Laura La Plante
Laura La Plante was an American film actress; her more notable performances were in the silent era.
Early life
La Plante was born in St. Louis, Missouri on November 1, 1904, the daughter of William A. Laplante and Elizabeth E. Turk. Her father taught dancing. After her parents were divorced her mother took her and her sister Violet to live in San Diego. In her teens, La Plante stayed with Mary MacMahon, her cousin, in Hollywood during a summer vacation and replied to a newspaper ad asking for children for moving pictures, and she was hired. After this, La Plante's mother started to lose her hearing, and her cousin Mary persuaded her to try more work in motion pictures to earn money for the family. La Plante became an extra with The Christie Film Company on Gower Street.Silent film career
La Plante made her acting debut at age 15, and in 1923, she was named as one of that year's WAMPAS Baby Stars. During the 1920s, she appeared in more than 60 films. Her early films include Big Town Round-Up, with cowboy star Tom Mix, the serials Perils of the Yukon, Around the World in Eighteen Days, and several movies with Hoot Gibson.The majority of the films starring La Plante were made for Universal Pictures. During this period, she was the studio's most popular star, which historian William Drew describes as "an accomplishment duplicated only by Deanna Durbin years later." She almost always enjoyed top billing.
One of La Plante's early surviving films is Smouldering Fires, directed by Clarence Brown and costarring Pauline Frederick. Her best-remembered film is arguably the silent classic The Cat and the Canary, but she achieved acclaim for Skinner's Dress Suit, with Reginald Denny, the part-sound The Love Trap, directed by William Wyler, and the 1929 part-sound Show Boat, adapted from the novel of the same name by Edna Ferber.
Although this last film was an adaptation of the novel and not of the famous musical play, some songs from the play were included in the film as box-office insurance. La Plante did not sing in the movie; her singing was provided by Eva Olivetti in one of the early examples of such dubbing. A scene of La Plante in Show Boat was broadcast in the early days of British television.
Transition to sound films
The advent of sound films effectively shortened her career. In her mid-20s, La Plante was a natural and appealing presence in early sound films, but the huge wave of new stars in these years overshadowed her. She made her last appearances for Universal in the Technicolor musical King of Jazz. She appeared in God's Gift to Women, directed by Michael Curtiz and co-starring Frank Fay and Joan Blondell, and Arizona, co-starring alongside a young John Wayne.Later career
La Plante went to Britain to work at Warner Brothers' Teddington Studios. The company had faced criticism for the low quality of its "quota quickies", and her arrival coincided with an attempt to make expensive productions. She starred in Man of the Moment, with Douglas Fairbanks, Jr. She appeared in the West End playing the lead in Ian Hay's Admirals All. La Plante briefly was considered to replace Myrna Loy in the Thin Man when Loy thought about leaving the series, but Loy stayed as Nora Charles, and La Plante's career never rebounded. She retired from the screen in 1935, making only two later films, and 1957's Spring Reunion was her last. Her younger sister, actress Violet, never achieved La Plante's level of fame; both sisters were WAMPAS Baby Stars.On June 3, 1954, La Plante made a guest appearance on Groucho Marx's quiz show You Bet Your Life. In this episode, La Plante discussed numerous topics, including her husband Irving Asher, who had just lost 25 lbs. and completed the film Elephant Walk with Elizabeth Taylor. Mrs. Asher asked that her winnings, if any, go to the Motion Picture Relief Fund. They got three out of four questions correct to win $215. In the mid-1980s, La Plante was brought on stage in a wheelchair to wave to the crowd at the event Night of a Hundred Stars.