Lou Costello
Louis Francis Cristillo, better known as Lou Costello, was an American comedian, actor and producer. He was best known for his double act with Bud Abbott and their routine "Who's on First?".
Abbott and Costello, who teamed in burlesque in 1936, were among the most popular and highest-paid entertainers in the world during World War II. During a national tour in 1942, they sold $85 million in war bonds in 35 days. By 1955, their popularity waned from overexposure, and their film and television contracts lapsed. Their partnership ended in 1957, after which Costello made numerous solo appearances on TV and starred in one film.
Early life
Louis Francis Cristillo was born on March 6, 1906, in Paterson, New Jersey, the son of Sebastiano Cristillo, an insurance sales agent, and Helen Rege, a silk weaver. His father was Italian, from Caserta, Campania, while his mother was an American of Italian, French and Irish ancestry, with her grandfather Francesco Rege being a native of Piedmont, Italy.Costello attended Public School 15 in Paterson and was considered a gifted athlete. He excelled in basketball and reportedly was twice Paterson's free-throw champion. His basketball prowess can be seen in Here Come the Co-Eds, in which he performs his own trick basketball shots. In his teens he fought as a boxer under the name of Lou King.
Career
Costello was a great admirer of silent-film comedian Charlie Chaplin. In 1927, Costello hitchhiked to Hollywood to become an actor, but could only find work as a laborer or extra at Metro-Goldwyn-Mayer and Hal Roach Studios. His athletic skill brought him occasional work as a stunt man, notably in The Trail of '98. He can also be spotted sitting ringside in the Laurel and Hardy film The Battle of the Century. He said that he took his professional name from actress Helene Costello, although by this time his brother Anthony had used the name in his career as a professional musician.Burlesque and Bud Abbott
In 1928, with the advent of talking pictures, Costello headed back east intending to acquire theatrical experience. Stranded in St. Joseph, Missouri, he persuaded a local burlesque producer to hire him as a "Dutch" comic, a corruption of Deutsch, meaning "German" in this context. By the end of 1928, Costello was back in New Jersey. He began working in burlesque on the Mutual Burlesque wheel in 1929.After the Mutual Wheel collapsed during the Great Depression, Costello worked for several stock burlesque impresarios, including the Minskys, where he crossed paths with talented producer and straight man Bud Abbott. They did not work together until 1935 at the Eltinge Theatre on 42nd Street in New York City after Costello's straight man fell ill. They formally teamed in 1936.
Radio and Hollywood
Abbott and Costello were signed by the William Morris talent agency, which landed them featured roles and national exposure on The Kate Smith Hour, a popular radio variety show, in 1938. The team's signature routine, "Who's on First?", made its radio debut on Smith's show early that year. Many of the team's sketches were further polished by John Grant, an ex-burlesque producer and straight man who was hired soon after the team joined the program. Their success on the Smith show led to their appearance in a Broadway musical in 1939, The Streets of Paris.Abbott and Costello were hosting a summer replacement series for The Fred Allen Show in 1940 when they were signed by Universal Pictures for supporting roles in One Night in the Tropics. They stole the film with their classic routines, including a shortened version of "Who's On First?". The team's breakthrough picture was Buck Privates, released early in 1941. Three more films followed in 1941, and they were voted the No. 3 box-office stars that year.
That year they became regulars on Edgar Bergen's The Chase and Sanborn Program, and in October 1942 launched their own series, The Abbott and Costello Show on NBC. The show ran on NBC through the spring of 1947, then ABC through the spring of 1949.
Fame and tragedy
As their careers grew more successful, serious cracks began to appear in Abbott and Costello's relationship. Reportedly their first disagreement occurred in 1936 over a booking in a minstrel show at the Steel Pier in Atlantic City, New Jersey. Costello wanted to accept the gig, which was outside their usual burlesque venues, but Abbott was hesitant. Costello offered Abbott a larger split of their salary, and Abbott agreed. At the end of 1941, Costello insisted that the team split their income 60/40 in Costello's favor, and Abbott agreed.Abbott and Costello appeared in 36 films from 1940 to 1956 and were among the most popular and highest-paid entertainers in the world during World War II. Among their most popular films are Buck Privates, Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein and Abbott and Costello Meet the Invisible Man.
In the summer of 1942, Abbott and Costello embarked on a 35-day cross-country tour to promote and sell war bonds. The Treasury Department credited them with the sale of $85 million in bonds.
In March 1943, after completing a winter tour of army bases, Costello suffered an attack of rheumatic fever and was unable to work for six months. On November 4 of that year, he returned to the team's popular radio show, but while rehearsing at their NBC studio, Costello received word that his infant son Lou Jr. had accidentally drowned in the family pool. Unnoticed by the nanny, the baby had worked loose the slats in his playpen and fallen into the pool.
The baby was just two days short of his first birthday. Costello had asked his wife to keep Lou Jr. up to hear his father on the radio for the first time. Rather than cancel the broadcast, Costello said, "Wherever he is tonight, I want him to hear me," and proceeded with the show. No one in the audience knew of the death until after the show, when Bud Abbott explained the sad events of the day and how Costello epitomized the phrase "the show must go on" that night. Maxene Andrews of the Andrews Sisters said that Costello's demeanor changed after the loss of his son: "He didn't seem as fun-loving and as warm... He seemed to anger easily... there was a difference in his attitude."
In 1945, when Costello fired a maid and Abbott hired her, Costello announced that he would no longer work with Abbott. They remained under contract to Universal and were required to complete two films in 1946, which became Little Giant and The Time of Their Lives. The two men did not appear together much in either film and rarely spoke to one another off-camera. Abbott attempted to heal their relationship by suggesting that the foundation that they had founded for rheumatic fever sufferers be named the Lou Costello Jr. Youth Foundation, which touched Costello deeply. The youth foundation still exists in Los Angeles.
Their radio program moved to ABC, the former NBC Blue Network, from 1947 to 1949 and was prerecorded.
In 1951, the duo began to appear on live television, joining the rotating hosts of The Colgate Comedy Hour. Eddie Cantor, Martin and Lewis and Bob Hope were among the others. In 1952, their filmed situation comedy The Abbott and Costello Show began running in syndication nationwide. Costello owned the half-hour series, with Abbott working on salary. The show, which was loosely adapted from their radio program and films, ran for two seasons from 1952 to 1954 but found long life in syndicated reruns.
Abbott and Costello were forced to withdraw from Fireman Save My Child in 1954 after Costello suffered a relapse of rheumatic fever. They were replaced by studio contract players Hugh O'Brian and Buddy Hackett.
Costello was surprised and honored by Ralph Edwards on NBC's This Is Your Life in 1956.
Abbott and Costello split
By the mid-1950s, Abbott and Costello no longer ranked among the top box-office stars. They were undermined by overexposure in concurrent film and television appearances, and were eclipsed by Dean Martin and Jerry Lewis, who were as popular in the 1950s as Abbott and Costello had been a decade earlier. In 1955 the team could not reach a contract agreement with Universal and left the studio after 15 years.In the early 1950s, troubles with the Internal Revenue Service forced both men to sell their large homes and the rights to some of their films. Abbott and Costello's final film together, Dance with Me, Henry, was a box-office disappointment and received mixed critical reviews.
Abbott and Costello dissolved their partnership amicably early in 1957. Costello worked with other comedians, including Sidney Fields in Las Vegas, and sought film and television projects. He appeared several times on Steve Allen's The Tonight Show, most often performing his old routines with Louis Nye or Tom Poston in the straight-man role. In 1958, he played a dramatic role in the episode "The Tobias Jones Story" of Wagon Train.
Death
In February 1959, shortly after completing The 30 Foot Bride of Candy Rock, his only film without Abbott, Costello suffered a heart attack and was hospitalized at Doctors Hospital in Beverly Hills. He died there on March 3, 1959, three days before his 53rd birthday.Sources differ on the circumstances of his last day and final words. According to some accounts, he told visitors that the strawberry ice cream soda that he had just finished was "the best I ever tasted" and then died. By other reports, including those of several contemporaneous obituaries, the ice-cream soda exchange had occurred earlier in the day. Later, after his wife and friends had departed, he asked his nurse to adjust his position in bed just before suffering a fatal heart attack.
After a funeral Mass at his Catholic parish, St. Francis de Sales in Sherman Oaks, Costello was interred at the Calvary Cemetery in East Los Angeles on March 8. His wife Anne died from an apparent heart attack nine months later on December 5, 1959, at age 47.