Mahākāśyapa
Mahākāśyapa was one of the principal disciples of Gautama Buddha. He is regarded in Buddhism as an enlightened disciple, being foremost in ascetic practice. Mahākāśyapa assumed leadership of the monastic community following the parinirvāṇa of the Buddha, presiding over the First Buddhist Council. He was considered to be the first patriarch in a number of Early Buddhist schools and continued to have an important role as patriarch in the Chan/Zen tradition. In Buddhist texts, he assumed many identities, that of a renunciant saint, a lawgiver, an anti-establishment figure, but also a "guarantor of future justice" in the time of Maitreya, the future Buddhahe has been described as "both the anchorite and the friend of mankind, even of the outcast".
In canonical Buddhist texts in several traditions, Mahākāśyapa was born as Pippali in a village and entered an arranged marriage with a woman named Bhadra-Kapilānī. Both of them aspired to lead a celibate life, however, and they decided not to consummate their marriage. Having grown weary of the agricultural profession and the damage it did, they both left the lay life behind to become mendicants. Pippali later met the Buddha, under whom he was ordained as a monk, named Kāśyapa, but later called Mahākāśyapa to distinguish him from other disciples. Mahākāśyapa became an important disciple of the Buddha, to the extent that the Buddha exchanged his robe with him, which was a symbol of the transmittance of the Buddhist teaching. He became foremost in ascetic practices and attained enlightenment shortly after. He often had disputes with Ānanda, the attendant of the Buddha, due to their different dispositions and views. Despite his ascetic, strict and stern reputation, he paid an interest in community matters and teaching, and was known for his compassion for the poor, which sometimes caused him to be depicted as an anti-establishment figure. He had a prominent role in the cremation of the Buddha, acting as a sort of eldest son of the Buddha, as well as being the leader in the subsequent First Council. He is depicted as hesitatingly allowing Ānanda to participate in the council, and chastising him afterwards for a number of offenses the latter was regarded to have committed.
Mahākāśyapa's life as described in the early Buddhist texts has been considerably studied by scholars, who have been skeptical about his role in the cremation, his role toward Ānanda and the historicity of the council itself. A number of scholars have hypothesized that the accounts have later been embellished to emphasize the values of the Buddhist establishment Mahākāśyapa stood for, emphasizing monastic discipline and ascetic values, as opposed to the values of Ānanda and other disciples. Regardless, it is clear that Mahākāśyapa had an important role in the early days of the Buddhist community after the Buddha's parinirvāṇa, to help establish a stable monastic tradition. He effectively became the leader for the first twenty years after the Buddha, as he had become the most influential figure in the monastic community. For this reason, he was regarded by many early Buddhist schools as a sort of first patriarch, and was seen to have started a lineage of patriarchs of Buddhism.
In many post-canonical texts, Mahākāśyapa decided at the end of his life to enter a state of meditation and suspended animation, which was believed to cause his physical remains to stay intact in a cave under a mountain called Kukkuṭapāda, until the coming of Maitreya Buddha. This story has led to several cults and practices, and affected some Buddhist countries up until early modern times. It has been interpreted by scholars as a narrative to physically connect Gautama Buddha and Maitreya Buddha, through the body of Mahākāśyapa and Gautama Buddha's robe, which covered Mahākāśyapa's remains. In Chan Buddhism, this account was less emphasized, but Mahākāśyapa was seen to have received a special mind-to-mind transmission from Gautama Buddha outside of orthodox scripture, which became essential to the identity of Chan. Again, the robe was an important symbol in this transmission. Apart from having a role in texts and lineage, Mahākāśyapa has often been depicted in Buddhist art as a symbol of reassurance and hope for the future of Buddhism.
In early Buddhist texts
In the Early Buddhist Texts of several textual traditions, a dozen discourses attributed to Mahākāśyapa have been compiled in a distinct section within several collections of texts. In the Pāli tradition, this is part of the collection called the Saṃyutta Nikāya, and in Chinese Buddhist texts, the collection is called the Saṃyukta Āgama. The latter collection contains two versions of the section on Mahākāśyapa, numbered Taishō 2:99 and 2:100. The Chinese Ekottara Āgama also contains a passage that runs parallel to the Pāli Saṃyutta, T2:99 and T2:100, describing a meeting between the Buddha and Mahākāśyapa, and another passage about him and the monk Bakkula. Finally, there are also Vinaya texts from the Mūlasarvāstivāda tradition about Mahākāśyapa in the Tibetan language.Early life
Pāli accounts relate that Mahākāśyapa was born Pippali in a brahmana family in a village called Mahātittha, in the kingdom of Magadha, present-day Bihar, India. His father was a wealthy landlord who in some sources is named Nyagrodha, and in other sources Kapila or Kosigotta; his mother was Sumanādevī. His body had some of the thirty-two characteristics of a Great Man, which in Buddhism are seen as the characteristics of a future Buddha. From his youth onward, he was inclined toward living a spiritual life rather than marrying, but his father wanted him to wed. To send his father on a wild goose chase, he agreed to marry but then produced a perfect golden statue of a woman, and asked his father to find him a woman that matched the statue. Four copies of the image were taken throughout the country to find the right woman. A brahmin from Kapila had a daughter called Bhadra-Kapilānī, who had no interest in a family life either. However, her parents wanted her to marry, and to please her mother, she agreed to pay her respects to a shrine of a goddess known for granting a marriage in a high-class family. When she approached the image, however, people noticed that the image appeared ugly compared to her. Her reputation of beauty spread, and soon after Pippali's family learned about her, she was offered in marriage to Pippali.Next, in the Pāli version of the story, the two exchanged letters to indicate their lack of interest, only to find their letters intercepted by their parents and being forced to marry anyway. In the Mūlasarvāstivāda version of the story, however, Pippali went to visit Bhadra, and without revealing his identity, told her that her future husband would be a bad choice for her, because he had no interest in sensual pleasures. She replied she also did not care for such matters, whereupon he revealed that he was her future husband. Both versions relate that the two agreed to marry and to live celibately, to the chagrin of Pippali's parents.
Pippali is depicted in the Pāli version as very wealthy, using much perfume and possessing much land and chariots. Later, in the Pāli version, Pippali and Bhadra saw animals eating each other on the fertile fields as they were plowed by their workers. The sight brought pity and fear to them, and they determined to live mendicant lives instead, and leave the agricultural business behind. In the Mūlasarvāstivāda version, it was the pitiful sight of the workers instead which brought Pippali to leave his lay life. The two went their separate ways, as not to grow any attachment to each other, and to prevent gossip and disrepute.
Meeting the Buddha
Shortly after that, Pippali met the Buddha, was struck with devotion when seeing him, and asked to be ordained under him. Thenceforth, he was called Kāśyapa. As he ordained him, the Buddha gave three directives to practice: Kāśyapa should develop a "lively sense of fear and regard" towards his fellow monastics, regardless of their status; Kāśyapa should attentively listen and practice the teachings of the Buddha ; and he should live in mindfulness.When the two met, Mahākāśyapa exchanged his fine and expensive robe with that of the Buddha, a robe made of rags. The exchange came to be seen as a gesture of great respect the Buddha had made. It was unprecedented, and a sign that Mahākāśyapa would preside over the First Council after the Buddha's demise. Texts from different traditions suggest that only a person with the great merit as Mahākāśyapa would be able to wear the robe. The only reason the robe was highly valuable was that it had been worn by the Buddha. In itself it was not valuable, because it came from the lowest source, that is, a female slave's corpse discarded in a charnel ground. This also echoed an earlier exchange that took place after the Buddha's Great Renunciation, when he swapped his lay robes with a hunter in the forest. Finally, the fact that it was a rag-robe contributed to the ascetic identity of the figure of Mahākaśyapa.
Throughout cultures, "inalienable possessions", often textiles, were symbols of authority and continuity in a family. Gautama Buddha giving his robe to Mahākāśyapa in the latter's early monastic years demonstrated a deep sense of respect for this disciple. Mahākāśyapa was seen to safeguard this robe to pass on to the future Buddha. Thus, the robe came to represent a passing on of the transmission of Buddhist teachings, and Mahākāśyapa became a symbol of the continuity of the Buddha's dispensation. In this context, the rag-robe was also associated in several Asian cultures with gestation, birth, rebirth, impermanence and death.
Monastic life
The Buddha exhorted Mahākāśyapa that he should practice himself "for the welfare and happiness of the multitude" and impressed upon him that he should take upon himself ascetic practices. Accordingly, Mahākāśyapa took upon him the thirteen ascetic practices and became an enlightened disciple in nine days. He was then called 'Kāśyapa the Great', because of his good qualities, and to distinguish him from other monks with the same name.Mahākāśyapa was one of the most revered of the Buddha's disciples, the renunciant par excellence. He was praised by the Buddha as foremost in ascetic practices and a foremost forest dweller. He excelled in supernatural accomplishments and was equal to the Buddha in meditative absorption. He is depicted as a monk with great capacity to tolerate discomfort and contentment with the bare necessities of life. In one discourse found in the Pāli and Chinese collections, the Buddha advised Mahākāśyapa that having grown old, he should give up ascetic practices and live close to the Buddha. Mahākāśyapa declined, however. When the Buddha asked him to explain, Mahākāśyapa said he found the practices of benefit to himself. He also argued he could be an example for incoming generations of practitioners. The Buddha agreed with him, and affirmed the benefits of ascetic practices, which he had himself praised for a long time. A second discourse found in the Pāli and two Chinese collections has Mahākāśyapa meet the Buddha as he was wearing simple rag-robes and, according to the Chinese versions, his hair and beard long. Other monks criticized Mahākāśyapa for not looking appropriate when meeting his master. The Buddha responded by praising Mahākāśyapa, however. In the Chinese versions, the Buddha even went so far as to allow Mahākāśyapa to share his seat, but Mahākāśyapa politely declined. When Mahākāśyapa fell ill once, the Buddha went to visit him and reminded him of his efforts in practicing the Buddhist teaching.