La colombe
La Colombe is an opéra comique in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based on the poem Le Faucon by Jean de La Fontaine, itself after a tale in The Decameron of Giovanni Boccaccio.
It premiered in a one-act version at the Theater der Stadt in Baden-Baden on 3 August 1860, where it was well received and performed four times. It was presented in a revised two-act version, with additional music, on 7 June 1866 by the Opéra-Comique at the Salle Favart in Paris.
Performance history
Gounod's previous opera, Philémon et Baucis, also with a text by Barbier and Carré based on a story by La Fontaine, had originally been commissioned for the summer season of 1859 by Édouard Bénazet, the director of the theatre and casino at Baden-Baden. When the political situation between France and Germany deteriorated in June, Gounod's opera was preemptively withdrawn to avoid potential negative reaction from German audiences, and it ended up being premiered in an expanded form in February 1860 by Léon Carvalho at the Théâtre Lyrique in Paris.To compensate Bénazet for his loss, Gounod quickly composed La colombe during a two-week period for the following summer. Although the original one-act version received an ovation in Baden-Baden, it did not do particularly well in its expanded two-act revision in 1866 at the Opéra-Comique, receiving a total of only 29 performances.
It was presented in Brussels on 5 December 1867, in Stockholm in Swedish on 11 February 1868, at the Crystal Palace in London on 20 September 1870, in Copenhagen in Danish on 27 April 1873 and Prague in Czech on 22 September 1873. It was presented in Bologna in Italian and again in Paris in French in 1912. Sergei Diaghilev presented it on 1 January 1923 at the Opéra de Monte-Carlo, with recitatives composed by the 24-year-old Francis Poulenc replacing the spoken dialogue.
In the 21st century, La colombe was performed in 2013 in Siena and in Buxton, and also in Paris in 2014.
The opera includes a breeches role for the valet Mazet, and Maitre Jean has a bass aria on the past glories of the kitchen that still turns up in recital occasionally.