Matthew Peterson


Matthew Peterson is a classical composer of operas, choral works, orchestral and chamber music.

Biography

Matthew Peterson was born and raised in Grand Forks, North Dakota. He studied music composition at St. Olaf College, Indiana University Jacobs School of Music and Gotland School of Music Composition where his teachers included Mary Ellen Childs and Sven-David Sandström.
Peterson is a freelance composer based in Smedjebacken, Sweden, first arriving on a Fulbright Award in 2008. His Fulbright project was the true-crime chamber opera Voir Dire, a work that received critical-acclaim after its 2017 world premiere at Fort Worth Opera. He is a member of FST and has been commissioned by Swedish musicians and ensembles including the Swedish Radio Choir, Dalasinfoniettan, guitarist Mårten Falk, Gustaf Sjökvist Chamber Choir, Uppsala Vokalensemble, Sofia Vokalensemble, and Stockholm Saxophone Quartet. His music has been featured at international music festivals Svensk Musikvår, Purpur, Ljudvågor, Lund Choral Festival, Jubilate and Sound of Stockholm.
In 2014 Peterson was awarded the ASCAP Rudolph Nissim Award for orchestral composition. The same year he won both first prize and the audience/radio-listener's prize at the Uppsala composer competition for And all the trees of the field will clap their hands for chamber orchestra, and his true-crime opera Voir Dire was the winner of the Fort Worth Opera Frontiers showcase for new opera. In 2021 Peterson was awarded the first Sven-David Sandström Choral Composition Award from the Royal Swedish Academy of Music. The Royal Academy also awarded him with the composer prize.

Concert works

Peterson's music has been performed at venues across Europe and North America such as the [John F. John F. Kennedy Center for the Performing Arts|Kennedy Center for the Performing Arts|Kennedy Center], Berwaldhallen, Stockholms Konserthuset, Minneapolis Orchestra Hall and Gothenburg Konserthuset by ensembles including the Swedish Radio Choir, Stockholm Saxophone Quartet, Minnesota Orchestra, Washington National Opera, Atlanta Symphony Orchestra, Gothenburg Symphony Orchestra, VocalEssence, Malmö Symphony, Chanticleer, Vanemuine Symphony, Fort Worth Opera, Colorado Springs Philharmonic, and others. His works are regularly performed on St. Olaf College’s annual Christmas concerts.

Operas

''Voir Dire''

The courtroom opera Voir Dire is adapted from true-crime stories witnessed by librettist Jason Zencka while he was court reporter for the Stevens Point Journal. The 2017 world premiere production by Fort Worth Opera received national critical acclaim. Opera Now called Voir Dire “startlingly immediate and journalistic in feel, made memorable by the depth and texture of the music.” Heidi Waleson, in her review for The ''Wall Street Journal'', wrote: “The opera drills unsentimentally into the tragedies of ordinary people...its power lies in how believable their emotions are.”

''Lifeboat''

Lifeboat, an opera with libretto by Emily Roller, is inspired by the Syrian refugee crisis. A John F Kennedy Center Commission for Washington National Opera, it premiered January 14, 2017 at the Kennedy Center. Classical Voice America praised Peterson's “admirable mastery of both vocal writing and colorful orchestration,” and Anne Midgette of the Washington Post wrote “Lifeboat began dramatically with a storm scene, then moved onto the tranquility of the becalmed, focusing on three shipwreck survivors in a lifeboat, and culminating in a vocal trio that Peterson was able to make truly beautiful.”

''The Binding of Isaac''

Peterson's first opera, The Binding of Isaac, is a modern retelling of the Biblical story of Abraham, set in a religious-fundamentalist compound. This was Peterson's first collaboration with librettist and writer Jason Zencka. It premiered at St. Olaf College in 2006 and was awarded the 2007 BMI Student Composer Award.

Awards

Recordings

Cantate Domino on album In Paradisum with Sofia VokalensembleLjusfälten on album Fields of Lights with Uppsala VokalensembleVOIR DIRE: a courtroom opera original cast recordingSmooth Fat Nasty: Matthew Peterson - the saxophone works with Stockholm Saxophone Quartet

Works

Symphonies

Operas

The Binding of Isaac, chamber opera for four singers and seven instruments, libretto by Jason Zencka Voir Dire, chamber opera for five singers and nine players, libretto by Jason Zencka Lifeboat, chamber opera for soprano, mezzo, baritone and chamber orchestra, libretto by Emily Roller

Orchestral works

Reflections on the Death of the Beloved for band Icumen for orchestra Hyperborea for orchestra Dawn: Redeeming, Radiant for orchestra And all the trees of the field shall clap their hands for chamber orchestra Corde Natus for orchestra Tumult and Flood for chamber orchestra Newborn Glimmer for orchestra The Loons of Lac La Croix for orchestra Symphony No. 1: The Singing Wilderness The Way of a Canoe for orchestra Aurora for orchestra Four Northern Visions for orchestra

Choral works

The Bedtime Prayer for SATB choir a cappella Miserere Mei for SATB a cappella Surgit Dorpatum SSAA a cappella Lux Aeterna for double SATB choir a cappella Ljusfälten for SATB a cappella to six poems of Edith SödergranSommar i bergen for SATB and nyckelharpa to poem by Edith SödergranCantate Domino for SATB Adoramus Te for SMATBB Ave Maris Stella motet for SSAATTBB And Lo, A Great Multitude for double SATB choir a cappella Non Nobis for SATB choir a cappella Salve Regina for SMATBB In the Beginning for SATB and saxophone quartet Behold I make all things new for SATB choir a cappella An Inner Sky for SATB to three poems by E. E. Cummings lonliness to poem of E. E. Cummings ! omoon to poem of E. E. Cummings brIght to poem of E. E. Cummings

Solo works

kick for percussion Bound and Unbound for piano Huldra for marimba smooth fat nasty for baritone saxophone Peregrinations for guitar Koraconnes for cello The baddest girl on the mountain for alto saxophone polska plska pla for piano Laud for organ To the Firmament for organ Shamans of the Digital Wasteland for frame drum and electronics

Chamber music

Brutal Music for flute, clarinet, percussion, piano, violin, viola, cello, double bass Thunderheads for 2 percussionists Empire Builder for flute, piano, violin Mass for soprano and percussion Badlands for string quartet January for string trio Vingar, Virvlar for soprano and tenor saxophone Dance Party Playlist for saxophone quartet Lament for Sven-David Sandström for saxophone quartet

Electronic music

Horizons Rain Dances Shamans of the Digital Wasteland for frame drum and electronics