Rani Padmini
Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India. Several medieval texts mention her, although these versions are disparate and many modern historians question their overall authenticity.
The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom. Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar thereby defeating Khalji's aim of obtaining her and safeguarding their honour. Coupled with the Jauhar, the Rajput men died fighting on the battlefield.
Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.
Versions of the legend
Several 16th-century texts survive that offer varying accounts of Rani Padmini's life. Of these, the earliest is the Awadhi language Padmavat of the Sufi composer Malik Muhammad Jayasi, likely composed originally in the Persian script. The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of Chittorgarh make no mention of this queen. Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.Subsequently, many literary works mentioning her story were produced; these can be divided into four major categories:
- Persian and Urdu adaptions — Between the 16th and 19th centuries, at least 12 Persian and Urdu translations or adaptations of Malik Muhammad Jayasi's Padmavat were produced. More Urdu versions appeared in the 20th century, all adhering to Jayasi's love poetry tradition.
- Rajput ballads — In 1589 CE, Hemratan composed Gora Badal Padmini Chaupai, the first Rajput adaption of the legend, presenting it as a "true tale". Between 16th and 18th centuries, more Rajput versions of the Padmavati legend were compiled in present-day Rajasthan, under the patronage of the Rajput chiefs. Unlike Jayasi's theme of courting and marriage, the Rajput adaptions emphasized their honour in defending their kingdom against Alauddin Khalji.
- James Tod's version — During 1829–32, James Tod included a colonial re-telling of the legend in his Annals and Antiquities of Rajast'han. His version was based on the information compiled from the oral and textual traditions of writers employed by the Rajput chiefs.
- Bengali adaptions — The epic poem Padmavati was written by the medieval Bengali poet Alaol. From the late 19th century onward, several Bengali versions of the legend were produced, when James Tod's work reached Calcutta, the capital of British India. These Bengali narratives portrayed Padmavati as a Hindu queen who immolated herself to protect her honour against a Muslim invader.
Accounts
Malik Muhammad Jayasi's ''Padmavat'' (1540 CE)
In the Jayasi version, states Ramya Sreenivasan, Padmavati is described as the daughter of Gandharvsen, the king of the island kingdom of Sinhala. A parrot tells Chittor's king Ratansen of Padmavati and her beauty. Ratansen is so moved by the parrot's description that he renounces his kingdom, becomes an ascetic, follows the parrot as the bird leads him across seven seas to the island kingdom. There he meets Padmavati, overcomes obstacles and risks his life to win her. He succeeds, marries her and brings his wife to Chittor where he becomes king again. Ratansen expels a Brahmin scholar for misconduct, who then reaches Sultan Alauddin and tells him about the beautiful Padmavati. The sultan lusts for Padmavati, and invades Chittor in his quest for her. Ratansen, meanwhile, dies in another battle with a rival Rajput ruler. Padmavati immolates herself. Alauddin thus conquers Chitor for the Islamic state, but Alauddin fails in his personal quest.This earliest known literary version is attributed to Jayasi, whose year of birth and death are unclear. He lived during the rule of Babur, the Islamic emperor who started the Mughal Empire after ending the Delhi Sultanate. Jayasi's compositions spread in the Sufi tradition across the Indian subcontinent. Variants derived from Jayasi's work on Padmavati were composed between the 16th and 19th centuries and these manuscripts exist in the Sufi tradition. In one, princess Padmavati became close friends with a talking parrot named Hiraman. She and the parrot together studied the Vedas – the Hindu scriptures. Her father resented the parrot's closeness to his daughter, and ordered the bird to be killed. The panicked parrot bade goodbye to the princess and flew away to save its life. It was trapped by a bird catcher, and sold to a Brahmin. The Brahmin bought it to Chittor, where the local king Ratan Sen purchased it, impressed by its ability to talk.
The parrot greatly praised Padmavati's beauty in front of Ratan Sen, who became determined to marry Padmavati. He leaves his kingdom as a Nath yogi. Guided by the parrot and accompanied by his 16,000 followers, Ratan Sen reached Singhal after crossing the seven seas. There, he commenced austerities in a temple to seek Padmavati. Meanwhile, Padmavati came to the temple, informed by the parrot, but quickly returned to her palace without meeting Ratan Sen. Once she reached the palace, she started longing for Ratan Sen.
Meanwhile, Ratan Sen realized that he had missed a chance to meet Padmavati. In desolation, he decided to immolate himself, but was interrupted by the deities Shiva and Parvati. On Shiva's advice, Ratan Sen and his followers attacked the royal fortress of Singhal kingdom. They were defeated and imprisoned, while still dressed as ascetics. Just as Ratan Sen was about to be executed, his royal bard revealed to the captors that he was the king of Chittor. Gandharv Sen then married Padmavati to Ratan Sen, and also arranged 16,000 padmini women of Singhal for the 16,000 men accompanying Ratan Sen.
Sometime later, Ratan Sen learned from a messenger bird that his first wife — Nagmati — is longing for him back in Chittor. Ratan Sen decided to return to Chittor, with his new wife Padmavati, his 16,000 followers and their 16,000 companions. During the journey, the Ocean God punished Ratan Sen for having excessive pride in winning over the world's most beautiful woman: everyone except Ratan Sen and Padmavati was killed in a storm. Padmavati was marooned on the island of Lacchmi, the daughter of the Ocean God. Ratan Sen was rescued by the Ocean God. Lacchmi decided to test Ratan Sen's love for Padmavati. She disguised herself as Padmavati, and appeared before Ratan Sen, but the king was not fooled. The Ocean god and Lacchmi then reunited Ratan Sen with Padmavati, and rewarded them with gifts. With these gifts, Ratan Sen arranged a new retinue at Puri, and returned to Chittor with Padmavati.
At Chittor, a rivalry developed between Ratan Sen's two wives, Nagmati and Padmavati. Sometime later, Ratan Sen banished a Brahmin courtier named Raghav Chetan for fraud. Raghav Chetan went to the court of Alauddin Khalji, the Sultan of Delhi, and told him about the exceptionally beautiful Padmavati. Alauddin decided to obtain Padmavati, and besieged Chittor. Ratan Sen agreed to offer him tribute but refused to give away Padmavati. After failing to conquer to the Chittor fort, Alauddin feigned a peace treaty with Ratan Sen. He deceitfully captured Ratan Sen and took him to Delhi. Padmavati sought help from Ratan Sen's loyal feudatories Gora and Badal, who reached Delhi with their followers, disguised as Padmavati and her female companions. They rescued Ratan Sen; Gora was killed fighting the Delhi forces, while Ratan Sen and Badal reached Chittor safely.
Meanwhile, Devpal, the Rajput king of Chittor's neighbour Kumbhalner, had also become infatuated with Padmavati. While Ratan Sen was imprisoned in Delhi, he proposed marriage to Padmavati through an emissary. When Ratan Sen returned to Chittor, he decided to punish Devpal for this insult. In the ensuing single combat, Devpal and Ratan Sen killed each other. Meanwhile, Alauddin invaded Chittor once again, to obtain Padmavati. Facing a certain defeat against Alauddin, Nagmati and Padmavati along with other women of Chittor committed suicide by mass self-immolation in order to avoid being captured and to protect their honor. The men of Chittor fought to death against Alauddin, who acquired nothing but an empty fortress after his victory. Khalji's imperial ambitions are defeated by Ratansen and Padmavati because they refused to submit and instead annihilated themselves.