The Kiss (1896 film)
The Kiss is an 1896 short film, and was one of the first films ever shown commercially to the public. Around 18 seconds long, it depicts a re-enactment of the kiss between May Irwin and John Rice from the final scene of the stage musical The Widow Jones. The film was directed by William Heise for Thomas Edison. The film was produced in April 1896 at the Edison Studios of Edison, the first film studio in the United States. At the time, Edison was working at the Black Maria studios in West Orange, New Jersey.
In 1999, the short was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
Cast
- May Irwin as Widow Jones
- John Rice as Billie Bikes
Production
The film was one of the last shot at Edison's Black Maria.Release
According to Charles Musser the film was released in either April or May 1896, and was publicized in a sponsored article in the New York World about actors kissing on stage. The article discussed the controversy surrounding onstage kissing and, along with an illustration of the Irwin and Rice kiss, referred readers to The Widow Jones and the Edison film. The campaign sought to bring attention to the newspaper, play, and movie all at once. The film was shown during demonstrations of the Vitascope.Charles Frohman was initially against the film, stating that "I shall have to consider replacing Miss Irwin" in The Widow Jones, but then asked for Edson Raff to have advertising for the short include that Irwin was the star of The Widow Jones.
The film was sold to exhibitors for $7.50 and it was being shown at the end of almost every show by the fall of 1896.
Reaction
The film was alleged to have caused a scandalized uproar and occasioned disapproving newspaper editorials and calls for police action in many places where it was shown. One contemporary critic wrote, "The spectacle of the prolonged pasturing on each other's lips was beastly enough in life size on the stage but magnified to gargantuan proportions and repeated three times over it is absolutely disgusting." However, according to Dengler in the Journal of Popular Film and Television, the shocked reaction of the general public is a myth.The Edison catalogue advertised it this way: "They get ready to kiss, begin to kiss, and kiss and kiss and kiss in a way that brings down the house every time."
Perhaps in defiance, and "to spice up a film", this film was followed by many imitators and take-offs, including Something Good – Negro Kiss, The Kiss in the Tunnel and The Kiss.