Matthew Angelo Harrison

Matthew Angelo Harrison is an American artist living and working in Detroit, MI. His work investigates analog and digital technologies to explore ancestry, authenticity, and the relationship between African culture and African-American culture.

Life and work

Harrison was born in Detroit, Michigan, where he currently lives and works. After earning a BFA from the School of the Art Institute of Chicago in 2012, Harrison worked at Ford Motor Company prototyping clay models for cars and car parts. His past work with machinery and industrial design continues to inform and inspire his artistic process today. In his work, Harrison explores issues of race, design, mortality and industry by making use of various technologies. Inspired by the notion of an “abstract ancestry,” Harrison focuses on collecting relics and symbols of African American culture that can be re-contextualized or re-simulated.
Bodies of Work
In his "Dark Silhouettes" series, Harrison “encapsulates” dissections of African tribal sculptures in subtly tinted resin blocks. Some of the figures, heads and masks come from Makonde and Dogon tribes while others are of unknown origin. Harrison then slices through or burrows holes, with a CNC router, into some of the blocks producing unique forms and evoking diverse places and times.
In his “Dark Povera” series, Harrison scans African artifacts and then reproduces them with his homemade low-resolution 3D printers. In contrast to most 3D printers, which print with silicone and other strong synthetic plastics, Harrison’s hand-made printers utilize a wet clay, creating a finished product that is an imperfect, abstracted reproduction of the original artifact.

Exhibitions

Solo exhibitionsDetroit City/Detroit Affinities, curated by Jens Hoffmann, MOCAD, Detroit, MI, 2016Dark Povera Part 1, Atlanta Contemporary, Atlanta, GA, 2017Post Truth / The Lie That Tells the Truth, Culture Lab, Detroit, MI, 2017

'Prototype of Dark Silhouettes, Jessica Silverman Gallery, San Francisco, CA, 2018
'Abstract Ancestry: Machine Works on Paper, University of Michigan Institute for the Humanities, Ann Arbor, MI, 2018Field Station: Matthew Angelo Harrison, Broad Museum, Michigan State University, East Lansing, MI, 2018

Group exhibitionsEver get the feeling we’re not alone in this world?, What Pipeline, Detroit, MI, 2016The Politics of Portraiture, Jessica Silverman Gallery, San Francisco, CA, 2016Take Me , curated by Hans Ulrich Obrist, Jens Hoffmann and Kelly Taxter, Jewish Museum, New York, NY, 2016Eric Schmid is an Idiot, curated by What Pipeline, CAVE Detroit, MI, 2017Sonic Rebellion: Music as Resistance, MOCAD, Detroit, MI, 2017Fictions, The Studio Museum in Harlem, New York, NY, 2017The Everywhere Studio, Institute of Contemporary Art, Miami, FL, 2017Songs for Sabotage, New Museum Triennial, New Museum, New York, NY, 2018At Large Part 2, Reyes Projects, Detroit, MI, 2018I Was Raised on the Internet, Museum of Contemporary Art Chicago, Chicago, IL, 2018Kinship, Jessica Silverman Gallery, San Francisco, CA, 2018Uncanny Valley, De Young Museum, San Francisco, CA, 2019Landlord Colors: On Art, Economy, and Materiality, Cranbrook Museum, Bloomfield Hills, MI, 2019Colored People Time: Quotidian Pasts, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, 2019

Public collections

Museum of Contemporary Art, Chicago, IL
Broad Art Museum, Michigan State University, East Lansing, MI
Galeries Lafayette Foundation - Fonds de dotation Famille Moulin, Paris
de Young Museum, San Francisco, CA
Institute of Contemporary Art, Miami, FL
Kadist, San Francisco/Paris
Rennie Collection, Vancouver, B.C.