Mesías Maiguashca

Mesías Maiguashca is an Ecuadorian composer and an advocate of Neue Musik, especially electroacoustic music.

Biography

Born in Quito, Maiguashca studied music at the Conservatorio Nacional de Quito, at the Eastman School of Music in Rochester, New York, with Alberto Ginastera at the Instituto di Tella in Buenos Aires, and at the Hochschule für Musik in Cologne. In 1965–66 he returned to Quito to teach at the National Conservatory, but then moved back to Germany to attend the Internationale Ferienkurse für Neue Musik in Darmstadt, and the Fourth Cologne Courses for New Music in 1966–67 where he studied with Karlheinz Stockhausen. He is regarded as one of the central figures of the Cologne School, active since the mid-1970s.
Maiguashca worked closely with Stockhausen in the Electronic Music Studio of the Westdeutscher Rundfunk in Cologne from 1968 to 1972, and joined Stockhausen's ensemble for performances at the German Pavilion at Expo '70 in Osaka. He also prepared the recording of the collective composition Ensemble, organized by Stockhausen for the Darmstadt Courses in 1967. In 1971 he became a founding member of the Oeldorf Group of composers and performers, as well as beginning work at the Centre Européen pour la Recherche Musicale in Metz, at IRCAM in Paris, and at the ZKM, Zentrum für Kunst und Medientechnologie in Karlsruhe. He has taught in Metz, Stuttgart, Basel, Quito, and Győr, amongst other places. From 1990 to 2004 he was Professor of Electronic Music at the Musikhochschule of Freiburg im Breisgau, the town where he has lived since 1996.

Iridiscente, for orchestra, sound objects & electroacoustics, 2009
Ton-Geographie IV for sound installation, violin, cello, flute, trombone & sound objects, 2007
Boletín y elegía de las Mitas, scenic cantata on the text by César Dávila Andrade, 2006–2007
El Tiempo for 2 flutes, 2 clarinets, 2 cellos, 2 percussionists & electronics, 1999–2000
mini-ópera Los Enemigos, premiered: 31 October 1997 Karlsruhe, Germany.
The Spirit Catcher for cello & live electronics, 1993
La Seconde Ajouteé for 2 pianos. 1985
Fmelodies II for cello, percussion & tape, 1984...y ahora vamos por aquí... for 8 instruments & tape, 1977ÜBUNGEN for violin & synthesizer, 1972AYAYAYAYAY concrete music & electroacoustics, 1971
:Note: for a complete catalogue refer to the .

Maiguashca, Mesias. 1975. "Information zu Übungen für Violine, Klarinette und Violoncello." Feedback Papers 9 : 228–32.
Maiguashca, Mesias. 1985. "Zu FMELODIES" Neuland Jahrbuch 5:288–96.
Maiguashca, Mesias. 1987. "Espectro—armonía—melodía—timbre". Opus Magazine, no. 13 : 10–19.
Maiguashca, Mesias. 1991. "Spectre—harmonie—mélodie—timbre." In Le timbre, métaphore pour la composition, edited by Jean-Baptiste Barrière, Catherine Delaruelle, and Anne Grange, translated by Esther Starkier and Alain Galliari, 402–11. Paris: Bourgois.