Libera me, WAB 22


Libera me, WAB 22, is the second of two settings of the absoute Libera me, composed by Anton Bruckner in 1854.

History

Bruckner composed the motet during his stay in Sankt Florian for the absoute of the funeral of prelate Michael Arneth.
The original manuscript is lost, but several copies of it are found in the archive of the St. Florian Abbey, the Kremsmünster Abbey and the Österreichische Nationalbibliothek. The motet was first published in an appendix of band 7-10 of Musica divina, Vienna, 1922. It is put in Band XXI/17 of the Gesamtausgabe.

Music

The in total 94-bar work in F minor is scored for [SATB|] choir, 3 trombones and figured bass.
It is in five parts, separated by cadences on the responses Quando cœli and Dum veneris
  1. Libera me, Domine: homophonic, 18 bars, ending pianissimo on per ignem with a bare fifth
  2. Tremens fac: five-voice fugato, 23 bars, ending in homophonic fortissimo on Quando cœli
  3. Dies illa: 25 bars, in canon, with a variety of imitative textures, ending in homophonic fortissimo on Dum veneris
  4. Requiem aeternam: 10 bars, a chorale sustained by the trombones
  5. First part da capo
Part 3 contains dissonances similar to those found in the Agnus Dei of the later Mass in E minor. Apart from its significance as a precursor to Bruckner's mature style, the F minor Libera me is effective on its own terms. The music is heartfelt and profound, and is a gracious, if rather austere, rendering of the text.

Selected discography

The first recording of the Libera me occurred in 1979:
A selection among the about 20 recordings:Anton Bruckner – Music of the St. Florian Period , Jürgen Jürgens conducting the Monteverdi-Chor and the Camerata Academica Hamburg, Werner Kaufmann, 1985; this historical, previously not issued performance has recently been transferred to CD: BSVD-0111, 2012