Left Ginza


The Left Ginza is one of the two parts of the Ginza Rabba, the longest and the most important holy scripture of Mandaeism. The other part of the Ginza Rabba is the Right Ginza.
As of 2024, a critical edition that includes an annotated translation of the Left Ginza is being prepared by Bogdan Burtea and.
Summaries of each book, based mostly on Häberl, are provided below. Translated excerpts are from Gelbert, which is mostly based on Lidzbarski, while Mandaic transliterations are derived from Gelbert.
Opening lines of each chapter are provided below, since Mandaeans often refer to Mandaic prayers by their opening lines.

Book 1

Book 1 is a four-part prose text on the salvation process, beginning with the ascension to heaven of Seth, in advance of his father Adam.
  • Chapter 1.1 is about Adam and his three sons. One of Adam's sons, Sheetil, volunteers to die before his father. 49 paragraphs in Gelbert. The chapter begins with the opening lines:
  • Chapter 1.2 continues the story of Adam after his soul is cast into a material body. 80 paragraphs in Gelbert.
  • Chapter 1.3 is about Hawa mourning the death of her husband and her encounters with the uthras. It also describes the death of Hawa. 58 paragraphs in Gelbert.
  • Chapter 1.4 is a detailed description of the masiqta and the maṭarta that lie between Earth and the World of Light. 43 paragraphs in Gelbert.

    Book 2

Book 2, poetic, comprises 28 hymns.
All of the hymns in Book 2 of the Left Ginza, in which the mana laments that it has been cast into the physical world, begin with the following refrain:
Since Mandaean priestly commentary texts often refer to hymns and prayers by their opening lines, the opening lines of each of the 28 hymns in the book are provided below. The English translations below are from Gelbert, while the Mandaic transliterations are derived from Gelbert. Many of the opening lines are repeated but with the individual words ordered differently; in such cases, both versions are provided and are separated by semicolons.
  1. Who has let me dwell in the Tibil? /
  2. Who has thrown me into the of secrets and winks? /
  3. Who has thrown me into the misery of the worlds? /
  4. Who took me out of my treasure-house? /
  5. A son of great radiance, a son of the lustrous glory /
  6. I am confirmed through the goodness of my Father /
  7. Who threw me into the misfortune of the angels? /
  8. I went away in order to come into the world. /
  9. Why did my appearance change? /
  10. From Thee, my Father, I am learning /
  11. Who has let me dwell in the bodily vestment? /
  12. They went and brought me into the Tibil. /
  13. Who brought me here? /
  14. Into this world they sent him /
  15. Arise, go the house of the Seven! /
  16. In the reliable treasure he sits /
  17. There is no treachery or cunning in him /
  18. Who brought me out of the house of the Life? /
  19. There is in me from the treasure of the Life. /
  20. I lived among the hidden fosterers. /
  21. When did they take me into captivity /
  22. I was in the hidden treasure-house /
  23. Who has planted me, sent me away /
  24. They brought me out of the house of the Great / ; I have come in order to raise the stem on high /
  25. Who brought me away from my place? /
  26. Here I stayed with the generations. /
  27. Who brought me away from my place? /
  28. Who brought me away from my place? /

    Book 3

Book 3, poetic, comprises 62 hymns, several of which are identical to or based on prayers in the Qulasta. Poems in Book 3 poetically describe the masiqta of the soul to World of Light. They typically describe the soul being taken out of the ʿuṣṭuna, or "bodily trunk," and being guided by uthras through the matartas and past Ruha and the Seven Planets, as well as being taken up by the right hand into the World of Light and clothed in radiant garments of light.
The masiqta hymns in Book 3, many of which have close parallels in the Qulasta and Manichaean Psalms of Thomas, are among the oldest Mandaic texts. Van Bladel suggests that these hymns may have a common Elchasaite source.
Since Mandaean priestly commentary texts often refer to hymns and prayers by their the opening lines, the opening lines of each of the 62 hymns in the book are provided below. The English translations below are from Gelbert, while the Mandaic transliterations are derived from Gelbert.
  1. After the firmament was spread out
  2. Provided and provisioned I am
  3. Hail to thee, hail to thee, soul
  4. Go in peace, chosen one, pure one
  5. Repose and peace will prevail
  6. Repose and peace prevail
  7. On the day on which the soul goes out, on the day on which the perfect one ascends on high
  8. On the day on which the soul goes forth, on the day on which the perfect one ascends on high
  9. Between the concealment and the radiance, and between the revelation and the hidden place
  10. Among the chosen ones I am the head of the well-versed
  11. Let the Great be mentioned in goodness, let the Mighty be mentioned in goodness
  12. How greatly I rejoice
  13. Faith in the Good came to me, they say: "thou shalt go forth".
  14. When the darkness was thinking, Adam departed his body
  15. My measure has come to an end and I am heading out, the spirit speaks to the soul
  16. The soul in the fruit of the Life
  17. The voice of the soul of the Life I hear
  18. Although a child, my lifespan ended
  19. I am standing upon my high place, and my eyes look upon the earthly world
  20. Between the concealment and the radiance, between the light and the uthras
  21. The soul is going out ; her measure is full, and her time has come.
  22. I am redeemed, my measure is full
  23. A voice called out from the heights
  24. I passed by the gate of the prisoners
  25. I have a soul in the Tibil ; she is dying and sleeping in the world; she is dying and sleeping in the world
  26. Whose soul is this, who is edified and cultivated ?
  27. It is a sealed letter which goes out of the world
  28. I am going out from my body
  29. I was saved, my measure was full
  30. At the garden gate I passed by, I heard the voice of the gardener.
  31. At the door of the house of detention, the radiance of Sunday passed by.
  32. When will my measure be full
  33. What do the good ones look like, when they go out of their body ?
  34. Whose soul is this, who is edified and cultivated ?
  35. She spoke: They arranged me in of the Life.
  36. My measure is full and I am heading out.
  37. As a child my lifespan ended
  38. The sound, the sound of a sound
  39. Good is the Truth for the good one
  40. I hear the voice of the soul
  41. a mana from the house of the Great
  42. The soul, the soul of the Life speaks, Who held me down in the earthly world ?
  43. I came to my end and am sleeping
  44. My measure has come to an end and I am heading out
  45. As a child, my lifespan ended
  46. The mana weeps through the generations
  47. The mana speaks to the generations, I am a circlet of beryl
  48. I am a good one, a son of the Great I am
  49. A great radiance am I
  50. Out of a righteous place
  51. My soul longed for the Life
  52. How long hast thou been standing here ?
  53. I passed by the door of the prisoners
  54. O ye birds of the carob trees
  55. At the construction, at the beginning of the whole construction
  56. My measure has come to an end and I am heading out, an expert who has learnt from the watchful ones
  57. I hear the voice of a soul, who is tearing herself away from the dwelling of the evil ones
  58. I hear the voice of a soul, who is going out from the body of grossness
  59. One of children of kušṭa
  60. A being of radiance, I am a son of a being of radiance, I am a being of radiance, a son of the Mighty
  61. Whom and whom, soul didst thou
  62. At the door of the house of the Abaddons, a throne for the spirit is set up
Hymns 17 and 58 contain the following refrain:
Hymns 18, 37, and 45 all contain variations of the opening line, "As a child, my lifespan ended".
Hymn 62 contains the refrain, "Come, fall into the vessel ".

Colophon

Book 3 of the Left Ginza is followed by a colophon. There is only one colophon in the Left Ginza, whereas the Right Ginza has six colophons.
Shlama beth Qidra is the earliest Mandaean scribe named in the Left Ginza's colophon. Zazai of Gawazta is not mentioned in the Left Ginza's colophon, although he is an important figure mentioned in the Right Ginza's colophons.

External parallels

Qulasta

Several of the prayers in Drower's 1959 Canonical Prayerbook of the Mandaeans, mostly ʿniania and masiqta prayers, correspond to hymns in Book 3 of the Left Ginza :
GL chapterCP prayer
3.296
3.394
3.492
3.5 69
3.798
3.1093
3.2068
3.2773
3.4366

''Psalms of Thomas''

Several of the Left Ginza hymns correspond to some of the Psalms of Thomas.
GL chapterPsalms of Thomas
3.213, 18
3.152
3.2213
3.4113
3.436

Below is a comparison of Psalm of Thomas 6 and Left Ginza 3.43.
Psalm of Thomas 6Left Ginza 3.43Mandaic transliteration

Theodore bar Konai

, in the Book of the Scholion, quotes the following passage as part of the teachings of the Kentaeans. The passage has close parallels with much of Left Ginza 3.11.
Book of the ScholionLeft Ginza 3.11