Mahakuta Pillar
Mahakuta Pillar, also known as Makuta pillar, Magada stambha or Mangalesa Dharma Jayastambha, is a deep red sandstone pillar with an early 7th-century inscription of Early Western Chalukya era. It was found near Mahakuta group of Hindu temples near Badami, Karnataka, India. Inscribed with 16 lines of Sanskrit in Old Kannada script by king Mangalesha, it is an important and partly disputed source of historic information about the times of Badami Chalukya, the dynasty, and his influential father Pulakeshin I.
Location
The pillar was found in the 19th-century lying on the ground near the ruins of Mahakutesvara temple, one of the 7th-century group of temples at the Mahakuta natural springs. The site is about east from the historic cave temples of Badami. Its significance was re-discovered by colonial era archaeologists and scholars in the 1880s. The pillar was moved to Bijapur about 1920, and is now housed in the Archaeological Museum, Vijayapura.The historical location of the Mahakuta pillar has been unclear. Henry Cousens and early scholars presumed that it was always near the Mahakuta pushkarni. However, George Michell and Carol Bolon questioned this assumption. Bolon proposed that it may have been near an old temple that exists near the cliff about a kilometer away. The problem with this suggestion is that the architecture and artwork at the cliff temple is far more crude than the remarkable finish of the Mahakuta pillar, making it likely that the cliff temple is considerably more older. According to Gary Tartakov, the temple now called Bananti Gudi is more likely site where the pillar used to be. This small two-level historic Dravida architecture temple is more consistent with the chronology, iconography and the pillar artwork, as well much closer to where Fleet found the pillar in 1880–81.
Description
The Mahakuta pillar is made of fine grained, deep red sandstone. It is about tall, in diameter and has sixteen facets. An inscription is engraved on it in Sanskrit language and Old Kannada script winding up from the base over a length of. The inscription consists of sixteen lines, each spirally wrapped around the sixteen faces averaging four letters per face. The pillar has no base molding. It is topped with a small amalaka with thirty six deep flutes. The amalaka is about tall and in diameter. On the top of this amalaka is a carved box with flower decoration on the sides and lotus palmette corners.Mahakuta is the modern era name of the site where this pillar was found. Its earlier name, as stated in lines 9–10 of the inscription was Makuta, with Magada as the local vernacular alternate. This is not a mistake of the lipikara, because lines 13–14 repeat this term with Makutesvaranatha as the name of the temple. The pillar itself is called Dharma Jayastambha in the inscription. The inscription shows no signs of mutilation, only natural erosion over nearly 1,400 years. The scribe identifies the end of each line by repeating or double-repeating an aksara. The Sanskrit is not perfect in the classical sense, but of a good quality with occasional mistakes. The composers tried to create metric shlokas, but lines such as 3 and 4 are not in accurate meter.
This is a "Saiva inscription", states Fleet. The pillar's primary aim is to declare the gift of an additional ten villages to the Shiva temple called Makutesvaranatha, one that already existed in 602 CE.
Date
Lines 13–14 of the inscription allude to the date of the inscription, as "the fifth glorious year, of the constantly augmenting reign of Mangalesha, in the current Siddharatha on the full moon tithi of the month Vaisakha". Scholars have interpreted this in different ways because there are several Hindu calendars and it is not obvious which one to apply here. Furthermore, the inscription uses the start of Mangalesha's reign as reference and it is unclear what that reference year should be. According to Fleet, there are three possible dates:- if they were using the southern Luni-solar calendar in the early 7th century, this gives samvat 522
- the mean-sign system of the southern Hindu calendar this would be samvat 524 in the southern calendar, the equivalent of April 602 CE
- the northern Luni-solar calendar gives a date in saka samvat 525
Inscription and translation
The sixteen lines of the inscription on the Mahakuta pillar was first translated by John Fleet and published in 1889. His translation is given below:| Lines | Translation | Notes |
| 1-2 | Om ! Hail ! In the lineage of the Chalukyas, — who are of the Manavya gotra; who are Haritiputras; who are possessed of unrepulsed energy, strength, intellect, splendour, heroism, firmness, and vigour; who meditate on the feet of parents; who have kindled the sacrificial fire according to due rite; who gratify supplicants according to desires; who generate the religious merit of many pious actions, there was born a king, the illustrious Jayasingha the chief of favorites, who, like Maghavan, was possessed of virtuous qualities, who in affluence resembled Vaigravana. | The allegorical references are to the Vedic legends in the Hindu tradition. |
| 3–4 | Resembling him in virtuous qualities and heroism and affluence, from a very receptacle of brilliance, energy, valour, memory, intellect, splendour, polity, and refinement, there was born one who was possessed of an auspicious name, the king called Ranaraga, who by fondness for war elicited the affection of his own people, and-caused vexation of mind to enemies. Of that king, possessed of virtuous qualities resembling, the dear son the king who had the names of Satyasraya, the favourite of fortune and of the earth, and Ranavikrama; whose body was purified by the religious merit of ablutions performed after celebrating the agnishthoma, agnichayana, vajapeya, bahusuvarna, paundarika, and ashvamedha-sacrifices; who was descended from Hiranyagarbha ; who accepted the admonitions of the elders; who was good to Brahmins; who was a speaker of the truth; who never broke promises. | The Vedic rituals in vogue in 6th-century are mentioned, establishing that Vedic culture was well established in Karnataka by the 6th-century, that Pulikesin I and Badami Chalukya dynasty kings were Hindus; Fleet's translation and interpretation on Hiranyagarbha descent has been disputed by later scholars such as D.C. Sircar. |
| 5–6 | there were born two sons, whose virtuous qualities resembled those of Balabhadra and Vasubhadra. The elder he who was fond of name of Paru-Ranaparakrama, which was rendered illustrious by a multitude of most excellent virtues; who was endowed with sovereignty acquired by the strength and prowess of his own arm; whose choice feet were rubbed and scrubbed by the jeweled diadems of hostile kings ; whose body was purified by the religious merit of ablutions performed after celebrating the bahusuvarna and agnishthoma sacrifices. | Reference to Vasudeva and Krishna-legends; again a mention of Vedic rituals for the kings |
| 7–8 | commencing with those of Vanga, Anga, Kalinga, Vatttura, Magadha, Madraka, Kerala, Gangs, Mushaka, Pandya, Dramila, Choliya, Aluka, and Vaijayanti, had ascended to the skies, there was younger brother, the king who has the appellations of Uru-Ranavikranta, and Mangalesha, and chief of favorites of fortune and of the earth; who meditates on the feet of gods, Brahmins, and spiritual preceptors; who is the fall-moon of the sky which is the race of the Chalukyas; who is endowed with polity, refinement, knowledge, liberality, kindness, and civility; who is a, king resembling a group of water-lilies, being an object of desire to crowds of warriors, being surrounded by young damsels, being full of charming qualities, being enlightened by excellent religious merit, and being the abode of majesty, | A useful list of dynasties in 6th-century Greater India; also valuable are the listed normative values expected in Indian kings; later scholars dismiss the "crushing", "hostile kings" and such claims as poetic exaggeration, unreliable and a hagiographic myth; this analysis is based on other Badami Chalukya inscriptions, texts and the evidence from other parts of 6th and 7th-century India |
| 9–10 | is surrounded by female bees, is full of blossoms, is caused to expand by the rays of the sun, and is the abode of 'Sri; who is as pleasing as a group of water-lilies; whose heroism has for faultless eye servants the spies who are intent upon scorching up the whole aggregate of the fear, in the multitude of the faces of enemies, who has exterminated lion-like kings with the majesty and vigour and speed of forearm; who is well skilled in counsel, in spies and messengers, in peace and war, in encamping and in moving forward, in attacking in the rear, in the invasion of territories, in the construction of fortresses, and in the apportioning of honours among country-people and townsfolk. What need is there to say much more ? He is as difficult of assault as Mahendra; like Rama, he has never been conquered; he is as liberal as Sibi, the son of Ugnara; like Yudhishthira, he is faithful to his promises; he is possessed of fortune, just as the god) Vasudeva is possessed of Sri; like Mandhatri, he is possessed of fame; in intellect he is equal to Brihaspati and Usanas; he is as profound as the ocean; in endurance he is equal to the earth; he is the ornament of the earth. | The king is compared to many of the famous Hindu legends about mythical dharmic kings such as Rama; the Sibi legend is also found in Buddhist and Jain texts |
| 11–12 | having conquered king Buddha, having taken possession of all his substance, , with an eager desire to set up a pillar of victory of prowess on the bank of Bhagirathi, having determined in mind that in the first place indeed there should be set up the prowess" of a pillar of victory of religion, calls the royal lady named Durlabha, his own father's wife , who is fit and worthy to follow lead in the matter; who, like Damayanti, was a most devoted wife; who was the ornament of the Batpura family; whose body has been purified by participating, in the rewards of a variety of religious actions, and informs of this own god. And this property, which at own idol-procession was assigned by our father and elder brother to Makutesvaranatha, — supplement it, by enjoyment of the ten villages headed by Sriyambataka, , Vrihimukhagrama, Kesuvolala, Kendoramanya, and Nandigrama. Accordingly, in the fifth glorious year of constantly augmenting reign, in the current Siddhartha, on the full-moon day of Vailiakha, he has set up this Dharma Jayastambha. | Affirms that temple chariot tradition for idol-procession was already in vogue by the 6th-century; also mentions the existence of a Makutesvara temple by c. 600 CE ; |
| 15–16 | The earth has been enjoyed by many kings, commencing with Sagara; whosoever at any time possesses the earth, to him belongs at that time the reward. ! The giver of land enjoys happiness in heaven for sixty thousand years; the confiscator of a grant, and he who assents, shall dwell for the same number of years in hell ! | Affirms the expansion of an older grant to the temple |
Significance
The Mahakuta pillar and its date is important as it helps date other dynasties mentioned, the chronology of kings within the Early Western Chalukya dynasty, how and when the different temple architecture styles evolved in Badami-Mahakuta-Pattadakal-Aihole region of Karnataka.At first blush, the pillar was linked to the temple it was found near, namely the Mahakutesvara temple. However, this is a fairly sophisticated form of Dravida architecture. It led to theories that the Dravida architecture was quite advanced by 602 CE. The colonial era archaeologist and historian Henry Cousens stated that the fine, fluted Mahakuta pillar suggests that construction techniques were fairly advanced, and therefore likely went with the advanced Mahakutesvara temple near where it was found. George Michell and others questioned this, and suggested that the pillar may be referring to an older temple with the same name, one mentioned by Fleet and Cousens in their footnotes of 1880s publications. In the late 1970s, Carol Bolon identified two temples, one named Hire Mahakutesvara and the other Hosa Mahakutesvara. Bolon's chronology fits better with generally accepted chronology of Dravida architecture.
According to the Mahakuta pillar inscription, the dynasty commenced with Jayasimha I, followed by Ranaraga. Then came Pulakeshin I who had two sons, Kirtivarman I and Mangalesha. The inscription does not mention the word Pulakeshin I, Line 4 of the inscription confirms that Pulakeshin I was also called Ranavikrama and Satyashraya.
Some of the conquests, wars and attacks mentioned in the Mahakuta pillar inscription has been used as a reliable record. The inscription states, for example, that Kirtivarman I conquered many kingdoms such as Vanga, Kalinga, Anga, Vattura, Magadha, Madraka, Kerala, Gangas, Mushaka, Pandya, Dramila, Choliya, Aluka and Vaijayanti.