| Image | Title | Year | Location | - | - | - | - |
| Salisbury Cathedral from the Meadows | 1831 | Tate | - | - | - | - |
| Salisbury Cathedral from the Bishop's Grounds | 1823 | Victoria and Albert Museum | - | - | - | - |
| The Leaping Horse | 1825 | Royal Academy of Arts | - | - | - | - |
| Osmington Bay | 1816 | Clark Art Institute | - | - | - | - |
| Trees at Hampstead | 1821 | Victoria and Albert Museum | - | - | - | - |
| The Wheat Field | 1816 | Clark Art Institute | - | - | - | - |
| Waterloo Bridge Seen from Whitehall Stairs | 1829 | Clark Art Institute | - | - | - | - |
| Sketch for The Opening of Waterloo Bridge Seen from Whitehall Stairs, June 18th 1817 | 1819 | Clark Art Institute | - | - | - | - |
| Dedham Lock and Mill | 1820 | Victoria and Albert Museum | - | - | - | - |
| A Boat Passing a Lock | 1826 | Royal Academy of Arts | - | - | - | - |
| Sandbanks and a Cart and Horses on Hampstead Heath | 1820-1825 | Clark Art Institute | - | - | - | - |
| Weymouth Bay: Bowleaze Cove and Jordon Hill | 1816 | National Gallery | - | - | - | - |
| View of Lower Terrace, Hampstead | 1822 | Victoria and Albert Museum | | A Cottage in a Cornfield | 1817 | National Museum Wales |
| The Cornfield | 1826 | National Gallery | - | - | - | - |
| The Hay Wain | 1821 | National Gallery | - | - | - | - |
| Malvern Hall | 1821 | Clark Art Institute | - | - | - | - |
| Englefield House | 1832 | Private collection | - | - | - | - |
| Cottage at East Bergholt | 1833 | Lady Lever Art Gallery | - | - | - | - |
| Boat-Building Near Flatford Mill | 1815 | Victoria and Albert Museum | - | - | - | - |
| Cenotaph to the Memory of Sir Joshua Reynolds | 1836 | National Gallery | - | - | - | - |
| Chain Pier, Brighton | 1827 | Tate | - | - | - | - |
| Flatford Mill | 1816
1811 | Tate | - | - | - | - |
| Dedham Vale | 1811 | Private collection | - | - | - | - |
| Stratford Saint Mary from the Coombs | c. 1800 | Clark Art Institute | - | - | - | - |
| Old Hall, East Bergholt | 1801 | Private collection | - | - | - | - |
| Dedham Vale | 1802 | Victoria and Albert Museum | - | - | - | - |
| Woodland Scene Overlooking Dedham Vale | c. 1802-1803 | Clark Art Institute | - | - | - | - |
| Bow Fell, Cumberland | 1807 | Clark Art Institute | - | - | - | - |
| Dedham Church from Flatford | 1810 | Clark Art Institute | - | - | - | - |
| Flatford Mill from the Lock | 1810 | Clark Art Institute | - | - | - | - |
| Dedham Vale from the Road to East Bergholt, Sunset | 1810 | Clark Art Institute | - | - | - | - |
| Study of a Burdock | 1810-14 or 1828 | Clark Art Institute | - | - | - | - |
| Flatford Mill from the Lock | 1812 | Private collection | - | - | - | - |
| Willy Lott's House ; Landscape Sketches with Trees and Church Tower | c.1812–13 ; c.1811–13 | Clark Art Institute | - | - | - | - |
| Flailing Turnip-heads, East Bergholt | 1812-15 | Clark Art Institute | - | - | - | - |
| East Bergholt Common, View Toward the Rectory | 1813 | Clark Art Institute | - | - | - | - |
| Boys Fishing | 1813 | Anglesey Abbey, Cambridgeshire | - | - | - | - |
| The Mill Stream | 1814 | Christchurch Mansion, Ipswich | - | - | - | - |
| Hadleigh Castle | 1829 | Tate | - | - | - | - |
| The Valley Farm | 1835 | Tate | - | - | - | - |
| The Lock | 1824 | private collection | - | - | - | - |
| Wivenhoe Park | 1816 | National Gallery of Art | - | - | - | - |
| The Watermill | | Nationalmuseum | - | - | - | - |
| Vale of Health, Hampstead | c.1827 | Victoria and Albert Museum | - | - | - | - |
| The Vale of Dedham | 1828 | National Galleries of Scotland | - | - | - | - |
| The Grove, or the Admiral's House in Hampstead | 1821 | Berlin State Museums | - | - | - | - |
| The Old Mill | 1820 | Walters Art Museum | - | - | - | - |
| Landscape | 18th century | MuMa Museum of modern art André Malraux | - | - | - | - |
| Helmingham Dell. Vallon dans le parc de Helmingham | 1800s | Department of Paintings of the Louvre | - | - | - | - |
| Vue de Salisbury | 1800s | Department of Paintings of the Louvre | - | - | - | - |
| The White Horse | 1819 | The Frick Collection | - | - | - | - |
| Salisbury Cathedral from the Bishop's Garden | 1800s | Metropolitan Museum of Art | - | - | - | - |
| Salisbury Cathedral from the Bishop's Garden | 1826 | The Frick Collection | - | - | - | - |
| Salisbury Cathedral from the Bishop's Garden | 1821 | São Paulo Museum of Art | - | - | - | - |
| Mrs. James Pulham Sr. | 1818 | Metropolitan Museum of Art | - | - | - | - |
| Willy Lott's House from the Stour | 1818 | Ashmolean Museum | - | - | - | - |
| Stoke-by-Nayland | 1810 | Metropolitan Museum of Art | - | - | - | - |
| Hampstead Heath with Bathers | 18th century | Metropolitan Museum of Art | - | - | - | - |
| Netley Abbey | 1800s | Herbert F. Johnson Museum of Art | - | - | - | - |
| Stonehenge at Sunset | 1836 | Yale Center for British Art | - | - | - | - |
| The White Horse | 1800s | National Gallery of Art | - | - | - | - |
| Salisbury Cathedral from Lower Marsh Close | 1820 | National Gallery of ArtAndrew W. Mellon collection | - | - | - | - |
| Cloud Study: Stormy Sunset | 1800s | National Gallery of Art | - | - | - | - |
| A View on Hampstead Heath with Harrow in the Distance | 1822 | Fine Arts Museums of San Francisco | - | - | - | - |
| Arundel Mill | | Fine Arts Museums of San Francisco | - | - | - | - |
| Hampstead, Stormy Sky | 1814 | Art Institute of Chicago | - | - | - | - |
| Stoke-by-Nayland | 1836 | Art Institute of Chicago | - | - | - | - |
| Landscape with Cottages | 18th century | Art Institute of Chicago | - | - | - | - |
| Study of a Windmill | 18th century | Statens Museum for Kunst | - | - | - | - |
| The Quarters behind Alresford Hall | 1816 | National Gallery of Victoria | - | - | - | - |
| West End Fields, Hampstead, noon | 1822 | National Gallery of Victoria | - | - | - | - |
| Clouds | 1822 | National Gallery of Victoria | - | - | - | - |
| Study of A boat passing a lock | 1800s | National Gallery of Victoria | - | - | - | - |
| Keswick Lake | | National Gallery of Victoria | - | - | - | - |
| The Mill Stream | 18th century | Statens Museum for Kunst | - | - | - | - |
| Landscape with goatherd and goats | 1823 | Art Gallery of New South Wales | - | - | - | - |
| A Heath | | Museum of Fine Arts | - | - | - | - |
| A Hilltop | 1809 | Museum of Fine Arts | - | - | - | - |
| Weymouth Bay from the Downs above Osmington Mills | 1816 | Museum of Fine Arts | - | - | - | - |
| Portrait of a Woman | | Museum of Fine Arts | - | - | - | - |
| Stour Valley and Dedham Church | 1814 | Museum of Fine Arts | - | - | - | - |
| Branch Hill Pond, Hampstead Heath | | Philadelphia Museum of Art | - | - | - | - |
| Branch Hill Pond, Hampstead Heath | | Philadelphia Museum of Art | - | - | - | - |
| Coast Scene, Brighton | | Philadelphia Museum of Art | - | - | - | - |
| Dell at Helmingham Park | | Philadelphia Museum of Art | - | - | - | - |
| Dell at Helmingham Park | | Philadelphia Museum of Art | - | - | - | - |
| Gandish Cottage, Suffolk | | Philadelphia Museum of Art | - | - | - | - |
| Hampstead Heath | 1821 | Philadelphia Museum of Art | - | - | - | - |
| Hilly Landscape | | Philadelphia Museum of Art | - | - | - | - |
| Landscape | | Philadelphia Museum of Art | - | - | - | - |
| Landscape with a Lock | | Philadelphia Museum of Art | - | - | - | - |
| Landscape with a River | | Philadelphia Museum of Art | - | - | - | - |
| Landscape with Brushwood | | Philadelphia Museum of Art | - | - | - | - |
| Marine | | Philadelphia Museum of Art | - | - | - | - |
| Mill | | Philadelphia Museum of Art | - | - | - | - |
| Near Bergholt Common | | Philadelphia Museum of Art | - | - | - | - |
| Osmington Bay | | Philadelphia Museum of Art | - | - | - | - |
| Portrait of a Girl | | Philadelphia Museum of Art | - | - | - | - |
| Portrait of Master Crosby | 1808 | Philadelphia Museum of Art | - | - | - | - |
| Rising Moon | | Philadelphia Museum of Art | - | - | - | - |
| Road to the Spaniards, Hampstead | 1822 | Philadelphia Museum of Art | - | - | - | - |
| Sketch for A Boat Passing a Lock | 1800s | Philadelphia Museum of Art | - | - | - | - |
| Sketch for The Marine Parade and Chain Pier, Brighton | | Philadelphia Museum of Art | - | - | - | - |
| Sketch for The Marine Parade and Chain Pier, Brighton | | Philadelphia Museum of Art | - | - | - | - |
| The Stour | 1810 | Philadelphia Museum of Art | - | - | - | - |
| The Stour | | Philadelphia Museum of Art | - | - | - | - |
| Two Donkeys | 1816 | Philadelphia Museum of Art | - | - | - | - |
| View toward the Rectory, East Bergholt | 1810 | Philadelphia Museum of Art | - | - | - | - |
| Golding Constable's Flower Garden | 1815 | Ipswich Museum | - | - | - | - |
| Golding Constable's Vegetable Garden | 1815 | Ipswich Museum | - | - | - | - |
| Windmills in landscape. | 18th century | National Museum in Warsaw | - | - | - | - |
| Rushes by a pool | 1821 | Yale Center for British Art | - | - | - | - |
| A View from Hampstead Heath | 1825 | Yale Center for British Art | - | - | - | - |
| Horse and Cart | | Yale Center for British Art | - | - | - | - |
| A Cloud Study, Sunset | 1821 | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1821 | Yale Center for British Art | - | - | - | - |
| Cloud Study | | Yale Center for British Art | - | - | - | - |
| Cloud Study with Tree | 1821 | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1821 | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1821 | Yale Center for British Art | - | - | - | - |
| Extensive Landscape with Grey Cloud | 1821 | Yale Center for British Art | - | - | - | - |
| Fen Lane, East Bergholt | 1811 | Yale Center for British Art | - | - | - | - |
| Captain Richard Gubbin | 1805 | Yale Center for British Art | - | - | - | - |
| Hampstead Heath, with a Bonfire | 1822 | Yale Center for British Art | - | - | - | - |
| Sir Richard Steele's Cottage, Hampstead | 1832 | Yale Center for British Art | - | - | - | - |
| Somerset House Terrace from Waterloo Bridge | 1819 | Yale Center for British Art | - | - | - | - |
| East Bergholt Church | 1809 | Yale Center for British Art | - | - | - | - |
| Barge below Flatford Lock | 1810 | Yale Center for British Art | - | - | - | - |
| Flatford Lock | 1800s | Yale Center for British Art | - | - | - | - |
| Osmington Village | 1817 | Yale Center for British Art | - | - | - | - |
| Golding Constable's House, East Bergholt: the Artist's birthplace | 1809 | Yale Center for British Art | - | - | - | - |
| West Lodge, East Bergholt | 1800s | Yale Center for British Art | - | - | - | - |
| Half-size Sketch for The Opening of Waterloo Bridge | 18th century | Yale Center for British Art | - | - | - | - |
| Flatford Mill | 1800s | Yale Center for British Art | - | - | - | - |
| Hadleigh Castle | 1800s | Yale Center for British Art | - | - | - | - |
| Hampstead Heath Looking Towards Harrow | 1821 | Yale Center for British Art | - | - | - | - |
| Dedham Lock | 18th century | Yale Center for British Art | - | - | - | - |
| Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night | 1829 | Yale Center for British Art | - | - | - | - |
| Ploughing Scene in Suffolk | 1825 | Yale Center for British Art | - | - | - | - |
| Dedham Lock | 18th century | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1821 | Yale Center for British Art | - | - | - | - |
| Malvern Hall, Warwickshire | 1800s | Yale Center for British Art | - | - | - | - |
| Dedham Vale | 1802 | Yale Center for British Art | - | - | - | - |
| Mary Freer | 1809 | Yale Center for British Art | - | - | - | - |
| Coastal Scene with Cliff | 1814 | Yale Center for British Art | - | - | - | - |
| Lane near Dedham | 1802 | Yale Center for British Art | - | - | - | - |
| Parham Mill, Gillingham | 1826 | Yale Center for British Art | - | - | - | - |
| Bardon Hill, Coleorton Hall | 1823 | Yale Center for British Art | - | - | - | - |
| Hove Beach | 1800s | Yale Center for British Art | - | - | - | - |
| Study of a Cloudy Sky | 1825 | Yale Center for British Art | - | - | - | - |
| A Shepherd in a Landscape looking across Dedham Vale towards Langham | 1811 | Yale Center for British Art | - | - | - | - |
| Study of an Ash Tree | 1800s | Yale Center for British Art | - | - | - | - |
| Undergrowth | 1821 | Yale Center for British Art | - | - | - | - |
| Harnham Gate, Salisbury | 1821 | Yale Center for British Art | - | - | - | - |
| Sketch for "The Haywain" | 1820 | Yale Center for British Art | - | - | - | - |
| A View at Hampstead with Stormy Weather | 1830 | Yale Center for British Art | - | - | - | - |
| Harwich: The Low Lighthouse and Beacon Hill | 1820 | Yale Center for British Art | - | - | - | - |
| East Bergholt | 1813 | Yale Center for British Art | - | - | - | - |
| Stormy Sea, Brighton | 1828 | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1821 | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1822 | Yale Center for British Art | - | - | - | - |
| Cloud Study, Early Morning, Looking East from Hampstead | 1821 | Yale Center for British Art | - | - | - | - |
| An Autumnal Landscape at East Bergholt | 1800s | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1821 | Yale Center for British Art | - | - | - | - |
| Hampstead Heath | 18th century | Yale Center for British Art | - | - | - | - |
| Hampstead Heath looking towards Harrow | 1800s | Yale Center for British Art | - | - | - | - |
| View Towards the Rectory, East Bergholt | 1813 | Yale Center for British Art | - | - | - | - |
| Cloud Study | 1822 | Yale Center for British Art | - | - | - | - |
| Stratford Mill | 1820 | Yale Center for British Art | - | - | - | - |
| Landscape with Windmills near Haarlem, after Jacob van Ruisdael | 1830 | Dulwich Picture Gallery | - | - | - | - |
| On the River Stour | 1800s | The Phillips Collection | - | - | - | - |
| English Landscape | | The Phillips Collection | - | - | - | - |
| Salisbury Cathedral and Leadenhall from the River Avon | 1820 | National Gallery | - | - | - | - |
| Stratford Mill | 1820 | National Gallery | - | - | - | - |
| Weymouth Bay with Approaching Storm | 1818 | Department of Paintings of the Louvre | - | - | - | - |
| Landscape, Mill and Water | | Auckland Art Gallery | - | - | - | - |
| East Bergholt - Lock on Stour | | Indianapolis Museum of Art | - | - | - | - |
| The Cornfield | | Indianapolis Museum of Art | - | - | - | - |
| Harnham Bridge, Salisbury | | Indianapolis Museum of Art | - | - | - | - |
| Barge on the Canal | | Indianapolis Museum of Art | - | - | - | - |
| Laura Moubray, née Hobson | 1808 | National Galleries of Scotland | - | - | - | - |
| On the Stour | 1830 | National Galleries of Scotland | - | - | - | - |
| The Artist's Daughter | | Museum of Fine Arts, Houston | - | - | - | - |
| The Glebe Farm | 1830 | TateNational Gallery | - | - | - | - |
| The Cottage in a Cornfield | 1833 | Victoria and Albert Museum | - | - | - | - |
| Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank | 1825 | TateNational Gallery | - | - | - | - |
| Stoke-by-Nayland | 1800s | TateNational Gallery | - | - | - | - |
| Salisbury Cathedral from the Meadows | 1829 | TateNational Gallery | - | - | - | - |
| View at Epsom | 1809 | TateNational Gallery | - | - | - | - |
| The Mill Stream. Verso: Night Scene with Bridge | 1810 | TateNational Gallery | - | - | - | - |
| Harwich Lighthouse | 1820 | TateNational Gallery | - | - | - | - |
| Hampstead Heath with the Salt Box | c.1820 | TateNational Gallery | - | - | - | - |
| Gillingham Bridge, Dorset | 1823 | TateNational Gallery | - | - | - | - |
| East Bergholt House | 1809 | TateNational Gallery | - | - | - | - |
| The Glebe Farm | 1830 | TateNational Gallery | - | - | - | - |
| Flatford Mill (‘Scene on a Navigable River’) | 1817 | TateNational Gallery | - | - | - | - |
| Hampstead Heath with a Rainbow | 1836 | TateNational Gallery | - | - | - | - |
| The Grove, Hampstead | 1822 | TateNational Gallery | - | - | - | - |
| The Church Porch, East Bergholt | 1810 | TateNational Gallery | - | - | - | - |
| Mrs James Andrew | 1818 | TateNational Gallery | - | - | - | - |
| Chain Pier, Brighton | 1800s | TateNational Gallery | - | - | - | - |
| The Revd Dr James Andrew | 1818 | TateNational Gallery | - | - | - | - |
| Malvern Hall, Warwickshire | 1809 | TateNational Gallery | - | - | - | - |
| Maria Bicknell, Mrs John Constable | 1816 | TateNational Gallery | - | - | - | - |
| Trunk and Lower Branches of a Tree | | TateNational Gallery | - | - | - | - |
| A Bank on Hampstead Heath | 1800s | TateNational Gallery | - | - | - | - |
| Dedham from Langham | 1813 | TateNational Gallery | - | - | - | - |
| A Windmill near Brighton | 1824 | TateNational Gallery | - | - | - | - |
| Trees at Hampstead | 1829 | TateNational Gallery | - | - | - | - |
| Dedham Lock and Mill | 1817 | TateNational Gallery | - | - | - | - |
| Yarmouth Jetty | 1824 | TateNational Gallery | - | - | - | - |
| The Valley Farm | 1835 | TateNational Gallery | - | - | - | - |
| The Bridges Family | 1804 | TateNational Gallery | - | - | - | - |
| Sketch for ‘Hadleigh Castle’ | 1800s | TateNational Gallery | - | - | - | - |
| Branch Hill Pond, Hampstead Heath, with a Cart and Carters | 1825 | TateNational Gallery | - | - | - | - |
| Susannah Lloyd | 1806 | Tate | - | - | - | - |
| The Opening of Waterloo Bridge | 1832 | Tate | - | - | - | - |
| Study of a Girl in a Cloak and Bonnet | 1810 | Tate | - | - | - | - |
| Brightwell Church and Village | 1815 | Tate | - | - | - | - |
| Fen Lane, East Bergholt | 1817 | Tate | - | - | - | - |
| A Cornfield | 1817 | Tate | - | - | - | - |
| View in the Stour Valley looking towards Langham Church from Dedham | 1805 | Tate | - | - | - | - |
| The Glebe Farm | 1830 | Tate | - | - | - | - |
| Maria Constable with Two of her Children. Verso: Copy after Teniers | 1820 | Tate | - | - | - | - |
| Golding Constable | 1815 | Tate | - | - | - | - |
| Ann Constable | 18th century | Tate | - | - | - | - |
| The Celebration in East Bergholt of the Peace of 1814 Concluded in Paris between France and the Allied Powers | 1814 | Museum of Fine Arts, Budapest | - | - | - | - |
| Helmingham Dell | 1830 | The Nelson-Atkins Museum of Art | - | - | - | - |
| Écluse sur la rivière Stour | 1812 | Department of Paintings of the Louvre | - | - | - | - |
| Vue de Hampstead Heath ; Effet d'orage | 1823 | Department of Paintings of the Louvre | - | - | - | - |
| View of Dedham Vale from East Bergholt | 1815 | Bavarian State Painting Collections | - | - | - | - |
| Kalkbrennerei | 18th century | Bavarian State Painting Collections | - | - | - | - |
| Waldlandschaft | 1820 | Bavarian State Painting Collections | - | - | - | - |
| Landschaft mit Fernblick und Gewitterhimmel | | Bavarian State Painting Collections | - | - | - | - |
| Willy Lott's Cottage | 1820 | private collection | - | - | - | - |
| The Washing Line | | Carnegie Museum of Art | - | - | - | - |
| Yarmouth Jetty | 1822 | National Gallery of Art | - | - | - | - |
| Waterloo Bridge | 1820 | Cincinnati Art Museum | - | - | - | - |
| A Road across Hampstead Heath | 1822 | Yale University Art Gallery | - | - | - | - |
| Das Haus des Admirals in Hampstead, genannt "The Grove" | | Berlin State Museums | - | - | - | - |
| Higham Village am Flusse Stour | | Berlin State Museums | - | - | - | - |
| Mrs Mary Fisher | 1816 | Fitzwilliam Museum | - | - | - | - |
| Archdeacon John Fisher | 1816 | Fitzwilliam Museum | - | - | - | - |
| Salisbury | 1829 | Fitzwilliam Museum | - | - | - | - |
| Sky study, sunset | | Fitzwilliam Museum | - | - | - | - |
| East Bergholt | 1808 | Fitzwilliam Museum | - | - | - | - |
| Sky study with mauve clouds | | Fitzwilliam Museum | - | - | - | - |
| Hove beach | | Fitzwilliam Museum | - | - | - | - |
| Parham's Mill, Gillingham, Dorset | 1824 | Fitzwilliam Museum | - | - | - | - |
| Hampstead Heath | 1820 | Fitzwilliam Museum | - | - | - | - |
| At Hampstead, looking towards Harrow | | Fitzwilliam Museum | - | - | - | - |
| Sky study with a shaft of sunlight | 1822 | Fitzwilliam Museum | - | - | - | - |
| Shoreham Bay, near Brighton | 1824 | Fitzwilliam Museum | - | - | - | - |
| Embarkation of George IV from Whitehall: the Opening of Waterloo Bridge, 1817 | 1817 | National Trust | - | - | - | - |
| Academic Study of a Male Nude in the same Pose as a Figure in Michelangelo’s ‘Last Judgement’ in the Sistine Chapel, Rome | 1800s | National Trust | - | - | - | - |
| Lamarsh House, Lamarsh, Essex | 18th century | National Trust | - | - | - | - |
| Cumulus Clouds over a Landscape | 1822 | National Trust | - | - | - | - |
| Lady Louisa Tollemache, Countess of Dysart | 1800s | National Trust | - | - | - | - |
| Anna Maria Lewis, Countess of Dysart as Miranda | 1823 | National Trust | - | - | - | - |
| Field Flowers and Berries in a Brown Pot | 1814 | National Trust | - | - | - | - |
| Harnham Ridge, near Salisbury | 18th Century | National Trust | - | - | - | - |
| Dedham Lock and Mill | 1820 | Currier Museum of Art | - | - | - | - |
| Trees on Hampstead Heath | 1821 | National Museum of Art, Architecture and Design | - | - | - | - |
| A View on the Banks of the River Stour | | Museum of Fine Arts, Houston | - | - | - | - |
| View on the Stour near Dedham | 1822 | Huntington Library | - | - | - | - |
| ] | Branch Hill Pond, Hampstead Heath | 1824–1825 | Virginia Museum of Fine Arts | - | - | - | - |
| Hampstead Heath | 18th century | National Gallery of Canada | - | - | - | - |
| Salisbury Cathedral from the Bishop's Grounds | 1820 | National Gallery of Canada | - | - | - | - |
| Branch Hill Pond, Hampstead | 1828 | Cleveland Museum of Art | - | - | - | - |
| Hampstead Heath, Looking Toward Harrow | 1821 | Cleveland Museum of Art | - | - | - | - |
| Dedham from Langham | 1820 | private collection | - | - | - | - |
| The River Stour, Suffolk | | | - | - | - | - |
| View of Edinburgh, Scotland | | | - | - | - | - |
| Beach near Cromer | | | - | - | - | - |
| Portrait of Mrs. Edwards | 1818 | Rhode Island School of Design Museum | - | - | - | - |
| Coast Scene Near Brighton | 1824 | Detroit Institute of Arts | - | - | - | - |
| The Glebe Farm | 1827 | Detroit Institute of Arts | - | - | - | - |
| Weymouth Bay | 1824 | | - | - | - | - |
| Paysage, esquisse | 1818 | Collection of paintings of the Palais des Beaux-Arts de Lille | - | - | - | - |
| Harnham Ridge from Archdeacon Fisher's House, Salisbury | 1829 | National Gallery of Ireland | - | - | - | - |
| Portrait of a Child with a Dog | | National Gallery of Ireland | - | - | - | - |
| Arundel Mill and Castle | 1837 | Toledo Museum of Art | - | - | - | - |
| Study for “The Leaping Horse” | | Saint Louis Art Museum | - | - | - | - |
| Sophia Lloyd and Child | 18th Century | Worcester Art Museum | - | - | - | - |
| Portrait Of James Lloyd | 1806 | Birmingham Museums Trust | - | - | - | - |
| Harwich Lighthouse | 1800s | Birmingham Museums Trust | - | - | - | - |
| Study of Clouds - Evening, August 31st, 1822. | 1822 | Birmingham Museums Trust | - | - | - | - |