Life in Squares
Life in Squares is a British television mini-series that was broadcast on BBC Two from 27 July to 10 August 2015. The title comes from Dorothy Parker's witticism that the Bloomsbury Group, whose lives it portrays, had "lived in squares, painted in circles and loved in triangles".
Plot
The three-part serial centres on the close and often fraught relationship between sisters, Vanessa Bell and Virginia Woolf, and Vanessa’s sexually complicated alliance with gay artist Duncan Grant as they, and their group of like-minded friends, navigate their way through love, sex and artistic life through the first half of the 20th century.Production
The series was commissioned by Ben Stephenson and Lucy Richer, and produced by Ecosse Films in association with Tiger Aspect Productions. The executive producers are Lucy Bedford, Amanda Coe, Douglas Rae and Lucy Richer. Filming began in August 2014 in London and Charleston Farmhouse.Cast
The main roles were played by:- Eve Best as Older Vanessa Bell
- Ed Birch as Lytton Strachey
- Lucy Boynton as Angelica Garnett
- Jack Davenport as David Garnett
- Jerome Finch as Saxon Sydney-Turner
- Phoebe Fox as Young Vanessa Bell
- Andrew Havill as Older Clive Bell
- Guy Henry as Older Leonard Woolf
- Sam Hoare as Young Clive Bell
- Finn Jones as Julian Bell
- Edmund Kingsley as John Maynard Keynes
- Catherine McCormack as Virginia Woolf
- Lydia Leonard as Young Virginia Woolf
- James Northcote as Adrian Stephen
- James Norton as Young Duncan Grant
- Rupert Penry-Jones as Older Duncan Grant
- Al Weaver as Young Leonard Woolf
- Eleanor Bron as Aunt Mary
- Deborah Findlay as Aunt Jane
- Anton Lesser as Dr. Hyslop
Critical reception
In The Independent, Ellen E Jones was less impressed, writing: "The romantic entanglements of this set are so complicated that there is an undeniable achievement in laying them out clearly, as writer Amanda Coe has done here. Alas, the work's the thing and while this opening episode contained all the gossip, it conveyed none of the depth of thought or artistic feeling that must ultimately justify our interest in these people". She concluded by citing both BBC Radio 4’s parody of the Bloomsbury Group, Gloomsbury, and the "excellent" BBC Four documentary How to Be Bohemian, as having "advanced an alternative view of the set as, essentially, self-indulgent ninnies, cosseted by their wealth. If you've had the pleasure of either programme it would have been especially difficult to take this new drama seriously".