Minimal wave
Minimal wave is a broad classification of music that comprises obscure, atypical examples of genres such as new wave, stripped-down electronic or synthesizer music, synth-pop, post-punk, and coldwave. Most of the music tends to focus on electronic, pre-MIDI instrumentation and themes of sincere, rather than ironic, detachment.
The term "minimal wave" draws some contention. Although much minimal wave is classified in the late 1970s and early 1980s and subsequently appeared on bootleg and one-off compilations, the genre did not have a name until a record label of the same name began releasing compilations and reissues in the mid-2000s.
Background and etymology
, founder of the Minimal Wave record label, claims to have coined the genre name. She stated in a 2009 interview:For a 2009 publicity piece, Vasicka wrote that the music overlaps with several other genres, "The Minimal Wave genre actually formed only several years ago, as a result of a resurgence of interest in the roots of pre-MIDI electronic new wave, mainly from North America, Europe and Japan. This music is sometimes referred to as minimal electronic, minimal synth, coldwave, new wave, technopop, or synth-pop, depending on the particular style, year, and location of the band." She identifies Orchestral Manoeuvres in the Dark's Organisation, Depeche Mode's Speak & Spell, John Foxx's Metamatic, Kraftwerk's The Man-Machine, Yellow Magic Orchestra's Solid State Survivor, and early Human League as influential in the development of the genre.
In its heyday, the music's demographic had subcultures all over the world, but was most critical in Europe and the United States, where the machines used to create this type of music were readily available. The fanzine CLEM helped create a worldwide community of musicians in the genre, prior to the use of the Internet. Many of the musicians in the genre collaborated via mail.