Morocco Bound
Morocco Bound is a farcical Edwardian musical comedy in two acts by Arthur Branscombe, with music by F. Osmond Carr and lyrics by Adrian Ross. It opened at the Shaftesbury Theatre in London, on 13 April 1893, under the management of Fred J. Harris, and transferred to the Trafalgar Square Theatre on 8 January 1894, running for a total of 295 performances. A young George Grossmith, Jr. was in the cast, as was Letty Lind. Harry Grattan and Richard Temple later joined the cast.
This musical opened in the same year as Gilbert and Sullivan's Utopia, Limited and shared a number of features with that opera, including a distant, exotic locale, and both presented British archetypes as exemplars. Morocco Bound crystallized the music-hall influenced "variety musical" form and was more representative than Utopia of the prevailing taste of London theatre audiences, which was turning away from comic opera.
Roles
- Spoofah Bey - Mr. John L. Shine
- Squire Higgins - Charles Danby
- Vivian Higgins - Sydney Barraclough
- Dolly Higgins - Alfred C. Seymour
- Josiah Higgins - Herbert Sparling
- Lord Percy Pimpleton - George Grossmith Jr.
- Sid Fakah - Colin Coop
- Musket - Douglas Munro
- Maude Sportington - Letty Lind
- Ethel Sportington - Violet Cameron
- Comtesse De La Blague - Jennie McNulty
- Lady Walkover - Agnes Hewitt
- Rhea Porter - Marie Studholme
- Eva Sketchley - Eva Westlake
- Hilda Adlette - Ruby Temple
Synopsis
Musical numbers
;Act I - Mokeleigh Hall, an English stately home- No. 1 - Opening Chorus - "England is diversified by eligible mansions..."
- No. 2 - Song - Musket - "I've serv'd the boards of 'aughty lords..."
- No. 3 - Duet - Maude & Lady Walkover - "The latest social appetite, of course, you know..."
- No. 4 - Song - Ethel - "When maidens fair in days of old..."
- No. 5 - Song - Spoofah - "If I had cash to cut a dash, I'd run as straight as any..."
- No. 6 - Duet - Comtesse & Spoofah - "In pastoral seclusion how happily we'll fare..."
- No. 7 - Chorus - "Hurrah, hurrah, hurrah, hurrah for the Squire..."
- No. 8 - Song - Squire - "I never 'ad friends for to foster, or give me a show at a stall..."
- No. 9 - Chorus and Solos - Vivian & Squire - "Gladly greet our future master, welcome home our coming lord..."
- No. 10 - Song - Ethel - "If I were a royal lady, and he were of low degree..."
- No. 11 - Trio and Dance - Spoofah, Squire & Josiah - "The thought of ev'ry Englishman, who's not a Laboucherian..."
- No. 12 - Song - Vivian - "Stars come out in the skies that darken, silent above..."
- No. 13 - Pas Seul
- No. 14 - Duet - Ethel & Vivian - "There's a word, or possibly two..."
- No. 15 - Song - Spoofah & Chorus - "I have stay'd for a time at each palace sublime..."
- No. 16 - Finale Act I - "I'll tell you what I'll do..."
- No. 1 - Opening Chorus Act II - "Fareshah! Fareshah! Fareshah! Mareshah! Chareshah oum!..."
- No. 2 - Song - Vizier, with Chorus - "I am the very Grand Vizier, to all the land extremely dear..."
- No. 2a - "Morocco Boot" - Grotesque Exit
- No. 3 - Scene and Song - Squire, with Chorus - "My lord, it comes..."
- No. 4 - Song - Vivian - "Light of love that only made my life so bright..."
- No. 5 - Chorus - "Once more we have the leave to enter in procession..."
- No. 6 - Song - Maude and Chorus - "I'm the queen of merry Monaco, known to all the visitors who go..."
- No. 7 - Drinking Song - "Oh, morning bids the hunter wake and blow the merry horn..."
- No. 8 - Song - Spoofah and Chorus - "I will tell you all that happen'd to the plan..."
- No. 9 - Cymbal Dance - Pas Seul
- No. 10 - Duet - Squire and Spoofah - "If you go to a swell Music Hall..."
- No. 11 - Concerted Piece - Finale - The Red Morocco Boot - "If you should ask for our advice..."