List of set classes


This is a list of set classes, by Forte number. In music theory, a set class is an ascending collection of pitch classes, transposed to begin at zero. For a list of ordered collections, see this list of [tone rows and series].
Sets are listed with links to their complements. For unsymmetrical sets, the prime form is marked with "A" and the inversion with "B"; sets without either are symmetrical. Sets marked with a "Z" refer to a pair of different set classes with identical interval class content unrelated by inversion, with one of each pair listed at the end of the respective list when they occur. "T" and "E" are conventionally used in sets to notate ten and eleven, respectively, as single characters. Because, for any given set, its interval-class vector is independent of the version considered, for any cardinality, the ordering of sets in the list is based on the string of numerals in the interval vector treated as an integer, decreasing in value, following the strategy used by Forte in constructing his numbering system.
There are two slightly different methods of obtaining the prime form—an earlier one by Allen Forte and a later but now generally more popular one by John Rahn—both often confusingly described as "most packed to the left". However, a more precise description of the Rahn spelling is to select the version most dispersed from the right, whereas the precise description of the Forte spelling is to select the version most packed to the left within the smallest span. In the lists here, the Rahn spelling is used for the 17 out of 352 set classes where the two methods yield different results; the alternative Forte spellings are listed in the footnotes.
Before either, however, Elliott Carter had produced a numbered listing of pitch class sets, or "chords", as Carter referred to them, for his own use. Donald Martino had produced tables of hexachords, tetrachords, trichords, and pentachords for combinatoriality in his 1961 article, "The Source Set and its Aggregate Formations".
The magnitude of the difference between the interval-class vector of a set and that of its complement is X, X, X, X, X, X/2, where X = 12 – 2C, where C is the smaller set's cardinality. In nearly all cases, complements of unsymmetrical sets are related by inversion—that is, the complement of an "A" version of a set of cardinality C is the "B" version of the respective complementary set of cardinality 12 – C. The most significant exceptions are the sets 4-14/8-14, 5-11/7-11, and 6-14, which are all closely related in terms of subset/superset structure. Set 6-14 is unique in that it is the only unsymmetrical hexad whose complement is the same as the original rather than its inverse.
Allen Forte's own rule for numbering is usually applied to determine which zygote appears in the main list and which appears added at the end as well; in other words, the one with the lower number has an equal or lesser minimum span. For example, for the all-interval tetrads, 4-Z15 and 4-Z29, the former has a minimum span of 6 semitones and the latter 7 semitones. Meanwhile, [|5-Z17] and [|5-Z37] both have a minimum span of 8 semitones, but the former is more packed to the left; adjacency intervals of 1-2-1-4-4 versus 3-1-1-3-4.
However, in the heptads, zygotic pairs with higher numbers have a smaller minimum span. For each of [|7-Z12] versus 7-Z36, 7Z-17 versus [|7-Z37], and 7-Z18 versus 7-Z38, the first member has a minimum span of 9 semitones and the second member 8 semitones. Clearly, they have been assigned index numbers corresponding to their pentad complements instead of following the general rule.
Additionally, there is one genuine anomaly, in the ordering of the hexads, a clear mistake on Forte's part: [|6-Z28] versus 6Z-49. Their minimum span is the same, but their adjacency intervals are 1-2-2-'1-3'-3 versus 1-2-1-'3-2'-3. According to Forte's own rule, this ordering is incorrect – the set should have been assigned the lower number 6-Z28, with given the higher number [|6-Z49]. To avoid confusion, the original Forte numbering system is retained here for them.

List

Forte no.Prime formInterval vectorCarter no.AudioPossible spacingsComplement
'Empty set12-1
'Unison, octave11-1
'1Minor second, major seventh10-1
'2Major second, minor seventh10-2
'3Minor third, major sixth10-3
'4Major third, minor sixth10-4
'5Perfect fourth, perfect fifth10-5
'6Augmented fourth, diminished fifth, tritone10-6
'4Chromatic trichord9-1
'12...9-2B
12...9-2A
'11...9-3B
11...9-3A
'9...9-4B
9...9-4A
'7Viennese trichord9-5B
7Viennese trichord9-5A
'3...9-6
'10...9-7B
10Blues trichord 9-7A
'8Italian sixth chord9-8B
8...9-8A
'5Suspended chord9-9
'2Diminished chord9-10
'6Minor chord, Neapolitan chord9-11B
6Major chord9-11A
'1Augmented chord9-12
'1BACH motif8-1
'17...8-2B
17...8-2A
'9DSCH motif8-3
'20...8-4B
20Chromatic tetrachord8-4A
'22...8-5B
22...8-5A
'6Dream chord8-6
'8Hijaz tetrachord8-7
'10...8-8
'2Distance model, Pajara tetratonic8-9
'3Nahawand tetrachord8-10
'26Kurd tetrachord8-11B
26Diatonic tetrachord8-11A
'28...8-12A
28...8-12B
'7...8-13B
7Amogos tetrachord8-13A
'25Minor add 9 chord8-14A
25Major add 4 chord8-14B
'18All-interval tetrachord8-Z15B
18All-interval tetrachord, Hendrix chord 8-Z15A
'19Major seventh flat five chord8-16B
19Sus 4 major 7, Lifeson chord8-16A
'13Alpha chord8-17
'21Diminished [major seventh chord]8-18B
21...8-18A
'24Minor major seventh chord8-19B
24Augmented major seventh chord8-19A
'15Major seventh chord, minor flat sixth chord8-20
'118-21
'27Mu chord8-22B
27...8-22A
'4Quartal chord, seventh suspension four chord8-23
'16Augmented seventh chord8-24
'12Dominant seventh flat five chord, French sixth chord8-25
'14Minor seventh chord8-26
'29Half-diminished seventh chord, minor sixth chord, Tristan chord8-27B
29Dominant seventh chord, German sixth chord, harmonic seventh chord8-27A
'5Diminished seventh chord8-28
'23All-interval tetrachord, dominant thirteenth chord8-Z29B
23All-interval tetrachord8-Z29A
'Chromatic pentachord7-1
'...7-2B
...7-2A
'...7-3B
...7-3A
'...7-4B
...7-4A
'...7-5B
...7-5A
'...7-6B
...7-6A
'...7-7B
...7-7A
'...7-8
'...7-9B
...7-9A
'...7-10B
...7-10A
'...7-11A
...7-11B
'...7-Z12
'...7-13B
...7-13A
'...7-14B
...7-14A
'...7-15
'Dominant 13 b9 chord7-16B
...7-16A
'Farben chord, minor major ninth chord7-Z17
'Harmonic pentachord7-Z18B
Harmonic pentachord7-Z18A
'...7-19B
...7-19A
'Ryukyu scale 7-20B
Hirajōshi scale, in scale, iwato scale7-20A
'Hexatonic pentachord7-21B
Hexatonic pentachord7-21A
'...7-22
'Aalampouri pentachord7-23B
music beginner pentachord7-23A
'Phrygian pentachord, dominant ninth add 13 chord7-24B
Lydian pentachord7-24A
'Half-diminished minor ninth chord7-25B
Seven six chord7-25A
'Half-diminished ninth chord7-26A
Augmented major ninth chord7-26B
'Major ninth chord7-27B
Minor ninth chord7-27A
'...7-28A
...7-28B
'...7-29B
Insen scale, minor sixth ninth chord7-29A
'...7-30B
Jazz sus chord, Lydian augmented chord7-30A
'Beta chord, diminished minor ninth chord7-31B
Diminished ninth chord, dominant minor ninth chord7-31A
'Dominant seventh sharp ninth chord7-32B
Elektra chord, gamma chord7-32A
'Augmented dominant ninth chord, ninth augmented fifth chord, ninth flat fifth chord7-33
'Dominant ninth chord7-34
'Major pentatonic scale7-35
'...7-Z36B
...7-Z36A
'...7-Z37
'...7-Z38B
...7-Z38A
'4Chromatic hexachord6-1
'19...6-2B
19...6-2A
'49...6-Z36B
49...6-Z36A
'24...6-Z37
'16...6-5B
16...6-5A
'33...6-Z38
'7Two-semitone tritone scale; Messiaen mode6-7
'5...6-8
'20...6-9B
20...6-9A
'42...6-Z39A
42...6-Z39B
'47...6-Z40B
47Sacher hexachord6-Z40A
'46...6-Z41B
46...6-Z41A
'29Istrian scale6-Z42
'3...6-14A
3...6-14B
'13...6-15B
13...6-15A
'11...6-16B
11...6-16A
'35All-trichord hexachord6-Z43B
35...6-Z43A
'17...6-18B
17...6-18A
'37...6-Z44B
37...6-Z44A
'2Hexatonic mode, "Ode-to-Napoleon" hexachord6-20
'12Whole tone cluster hexachord6-21B
12...6-21A
'10...6-22B
10...6-22A
'27...6-Z45
'39Minor major eleventh chord6-Z46B
39Half-diminished eleventh chord6-Z46A
'43Major eleventh chord6-Z47B
43...6-Z47A
'26Major ninth sharp eleventh chord6-Z48
'14...6-27B
14Diminished eleventh chord6-27A
'21Augmented major eleventh chord6-Z49
'32Bridge chord6-Z50
'15...6-30B
15Petrushka chord, tritone scale6-30A
'8...6-31B
8...6-31A
'6Diatonic hexachord, minor eleventh chord6-32
'18Dominant 9 add 136-33B
18Dominant eleventh chord6-33A
'9Mystic chord6-34B
9Augmented eleventh chord, dominant sharp eleventh chord, Prélude chord6-34A
'1Whole tone scale6-35
'50...6-Z3B
50...6-Z3A
'23...6-Z4
'34...6-Z6
'41...6-Z10A
41...6-Z10B
'48...6-Z11B
48...6-Z11A
'45...6-Z12B
45...6-Z12A
'30...6-Z13
'36...6-Z17B
36...6-Z17A
'38Schoenberg hexachord; Enigma chord6-Z19B
38...6-Z19A
'28...6-Z23
'40Scale of harmonics6-Z24B
40...6-Z24A
'44...6-Z25B
44Blues scale6-Z25A
'25...6-Z26
'22Octatonic hexachord6-Z28
'31...6-Z29
'1Chromatic heptachord5-1
'11...5-2B
11...5-2A
'14...5-3B
14...5-3A
'12...5-4B
12...5-4A
'13...5-5B
13...5-5A
'27...5-6B
27...5-6A
'30...5-7B
30...5-7A
'2...5-8
'15...5-9B
15...5-9A
'19...5-10B
19...5-10A
'18...5-11A
18...5-11B
'5...5-Z12
'17...5-13B
17...5-13A
'28...5-14B
28...5-14A
'4...5-15
'20...5-16B
20...5-16A
'10...5-Z17
'35...5-Z18B
35...5-Z18A
'31...5-19B
31...5-19A
'34Persian scale5-20B
34Heptatonic blues scale5-20A
'21...5-21B
21...5-21A
'8Double harmonic scale, Hungarian minor scale5-22
'25...5-23B
25...5-23A
'22...5-24B
22Enigmatic scale5-24A
'24...5-25B
24...5-25A
'26Scriabian mode5-26A
26...5-26B
'23...5-27B
23...5-27A
'36Harmonic locrian major scale5-28A
36...5-28B
'32...5-29B
32...5-29A
'37Augmented thirteenth chord, minor Neapolitan scale5-30B
37Harmonic lydian scale5-30A
'38Hungarian major scale5-31B
38Romanian major scale5-31A
'33Augmented major thirteenth chord, harmonic minor scale, Ukrainian Dorian scale5-32B
33Half-diminished thirteenth chord, harmonic major scale5-32A
'6Major Locrian scale, major Neapolitan scale, Melodic phrygian scale5-33
'9Acoustic scale, altered scale, minor major thirteenth chord5-34
'7Diatonic scale, major thirteenth chord, minor thirteenth chord5-35
'16...5-Z36B
16...5-Z36A
'3...5-Z37
'29...5-Z38B
29...5-Z38A
'...4-1
'...4-2B
...4-2A
'...4-3
'...4-4B
...4-4A
'...4-5B
...4-5A
'...4-6
'...4-7
'...4-8
'...4-9
'...4-10
'...4-11B
...4-11A
'...4-12A
...4-12B
'...4-13B
...4-13A
'...4-14A
...4-14B
'...4-Z15B
...4-Z15A
'...4-16B
...4-16A
'...4-17
'...4-18B
...4-18A
'...4-19B
...4-19A
'...4-20
'...4-21
'...4-22B
...4-22A
'Bebop dominant scale, bebop major scale4-23
'...4-24
'Seventh flat five diminished scale4-25
'Bebop harmonic minor scale4-26
'...4-27B
Bebop melodic minor scale4-27A
'Octatonic scale4-28
'...4-Z29B
...4-Z29A
'...3-1
'...3-2B
...3-2A
'...3-3B
...3-3A
'...3-4B
...3-4A
'...3-5B
...3-5A
'...3-6
'...3-7B
...3-7A
'...3-8B
Mahler 10 chord3-8A
'Blues scale3-9
'...3-10
'...3-11B
...3-11A
'Messiaen's third mode 3-12
'...2-1
'...2-2
'...2-3
'...2-4
'...2-5
'Messiaen's seventh mode2-6
'Northern lights chord1-1
'Aggregate, all-interval twelve-tone row0-1