Marie Rosalie Bertaud


Marie Rosalie Bertaud also referred to as Mme Rosalie Bertaud, Me Re Bertaud, or Rosalie Bertrand, was a French engraver.

Life and work

Marie Rosalie Bertaud was an engraver born in Paris, France in 1738. She studied under Pierre Philippe Choffard and Augustin de Saint-Aubin, both well-known French engravers. Bertaud was skilled and left her mark as a distinguished engraver at a time when female engravers were in a minority.
In her lifetime, she produced numerous engravings after Claude-Joseph Vernet’s seascapes, often as pendant pairs. She has been referred to as a loyal follower of his work. Bertaud was known to take liberties in reproducing Vernet’s compositions, which is particularly evident in her figural arrangements, scale, and cropping. She typically engraved the composition on the plate in reverse, so when it was printed the engraving and painting had the same orientation. Her engraving of The Dangers of the Sea is a notable exception as a mirror image of the original painting.
Her prints were often publicized in the Gazette de France  and the Mercure. In a January 1, 1770 announcement regarding Impetuous Storm , her name was mistakenly printed as ‘Bertrand.’ At this point, Bertrand and Bertaud became recognizable as one and the same. The announcements were inconsistent, but generally provided a brief description of the print, the price and where it was available for purchase in Paris. Announcements were made for the following works between 1770 and 1772, usually printed first in the Gazette and in the Mercure later in the month or the following month: Impetuous Storm, The Boat Set Afloat, The Italian Fishermen, Fishing in the Moon Light, and The Pierced Rock .
Her engravings have been collected by Harvard Art Museums, Bowdoin College Museum of Art, Reading Public Museum, the Philadelphia Museum of Art, and the Metropolitan Museum of Art. At one time The Dangers of the Sea was in the collection of Louis Roederer, a French patron of the arts and proprietor of the eponymous champagne house. It is unclear where the print is today.
There is no documentation detailing the end of Bertaud's career or her exact death date, only that she died in the early 19th century.

Engravings after Claude-Joseph Vernet

•Impetuous Storm , c. 1770
•Anglers , c. 1770
•The Pierced Rock , before 1800
•The Boat Set Afloat , 1770
•Fishing in the Moon Light , c. 1771
•The Italian Fishermen , c. 1770
•Effect of Thunder , c. 1755–85
•The Dangers of the Sea , c. 1773