Mimar Sinan
Mimar Sinan also known as Koca Mi'mâr Sinân Âğâ, was the chief Ottoman architect, engineer and mathematician for sultans Suleiman the Magnificent, Selim II and Murad III. He was responsible for the construction of more than 300 major structures, including the Selimiye Mosque in Edirne, the Kanuni Sultan Suleiman Bridge in Büyükçekmece, and the Mehmed Paša Sokolović Bridge in Višegrad, as well as other more modest projects such as madrasa's, külliyes, and bridges. His apprentices would later design the Sultan Ahmed Mosque in Istanbul and the Stari Most bridge in Mostar.
The son of a stonemason, he received a technical education and became a military engineer. He rose rapidly through the ranks to become first an officer and finally a Janissary commander, with the honorific title of Sinan. He refined his architectural and engineering skills while on campaign with the Janissaries, becoming expert at constructing fortifications of all kinds, as well as military infrastructure projects, such as roads, bridges and aqueducts. At about the age of fifty, he was appointed as chief royal architect, applying the technical skills he had acquired in the army to the "creation of fine religious buildings" and civic structures of all kinds. He remained in this post for almost fifty years.
His masterpiece is the Selimiye Mosque in Edirne, although his most famous work is the Suleiman Mosque in Istanbul. He headed an extensive governmental department and trained many assistants who, in turn, distinguished themselves; these include Sedefkar Mehmed Agha, architect of the Sultan Ahmed Mosque and Mimar Hayruddin, architect of the Stari Most. He is considered the greatest architect of the classical period of Ottoman architecture and has been compared to Michelangelo, his contemporary in the West. Michelangelo and his plans for St. Peter's Basilica in Rome were well known in Istanbul, since Leonardo da Vinci and he had been invited, in 1502 and 1505 respectively, by the Sublime Porte to submit plans for a bridge spanning the Golden Horn. Mimar Sinan's works are among the most influential buildings in history.
Early years and background
Mimar Sinan was born with the name Joseph in a small town called Ağırnas near the city of Kayseri in Anatolia.His birth is variously placed either between 1489 and 1491 or between 1494 and 1499. His origin is disputed, mainly between Armenian, and Cappadocian Greek. One argument that lends credence to his Armenian or Greek background is a decree by Selim II dated Ramadan 7 981, which granted Sinan's request to forgive and spare his relatives from the general exile of Kayseri's Armenian community to the island of Cyprus; this decree was published in the June 1930-May 1931 edition of the Istanbul Turkish journal Türk Tarihi Encümeni Mecmuası. Godfrey Goodwin stated that "after the Ottoman conquest of Cyprus in 1571, when Selim II decided to repopulate the island by transferring Rum families from the Karaman Eyalet, Sinan intervened on behalf of his family and obtained two orders from the Sultan in council exempting them from deportation." According to several scholars, this means that his family was Cappadocian Greek because the only Orthodox Christians of the region were Greek-speaking.
Sinan's place of birth, Ağırnas, was a Greek village with no Armenian inhabitants, which some scholars argue would give more credence to the theory of him being of Greek origin. Additionally, before the Greeks evacuated the village, a Cappadocian Greek family from the village named Taşçıoğlu had claimed Sinan as a member of their own family.
Less popular theories among scholars are that Sinan was Albanian, or even Jewish, or Christian Turkish. According to the Encyclopædia Britannica, Sinan had either Armenian or Greek origin. A local tradition in the village of Shiroka Lăka holds that Sinan was of Bulgarian origin and his family came from that village. Turkish scholars have meanwhile argued that Sinan's family was Christian Turkish. In 1935, a council commissioned by the Turkish Historical Society went so far as to open up Sinan's tomb and measure his skull so as demonstrate his Turkish "racial" heritage.
Sinan grew up helping his father in his work, and by the time that he was conscripted would have had a good grounding in the practicalities of building work. There are three brief records in the library of Topkapı Palace, dictated by Sinan to his friend and biographer Mustafa Sâi Çelebi. In these manuscripts, Sinan divulges some details of his youth and military career. His father is referred to as "Abdülmennan", a title which was commonly used in the Ottoman period to define the non-Muslim father of a Muslim convert.
Military career
In 1512, Sinan was conscripted into Ottoman service under the devshirme system. He was sent to Constantinople to be trained as an officer of the Janissary Corps and converted to Islam. He was too old to be admitted to the imperial Enderun School in the Topkapı Palace but was sent instead to an auxiliary school. Some records claim that he might have served the Grand Vizier Pargalı İbrahim Pasha as a novice of the Ibrahim Pasha School. Possibly, he was given the Islamic name Sinan there. He initially learned carpentry and mathematics but through his intellectual qualities and ambitions, he soon assisted the leading architects and got his training as an architect.During the next six years, he also trained to be a Janissary officer. He possibly joined Selim I in his last military campaign, Rhodes according to some sources, but when the Sultan died, this project ended. Two years later he witnessed the conquest of Belgrade. Under the new sultan, Suleiman the Magnificent, he was present, as a member of the Household Cavalry, at the Battle of Mohács. He was promoted to captain of the Royal Guard and then given command of the Infantry Cadet Corps. He was later stationed in Austria, where he commanded the 62nd Orta of the Rifle Corps. He became a master of archery, while at the same time, as an architect, learning the weak points of structures when gunning them down. In 1535 he participated in the Baghdad campaign as a commanding officer of the Royal Guard. In 1537 he went on expeditions to Corfu and Apulia and Moldavia.
During these campaigns he proved himself an able architect and engineer. When the Ottoman army captured Cairo, Sinan was promoted to chief architect and was given the privilege of tearing down any buildings in the captured city that were not according to the city plan. During the campaign in the East, he assisted in the building of defences and bridges, such as a bridge across the Danube. He converted churches into mosques. During the Persian campaign in 1535 he built ships for the army and the artillery to cross Lake Van. For this he was given the title Haseki'i, Sergeant-at-Arms in the body guard of the Sultan, a rank equivalent to that of the Janissary Ağa.
When Chelebi Lütfi Pasha became Grand Vizier in 1539, he appointed Sinan, who had previously served under his command, to the office of Architect of the Abode of Felicity. This was the start of a remarkable career. The job entailed the supervision infrastructure construction and the flow of supplies within the Ottoman Empire. He was also responsible for the design and construction of public works, such as roads, waterworks and bridges. Through the years he transformed his office into that of Architect of the Empire, an elaborate government department, with greater powers than his supervising minister. He became the head of a whole Corps of architects, training a team of assistants, deputies and pupils.
Work
His training as an army engineer gave Sinan an empirical approach to architecture rather than a theoretical one--similar to Europe-based architects of roughly the same period such as Brunelleschi and Michelangelo.Various sources state that Sinan was the architect of at least 374 structures which included 92 mosques; 52 small mosques ; 55 schools of theology ; 7 schools for Koran reciters ; 20 mausoleums ; 17 public kitchens ; 3 hospitals ; 6 aqueducts; 10 bridges; 20 caravanserais; 36 palaces and mansions; 8 vaults; and 48 baths. Sinan held the position of chief architect of the palace, which meant being the overseer of all construction work of the Ottoman Empire, for nearly 50 years, working with a large team of assistants consisting of architects and master builders.
The development and maturing stages of Sinan's career can be illustrated by three major works. The first two of these are in Istanbul: the Şehzade Mosque, which he calls a work of his apprenticeship period and the Süleymaniye Mosque, which is the work of his qualification stage. The Selimiye Mosque in Edirne is the product of his master stage.
Şehzade Mosque is the first of the grand mosques created by Sinan. The Mihrimah Sultan Mosque, which is also known as the Üsküdar Quay Mosque, was completed in the same year and has an original design with its main dome supported by three half domes. When Sinan reached the age of 70, he had completed the Süleymaniye Mosque complex. This building, situated on one of the hills of Istanbul facing the Golden Horn, and built in the name of Süleyman the Magnificent, is one of the symbolic monuments of the period. The diameter of the dome, which exceeds the of the Selimiye Mosque which Sinan completed when he was 80, is the most outstanding example of the level of achievement reached by Sinan. Mimar Sinan reached his artistic peak with the design, architecture, tile decorations and land stone workmanship displayed at Selimiye.
Another area of architecture where Sinan produced unique designs are his mausoleums. The Mausoleum of Şehzade Mehmed is notable for with its exterior decorations and sliced dome. The Rüstem Paşa mausoleum is a very attractive structure in classical style. The mausoleum of Süleyman the Magnificent is an interesting experiment, with an octagonal body and flat dome. The Selim II Mausoleum with has a square plan and is one of the best examples of Turkish mausoleum architecture. Sinan's own mausoleum, which is located in the north-east part of the Süleymaniye complex on the other hand, is a very plain structure.
File:Kılıç_Ali_Pasha_Complex.jpg|thumb|Kılıç Ali Pasha Complex designed by Sinan in Karaköy district of İstanbul
Sinan masterfully combined art with functionalism in the bridges he built. The largest of these is the nearly long Büyükçekmece Bridge. Other important examples are the Ailivri Bridge, the Old Bridge in Svilengrad on the Maritsa, the Lüleburgaz Bridge on the Lüleburgaz River, the Sinanlı Bridge over the river Ergene and the Mehmed Paša Sokolović Bridge over Drina river in Bosnia and Herzegovina.
While Sinan was maintaining and improving the water supply system of Istanbul, he built arched aqueducts at several locations within the city. The Mağlova Arch over the Alibey River, which is long and high, has two tiers of arches, and is one of the best examples of its kind.
At the start of Sinan's career, Ottoman architecture was highly pragmatic. Buildings were repetitions of former types and were based on rudimentary plans. They were more an assembly of parts than a conception of a whole. An architect could sketch a plan for a new building and an assistant or foreman knew what to do, because novel ideas were avoided. Moreover, architects used an extravagant margin of safety in their designs, resulting in a wasteful use of material and labour. Sinan would gradually change all this. He was to transform established architectural practices, amplifying and transforming the traditions by adding innovations, trying to approach perfection.