List of quarter tone pieces
A selection of compositions using quarter tones:
A
- Thomas Adès
- *Asyla calls for an upright piano tuned a quarter-tone flat.
B
- Jan Bach
- *Concert Variations for solo euphonium; "each variation is based on different performance techniques of the instrument, including quarter-tones"
- * for violin, viola da gamba, harpsichord
- Clarence Barlow
- *Çoǧluotobüsişletmesi for four pianos. "in which four of the 12 pitches of the chromatic scale are tuned a quarter tone flat"
- *...until' version 7 for guitar.
- *Concerto for Quarter Tone Piano and Quarter Tone Strings
- Béla Bartók
- *String Quartet No. 6; the third movement Burletta contains quarter-tone tuning used for parodistic effect. Quarter tones are also used in Bartók's ballet The Miraculous Mandarin.
- *Sonata for Solo Violin; the fourth movement Presto contains quarter-tones, but they are not "structural features." This movement also calls for third-tones.
- *Violin Concerto No. 2; the cadenza in the first movement requires the use of quarter-tones, but only as an effect.
- John Beckwith
- *Blurred Lines for violin and harpsichord
- Jack Behrens
- *Quarter-Tone Quartet, Op. 20.
- Alban Berg
- *Chamber Concerto, for violin, piano, and 13 winds.
- Luciano Berio
- *E vó.
- Easley Blackwood Jr.
- *Twelve Microtonal Etudes for Electronic Music Media: "24 Notes: Moderato".
- Ernest Bloch
- *Piano Quintet No. 1 ; the first movement features use of quarter-tones in the string parts.
- Pierre Boulez
- *Polyphonie X.
- *Le Visage nuptial.
C
- Julián Carrillo
- *Capricho for piano in quarter-tones
- *Capricho for solo viola in quarter-tones
- *Casi-sonatas 1–6 for solo violin, viola or cello in quarter-tones
- *Concertino in quarter-, eighth- and sixteenth-tones for violin, cello and harp with orchestra
- *Concerto for 1/4-tone and 1/8-tone cello and orchestra
- *Concerto No. 1 for quarter-tone violin and orchestra
- *Concerto No. 2 for quarter-tone violin and orchestra
- *Mass for Pope John XXIII for male chorus in quarter-tones
- *Preludio a Colón for vocalizing soprano, octavina, flute, 16th-tone harp, violin, and guitar
- *Serenata for cello in quarter-tones with English horn, harp, and string quartet
- *70 estudios for solo violin in quarter-tones
- *Sonata for solo guitar in quarter-tones
- *Sonata for solo harp in quarter-tones
- *Sonata casi fantasia for violin, violoncello and guitar in quarter-, eighth- and sixteenth-tones
- *String Quartet in quarter-tones
- *Suite for solo guitar in quarter-tones
- *3 estudios en forma de sonatina for solo violin in quarter-tones
- *Symphony No. 1 for orchestra in quarter-tones
- *Symphony No. 2 for orchestra in quarter-tones
- Dragutin Čolić
- *Concertino for quarter-tone piano and string sextet
- *String Quartet No. 1
- Jacob Collier
- *In the Bleak Midwinter for 10 Vocalists
- Aaron Copland
- *Vitebsk.
- John Corigliano
- *Chiaroscuro for two pianos tuned a quarter tone apart
- Mildred Couper
- *Xanadu for two pianos tuned a quarter tone apart
- *Dirge for two pianos tuned a quarter tone apart, published in New Music quarterly
- *Rumba for two pianos tuned a quarter tone apart
D
- Jean-Jacques Débillemont
- * Vercingétorix, cantata
- John Diercks
- *Reminiscences, 1971 for two pianos, one tuned a quarter-tone lower.
E
- John Eaton
- *Sonority Movement, for flute and nine harps.
- Danny Elfman
- *Soundtrack score for A Simple Plan features "very specific quarter tone detunings coming off the Emulator".
- Don Ellis
- *Electric Bath
- George Enescu
- *Œdipe
- *Third Violin Sonata ("In Popular Romanian Style")
F
- Bjørn Fongaard
- *Galaxe, Opus 46.
- John Foulds
- * Cello Sonata, passages in the second movement
G
- Sofia Gubaidulina
- *Quaternion for cello quartet, two of the cellos are tuned down a quarter tone
- *Music for Flute, Strings, and Percussion, the strings are divided into two sections, one of which is tuned a quarter-tone lower than the other.
H
- Sampo Haapamäki
- *Velinikka, concerto for quarter-tone accordion
- *Conception, double concerto for quarter-tone guitar, quarter-tone accordion and orchestra
- * Quarter-Tone Piano Concerto
- Georg Friedrich Haas
- *3 Hommages, for piano player on two pianos tuned a quarter tone apart
- **"Hommage à Steve Reich"
- **"Hommage à György Ligeti"
- **"Hommage à Josef Matthias Hauer"
- Alois Hába
- *Children's Play for unaccompanied youth chorus, Op.43
- *Chor-Suite for unaccompanied chorus, Op. 13
- *5 Choruses for unaccompanied youth chorus, Op. 42
- *5 Mixed Choruses, Op. 44
- *Detské nálady, 8-song cycle for mid-ranged voice and quartertone guitar, Op.51
- *Fantasy No. 1 for quartertone piano, Op. 17
- *Fantasy No. 2 for quartertone piano, Op. 19
- *Fantasy No. 3 for quartertone piano, Op. 20
- *Fantasy No. 4 for quartertone piano, Op. 25
- *Fantasy No. 5 for quartertone piano, Op. 26
- *Fantasy No. 6 for quartertone piano, Op. 27
- *Fantasy No. 7 for quartertone piano, Op. 28
- *Fantasy No. 8 for quartertone piano, Op. 29
- *Fantasy No. 9 for quartertone piano, Op. 30
- *Fantasy No. 10 for quartertone piano, Op. 31
- *Fantasy No. 11 for quartertone piano, Op. 89
- *Fantasy for unaccompanied violin, Op. 9a
- *Fantasy for unaccompanied violoncello, Op. 18
- *Fantasy for violin and quartertone piano, Op. 21
- *Fantasy for viola and quartertone piano, Op. 32
- *Fantasy for violoncello and quartertone piano, Op. 33
- *Já for unaccompanied men's chorus, Op. 36
- *Matka, quartertone opera in 10 scenes, Op. 35
- *Poesie zivota, 12-song cycle for soprano and quartertone guitar, Op. 53
- *Pracující den for unaccompanied male voices, Op. 45
- *Solo for violin Op. 93
- *Sonata for quartertone piano, Op. 62
- *String Quartet No. 2, Op. 7
- *String Quartet 3, Op. 12
- *String Quartet 4, Op. 14
- *String Quartet 6, Op. 70
- *String Quartet No. 12, Op. 90
- *String Quartet 14, Op. 94
- *Suite No. 1 for quartertone piano, Op. 10
- *Suite No. 2 for quartertone piano, Op. 11
- *Suite No. 3 for quartertone piano, Op. 16
- *Suite No. 4 for quartertone piano, Op. 22
- *Suite No. 5 for quartertone piano, Op. 23
- *Suite No. 6 for quartertone piano, Op. 88
- *Suite for clarinet and quartertone piano, Op. 24
- *1st Suite for quartertone guitar, Op. 54
- *2nd Suite for quartertone guitar, Op. 63
- *Suite for clarinet, Op. 55
- *Suite for quartertone trumpet and trombone, Op. 56
- *Suite in quartertones for 4 trombones, Op. 72
- Fromental Halévy
- *Prométhée enchaîné
- Jonathan Harvey
- *Valley of Aosta for chamber ensemble of 13 players and electronics
- Lejaren Hiller
- *String Quartet No. 5.
- Alan Hovhaness
- *O Lord, Bless Thy Mountains, Op. 276, for two pianos tuned a quarter tone apart
I
- Charles Ives
- *Three Quarter-Tone Pieces, for two pianos, one tuned a quarter-tone sharp, S. 128
- *''Symphony No. 4''
K
- Jeronimas Kačinskas
- *String Quartet No. 2
- *Trio for trumpet, viola, and harmonium
- Gideon Klein
- *Duo for violin and viola in the Quartertone System
- György Kurtág
- *Lebenslauf, Op. 32
L
- Dongryul Lee
- *Goethe’s Garden for two pianos tuned a quarter-tone apart
- Michael A. Levine
- *Divination by Mirrors for Saw and Strings. Strings are divided into two groups of 13 tuned 1/4 step apart. Each group plays only in its own pitch "universe". The featured bowed saw freely moves from standard tuning to pitches a 1/4 step away. Premiered at Merkin Concert Hall, New York City, 1998 by the New York Virtuosi and Dale Stuckenbruck saw soloist.
- György Ligeti
- *Clocks and Clouds for 12-voiced women's choir and orchestra.
- *Quartet No. 2 for strings.
- *Ramifications for 12 solo strings, divided into two groups tuned a quarter-tone apart.
- Arthur Lourié
- *Prelude for piano "with higher chromatism", Op.12 No.2.
- Alain Louvier
- *Anneaux de Lumière for two pianos, one tuned a quarter-tone apart
M
- *Street Cries for solo B♭ clarinet features extensive use of quarter tones in all three movements.
- Henry Mancini
- *Soundtrack score for Wait Until Dark features extensive use of quarter-tones including two pianos tuned a quarter-tone apart
- *The Night Visitor
- Steve Mackey
- *Indigenous Instruments
- *On All Fours
- Andrew March
- *Aeolian Rustling for alto flute and harp, with Kingma System alto flute ossia.
- *XXIX—in Perpetuum for solo Kingma System quarter-tone alto flute.
- *Water Lilies for solo alto flute and harp, with Kingma System quarter-tone alto flute ossia.
- *Memoriam for Kingma System quarter-tone alto flute, vibraphone, marimba, harp and strings.
- Rytis Mažulis
- *Quartertone Canon for two piano tuned a quarter-tone apart
- *Sans Pause for string quartet
- Olivier Messiaen
- *Deux monodies en quarts de ton.
N
- Per Nørgård
- *String Quartet No. 5 'Inscape'
O
- Frank J. Oteri
- *circles mostly in wood, a quarter-tone wind quintet in five movements
- *Fair and Balanced?, a quarter-tone saxophone quartet in four short movements
P
- Krzysztof Penderecki
- *Threnody to the Victims of Hiroshima, for string orchestra, frequently makes use of quarter tones.
R
- Karel Reiner
- *Fantasy for quarter-tone piano
- *Five songs for voice with violin accompaniment in quarter-tones to texts by Karel Hynek Mácha
- *3 Duos for 2 quarter-tone clarinets
- *Suite for quarter-tone piano
- Milan Ristić
- *Duo for violin and violoncello, Op. 11
- *Septet for clarinet, 2 trombones, string trio, and doublebass, Op. 9
- *Suite for unaccompanied violin, Op. 6
- *Suite for ten strings, Op. 10
- *Suite for four trombones, Op. 8
S
- Ezra Sims
- * String Quartet No. 3
- Richard Heinrich Stein
- *Zwei Konzertstücke, Op. 26, 1906.
- Karlheinz Stockhausen
- *Pietà, for soprano, quarter-tone flugelhorn, and electronic music, from the opera Dienstag aus Licht
- *Schlagquartett, for piano and 3 x 2 timpani
- Billy Strange
- *These Boots Are Made for Walkin', 1966 popular song, sung by Nancy Sinatra, with a prominent quarter tone double bass riff.
T
- Tōru Takemitsu
- *Bryce.
- James Tenney
- *Bridge for two pianos tuned a quarter-tone apart
- Jukka Tiensuu
- *Kymmari for Decacorde
- *Anomal Dances Concerto for quarter-tone accordion and orchestra
- *Kuuhiomo a proludi in quarter tones for any ensemble of melody instruments
- *Arsenic and Old Lace for micro-tonally tuned harpsichord, string quartet
- *Narcissus for oboe and tape
- Tui St. George Tucker
- *Amoroso for solo clarinet
- *Indian Summer for 2 baritones with 2 flutes, clarinet, bassoon, trombone, viola, and percussion
- *Little Pieces for quarter-tone piano
- *My Melancholy Baby Fantasy for one player performing on two pianos at a right angle tuned a quarter-tone apart
- *Quartertone Carol for recorder trio
- *Quartertone Recorder Duets
- *Quartertone Lullubies 1–3 for recorder trio
- *Romanza for solo recorder.
- *Sarabande: Dance for Miriam Cooper, for microtonal harpsichord
- *Sonata No. 1 for Solo Recorder.
W
- Craig Walsh
- *String Quartet No. 1 "Ganga"
- Ivan Wyschnegradsky
- *Ainsi Parlait Zarathoustra, for four pianos two of which are tuned a quarter-tone sharp, Op. 17
- *2 Chants sur Nietzsche, for baritone & 2 pianos in quarter tones, Op. 9
- *Chant douloureux et étude, for violin and piano, Op. 6
- *Composition, for string quartet, Op. 43
- *Cosmos, for 4 pianos in quarter tones, Op. 28
- *Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O.
- *Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12
- *Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c
- *Études sur les densités et les volumes, for two pianos tuned a quarter-tone apart, Op. 39b
- *Fragment symphonique No. 1, for four pianos two of which are tuned a quarter-tone sharp, Op. 23a; for orchestra, Op. 23c
- *Fragment symphonique No. 2, for four pianos two of which are tuned a quarter-tone sharp, timpani & percussions, Op. 24
- *Fragment symphonique No. 3, for four pianos two of which are tuned a quarter-tone sharp & ad. lib. percussions, Op. 31
- *Prélude et Fugue, Op. 21, for two pianos tuned a quarter-tone apart
- *Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons, Op. 22, for two pianos tuned a quarter-tone apart
- *String Quartet No. 1, Op. 13
- *String Quartet No. 2, Op. 18
- *String Trio, Op. 53
- *Variations sans thème et conclusion, for orchestra, Op. 33
Y
- Eugène Ysaÿe
- *Six Sonatas for Solo Violin, Op. 27, Nos. 3 and 5