Little Richard discography


This page is a discography for American musician Little Richard. Described as "the architect of rock and roll", Little Richard was a pioneering singer-songwriter whose career also encompassed rhythm and blues, soul, and gospel. He began his recording career in 1951, signing to RCA Victor, releasing his first singles, and his first album in 1957, although he released his last album in 1992, he continued to tour into the 21st century. He attained international success after signing with Specialty Records in 1955.

Compilation albums

Label overviews

Recording sessions

1950s

The pre-Specialty sessions
RCA Victor sessions: WGST Studio, Atlanta, October 16, 1951, and January 12, 1952
Peacock sessions: Houston, February 25 and October 5, 1953
The Specialty sessions
Little Richard recorded a demonstration tape for Specialty at WBML Studio, Macon, on February 9, 1955. He recorded for Specialty for two years, from September 13, 1955, to October 18, 1957.
When Richard abdicated from rock 'n' roll in late 1957, Specialty was forced to go back to earlier, less rock-oriented recordings they had rejected initially to make future releases. In an effort to make these recordings sound "current", they added a female chorus to the basic track.
The Goldner sessions
Several religious tracks were recorded in the summer of 1959 in New York City and released by different labels owned by record industry mogul George Goldner. Three record labels with access to the "dirgelike" tracks later overdubbed drums and other percussion to fill out the sound.

1960s

The Little Star sessions
Little Richard recorded six rhythm and blues songs, three Fats Domino vocals and three instrumentals, backed by his 1950s band, the Upsetters, on November 24, 1962, in New York. Two singles were released by Little Star under the name "The World Famous Upsetters".
The Mercury sessions
Little Richard was working for Mercury from June 1961 to March 1962. These recordings have been produced by Quincy Jones and Bumps Blackwell.
It appears a second Mercury album was planned but shelved. Richard reached the charts with two single releases.
The Atlantic sessions
The recordings made for Atlantic from June 14, 1962, to April 2, 1963, continue Richard's commitment to religious material. "Crying in the Chapel" was a regional USA hit.
The return to Specialty
In the wake of the "British Invasion" and following a successful tour of England, Richard collected his current guitarist, the drummer from his New Orleans sessions, and old labelmates Don and Dewey and returned to Specialty to start his comeback.
He recorded five tracks in two sessions in March and April 1964. A single was released at the time, and four of the songs were eventually released, with additional overdubs, on the 1970 compilation Well Alright!.
The Vee Jay sessions
Charles White wrote in 1984 that "even with access to the Vee Jay files, information is a bit uncertain in some areas... Of most importance to latter-day rock fans are the cuts that Jimi Hendrix played on, as a member of Richard's touring band. We have singled out those tracks we are relatively sure have Hendrix involvement, although he may have appeared on others."
Little Richard was recording for Vee Jay from June 1964 to at least May–June 1965. According to Charles White, Jimi Hendrix was playing guitar at least on the first session including such tracks as "Whole Lotta Shakin' Goin' On", "Hound Dog", "Lawdy Miss Clawdy", "Money Honey", "Goodnight Irene" and others, released on the album Little Richard Is Back. Hendrix played on at least nine tracks on the second LR Vee Jay album of '50s remakes. Among the notable Richard-Hendrix songs were "I Don't Know What You've Got ", a soul hit in late 1965, and "Dancing All Around the World", and "You'd Better Stop", recorded in New York City May or June, '65.
The Modern sessions
Little Richard was recording for the Modern Records label from December 1965 to January 1966.
The Modern recordings are demos, studio warm-ups, tapes supplied by Richard, and actual Modern sessions. Two albums were issued; all tracks of the first one, The Incredible [Little Richard Sings His Greatest Hits – Live!|The Incredible Little Richard Sings His Greatest Hits - Live!], have an overdubbed audience to enhance a live shows done at The Domino, a club in Atlanta, Georgia, December 1, 1965.
There are at least six tracks still unreleased. Two songs are leftovers from Vee Jay Records, an extended version of "Groovy Little Suzy" and a studio version of "Slippin' and Slidin'", both from August 1964. It appears that a third, "Do the Jerk" , was recorded in November 1964 in Nashville with Jimi Hendrix.
The Okeh sessions
A contemporary mix of pop, jazz, and soul studio tracks and a charting, in-studio-with-audience live set highlight Richard's Okeh period from February 5, 1966, to May 17, 1967 at Hollywood and at Abbey Road Studios. Penniman's long-time friend, musician Larry Williams produced the pair of albums.
The Brunswick sessions
Richard recorded six tracks for Brunswick in 1967–68. Three singles have been released.

Later years

The Reprise sessions
The Reprise era was the commercial peak of Richard's comeback, highlighted by numerous television talk show appearances. The sessions took place from March 11, 1970, to April 1972..
Sessions yielded two hit singles and one hit album. Some tracks from April 1971 first appeared under alternate titles for the Ala label.
Miscellaneous sessions
Little Richard recorded three tracks for the film Let the [Good Times Roll (film)|Let the Good Times Roll] circa late 1972, for United Records in January 1973, and for other labels in 1973–75. He re-recorded his mid-50s and mid-60s Specialty hits for K-tel in 1976. In 1979, Koala Records issued what sounds like an early 1970s performance. In 1979, he recorded the gospel album God's Beautiful City, issued by Word Records. In 1985 and 1986, he recorded the album Lifetime Friend, issued by Warner Bros.