Lin May Saeed


Lin May Saeed was a German-Iraqi contemporary artist known for sculpture, sculptural reliefs, drawings, works on paper, and video. Her practice focused on animal rights, environmental issues, and redefining human-animal relationships. She was distinguished by her use of unconventional materials such as styrofoam, which she “redeemed” artistically while acknowledging their ecological implications.

Early life and education

Born in Würzburg in 1973 to an Iraqi father and German mother, Saeed was a longtime vegan and activist. She studied sculpture at the Kunstakademie Düsseldorf under Luise Kimme and Tony Cragg, graduating in 2001. It was during her time in Düsseldorf that she began her activism; later, while working in Berlin, she shared her studio with two rabbits.

Career

Saeed’s estate is managed by Galerie Jacky Strenz, Frankfurt; her estate is also represented by Chris Sharp Gallery, Los Angeles. Her work has been featured in important exhibitions and venues including Manifesta 15, the 9th Berlin Biennale, Museum Frieder Burda, Palais de Tokyo, Studio Voltaire, Amsterdam Sculpture Biennale, Ljubljana Biennial of Graphic Arts, Castello di Rivoli, Aspen Art Museum, and the Clark Art Institute.

Exhibitions

Solo exhibitions

  • 2024 – Thinking Like a Mountain, GAMeC, Bergamo, Italy.
  • 2023 – The Snow Falls Slowly in Paradise, Georg Kolbe Museum, Berlin, Germany; and Lin May Saeed in Dialogue with Renée Sintenis, same venue.
  • 2021 – Solo shows at sipgate shows and Rami, Galerie Jacky Strenz.
  • 2020 – Arrival of the Animals, Clark Art Institute, Williamstown, MA, USA; her first museum solo, presenting works in Styrofoam, paper, and steel. Accompanied by a monograph, with essays and a catalog exploring animality and speciesism.
  • 2018 - Biene, Studio Voltaire, London, UK
  • 2017 - Djamil, Lulu, Mexico City, MX

Group exhibitions

  • 2024 – The Parliament of Marmots ; Songs for the Changing Seasons ; Balancing Conflicts ; Three Tired Tigers ; Für Alle! Demokratie neu gestalten ; Actual Fractals, Act II
  • 2023 – Jochen Lempert and Lin May Saeed
  • 2022 – Extase de l’abîme ; We Belong To Each Other.
  • 2021 – Eurasia – A Landscape of Mutability ; Amsterdam Sculpture Biennale, La Mer Imaginaire / Imaginary Sea ; Espressioni.
  • 2020 – Crack Up - Crack Down ; El oro de los tigres / The Gold of the Tigers ; Winterfest.
  • 2019 - City Prince/sses, Palais de Tokyo, Paris, FR
  • 2018 - Metamorphosis, C: Chus Martínez, Museo Castello di Rivoli, Turino, IT
  • 2016 - 9th Berlin Biennale for Contemporary Art, Akademie der Künste Berlin, Berlin, DE

Themes and influences

Saeed’s work questioned anthropocentrism and proposed interspecies empathy, drawing iconography from ancient Middle Eastern, Egyptian, and Greco-Roman sources. Her use of discarded Styrofoam symbolized environmental degradation and the overlooked fragility of animal life. She once described her choice of Styrofoam: “a material that reveals human fallibility.”

Death

Saeed died of brain cancer in 2023, aged 50.

Legacy

Her innovative work, combining activism with material and conceptual rigor, continues to shape contemporary dialogues in art, ecology, and animal ethics.