Mansun
Mansun were an English alternative rock band, formed in Chester in 1995. The band comprised vocalist/rhythm guitarist Paul Draper, bassist Stove King, lead guitarist/backing vocalist Dominic Chad, and drummer Andie Rathbone.
It was announced in May 2003 that the band had split up earlier that year, whilst in the process of recording their fourth album, and some of their archival recording of the album later released on their final album, Kleptomania.
History
Formation
Paul Draper and Stove King met in the early 1990s, whilst working in the printing industry as photo retouchers for rival companies situated opposite each other on the same industrial park in Little Stanney on the outskirts of Chester. Through their shared love of David Bowie and 1980s new wave bands including Duran Duran and ABC they started socialising together at weekends, going to gigs in Liverpool and playing along to drum loops together in their bedrooms with the desire of forming a band together. Whilst King was a relative newcomer to playing bass, Draper had previously formed and fronted the electronic duo Grind whilst studying at Thames Polytechnic, with programmer-keyboard player Steve Heaton, and were often accompanied live by school friend Carlton Hibbert on drums.Grind released one 12" single in 1991 on the small "Whats in It For Me Records" label and gigged around London at venues such as The Rock Garden and The Brain and also supported Beverley Craven at the Mean Fiddler. Following the split of Grind, Draper, funded by a grant from The Prince's Trust, set up a music company called "Ambiance Productions" producing relaxation tapes to be sold in "hippie shops" across the north west of England. In early 1995 Draper and King enlisted Maidstone expat Dominic Chad, who was the bar manager at the Fat Cat pub on Watergate Street in Chester opposite the office where Draper would go and see former Grind member Steve Heaton. Chad had previously played with "Floating Bear" formed whilst at Bangor University in 1990, where he had been studying French and Russian but was kicked off the course due to lack of effort. Chad would later admit that his routine during university was "get up at three, go down to the union bar at four and stay there until it shut".
With the aid of a drum machine, the trio began rehearsing at Crash Rehearsal Studios in Liverpool, where the band were quickly discovered by passing A&R scouts Mark Lewis and Alan Wills who were there to see Cast and overheard the band through their rehearsal room door. The band were offered a publishing contract with Polygram Music Publishing four days after reluctantly handing over a demo tape of 4 songs that cost £150 to record featuring "Take It Easy Chicken", "Skin Up Pin Up", "Moronica" and "She Makes My Nose Bleed".
Early days (1995–96)
The band were initially called Grey Lantern, after Draper's DC Comics influenced alter ego which he created to help overcome his nervousness on stage, but soon changed their name to "Manson", after the cult leader Charles Manson. The band's self-financed debut release "Take It Easy Chicken" in September 1995 on their own "Sci-Fi Hi-Fi Recordings" label soon attracted the attention of BBC Radio 1 DJs Steve Lamacq and John Peel and the band found themselves, despite not having played a single gig and later admitting that they couldn't play together as a band very well at the time, at the centre of a record label bidding war. This resulted in the band signing to Parlophone, with whom they released the follow-up single "Skin Up Pin Up / Flourella" in November 1995 on sublabel Regal Recordings, although this time under the new moniker "Mansun" as they were forced to change the spelling due to threatened legal action from the Charles Manson Estate. The band gave several false accounts of this at the time, one being that they were named after The Verve B-side "A Man Called Sun", and that "Manson" was simply a spelling mistake which accidentally went through to production. It was later reported that Charles Manson had started spelling his name with a "u", to which Draper joked that they should sue him in return.Following the release of "Skin Up Pin Up / Flourella", the band were moved up to the main Parlophone label and released several EPs, including an expanded re-release of the debut single. The first lineup of the band alongside Draper, King and Chad had featured former Grind drummer Carlton Hibbert and drum machine programmer Mark Swinnerton. Following five months of touring, starting with the band's first gig in August 1995 at The Lomax in Liverpool and support gigs with Heavy Stereo and The Charlatans, Swinnerton left the band in January 1996. As a four piece, the band continued touring including support gigs with Cast, Audioweb and Shed Seven until Hibbert was fired from the band in May 1996 following a series of rows with an inebriated Chad that resulted in a bizarre incident that involved a pineapple being thrown at Chad's face in Cambridge, where the band were supporting Shed Seven. Throughout the early days of the band, Chad was involved in a string of violent alcohol fuelled incidents. These included punching his own reflection in a hotel mirror, being thrown out of a pub after attempting to drop kick the bar, throwing pint glasses out of a window in Sheffield, getting himself banned along with the rest of the band from every outlet of the now defunct roadside restaurant chain Happy Eater, all Hard Rock Cafes worldwide and every Holiday Inn hotel in the UK after drop kicking a statue of the Venus de Milo. Ex-Kinky Machine drummer Julian Fenton was temporarily drafted in for gigs and featured in the promo videos for "Take It Easy Chicken" and "Stripper Vicar".
In August 1996 Andie Rathbone joined, a well known drummer in Chester who had been playing regularly with several bands including DNA Cowboys, The Wandering Quatrains and Jonti. Having auditioned several drummers without success, the band took a break at a local pub where "there was the best rock drummer we'd ever seen, playing with this really dodgy band", but the drummer, who was also working as an Audi car salesman at the time, initially rejected the band's pleas to join the band, as he thought the band played "Britpop shite". He changed his mind after King played him a demo of one of the band's latest songs, "Wide Open Space". Rathbone's first gig with the band was performing "Stripper Vicar" live on TFI Friday, having missed the previous nights gig in Brighton due to getting a train to Bristol Temple Meads by mistake and having to check the gig guide in the NME to find out where the gig was.
''Attack of the Grey Lantern'' (1997)
February 1997 saw the release of the band's critically acclaimed debut album Attack of the Grey Lantern. Although the band had finished recording most of the album prior to Rathbone joining, they went back into the studio to record new songs "Taxloss" and "Mansun's Only Love Song" and re-record several drum tracks. The album appeared to contain a conceptual storyline, which Draper referred to as "small town weirdo observations" and was influenced by comedies The Goon Show and Monty Python, whilst ending with a hidden track, "An Open Letter to the Lyrical Trainspotter", proclaiming that "the lyrics aren't supposed to mean that much". The album knocked labelmates Blur's self-titled album from the top spot of the UK albums chart after only being released the week before.During the early days of the band, Mansun were noted and sometimes derided for their constantly changing fashion styles. Such styles ranged from punk, new romantic, baggy "Madchester" clothes, army fatigues, A Clockwork Orange style boiler suits and even women's clothing. Draper admitted that it was "probably overenthusiasm, seeing people like Bowie's different guises and thinking, 'Great! Let's try that.'"
''Six'' (1998–99)
Following the release of the standalone "Closed for Business" EP in October 1997, the band found themselves short of songs going into the studio sessions at Olympic Studios for second album Six. Suffering from writer's block, Draper took inspiration from books Chad had taken out with him on tour, such as 120 Days of Sodom by Marquis de Sade, The House at Pooh Corner by A. A. Milne, and Dianetics: The Modern Science of Mental Health by L. Ron Hubbard, by quickly scanning them to get the gist of the books and then forming lyrics based on them. Many of the musical ideas were assembled during soundchecks on the previous US tour. Chad admitted that the band "had all these ideas that we came up with on tour, but we didn't have any complete songs. For the album, we simply recorded all the musical snippets, and then figured out key and tempo changes that would link the sections together". With the lack of complete songs going into the album sessions, Draper set out to put together enough material at the weekends in the band's rented accommodation in Barnes so that there was enough material each week for the band to work on.Through constant touring, the band were now confident to record as a band in the studio and set out to replicate their live sound and make the album heavier and more guitar based in contrast to the more commercial sounding drum loop and synthesiser based sound of the debut. On the Chad penned "Witness to Murder Part II", the band enlisted former Doctor Who actor Tom Baker to perform the monologue, with King admitting that "the whole band are big fans of Doctor Who and Tom Baker, so we thought he'd be ideal. Tom heard the track and immediately agreed to perform on it". The track was intended as an interlude between two sides of the album, as if it was a vinyl record, but Chad later stated he regretted putting it on the album. The original idea was to package the CD version of the album in a 12" gatefold sleeve to replicate the vinyl experience, but was abandoned due to possible issues with getting it stocked by retailers.
The album was preceded by the singles "Legacy", which provided the band with the highest-charting single, and "Being a Girl". Several more singles followed the release of the album, including "Negative" and a re-recording of the album's title track, "Six" produced by Arthur Baker. Draper later admitted to placing the two main singles at the end of the album to be awkward, and tried to avoid having choruses on the album, leaving many of those tracks to be released as b-sides, which he thought would have made a better rock album. He described the album as being "commercial suicide".