha Aṇomadassī and the monastic community to have food at his house for seven days, during which he made his resolution to become a chief disciple for the first time. Afterwards, he and Śāriputra continued to do good deeds for many lifetimes, until the time of Sakyamuni Buddha. After the Buddha appoints Maudgalyāyana as chief disciple, he becomes known as "Mahā-Maudgalyāyana", mahā meaning 'great'. This epithet is given to him as an honor, and to distinguish him from others of the same name.
Post-canonical texts describe Maudgalyāyana as the second chief male disciple, next to Śāriputra. The early canons agree that Śāriputra is spiritually superior to Maudgalyāyana, and their specializations are described as psychic powers for Maudgalyāyana and wisdom for Śāriputra. In Buddhist art en literature, Buddhas are commonly depicted with two main disciples at their side—in the case of Sakyamuni Buddha, the two disciples depicted are most often Maudgalyāyana and Śāriputra. Although there are different perspectives among different Buddhist canons as to the merits of each disciple, in all Buddhist canons, Maudgalyāyana and Śāriputra are recognized as the two main disciples of the Buddha. This fact is also confirmed by iconography as discovered in archaeological findings, in which the two disciples tend to be pictured attending their master. Moreover, Maudgalyāyana is often included in traditional lists of 'four great disciples' and eight arhats. Despite these widespread patterns in both scripture and archaeological research, it has been noted that in later iconography, Ānanda and Mahākasyapa are depicted much more, and Maudgalyāyana and Śāriputra are depicted much less.
The lives of Maudgalyāyana and Śāriputra are closely connected. Maudgalyāyana and Śāriputra are born on the same day, and die in the same period. Their families have long been friends. In their student years, Maudgalyāyana and Śāriputra are co-pupils under the same teacher. After having helped each other to find the essence of the spiritual life, their friendship remains. In many sutras they show high appreciation and kindness to one another. For example, when Śāriputra falls ill, it is described that Maudgalyāyana used his psychic powers to obtain medicine for Śāriputra. Śāriputra is considered the wisest disciple of the Buddha, but Maudgalyāyana is second to him in wisdom. The one thing that gives them a strong bond as spiritual friends is the love for the Buddha, which both express often.