Catarina or La Fille du Bandit

Catarina ou la Fille du bandit is a ballet in three acts and four scenes, with libretto and choreography by Jules Perrot and music by Cesare Pugni. The libretto is based on an incident in the life of the Italian painter Salvator Rosa. The work was first presented by the Ballet of Her Majesty's Theatre on 3 March 1846 in London, England, with Lucile Grahn, Louis-François Gosselin, and Jules Perrot.

Revivals

Restaging by Jules Perrot for the Ballet of the Teatro alla Scala, with Giacomo Panizza revising Cesare Pugni's original score and Giovanni Bajetti. First presented on 9 January 1847 in Milan, Italy, with Fanny Elssler, Effisio Catte, and Jules Perrot.
Restaging by Jules Perrot for the Imperial Ballet, with Cesare Pugni revising his original score. First presented at the Imperial Bolshoi Kamenny Theatre on February 4/16, 1849 in St. Petersburg, Russia. Principal dancers: Fanny Elssler, Christian Johansson, and Jules Perrot. At a rehearsal for this production, the Emperor Nicholas I of Russia was present. He noticed that Fanny Elssler and the dancers of the corps de ballet were not carrying the guns properly and began to show them how to hold a gun.
Restaging by Roman Turczynowicz for the Ballet of the Grand Theatre in Warsaw, with Józef Stefani revising Cesare Pugni's original score. First presented on 22 September 1850, with Konstancja Turczynowicz, Aleksander Tarnowski, and Feliks Krzesiński / Felix Kschessinsky.
Revival by Antonio-Manuel Abrami for the Ballet of the Teatro alla Scala, with Girolamo Trigambi revising Cesare Pugni's score. First presented on 25 January 1853 in Milan, Italy, with Sofia Fuoco and Giancarlo Molinari.
Odessa, touring troupe of Elena Andreianova.
Revival by Marius Petipa for the Imperial Ballet, with Yuli Gerber revising and making additions to Cesare Pugni's score. November 1/13, 1870. First presented at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, with Adèle Grantzow and Pavel Gerdt.

This revival of Catarina was produced for a benefit performance in honour of the composer Cesare Pugni, who died in January that same year. All of the opening night's box office receipts were given to the composer's family.

Revival by Enrico Cecchetti for the Imperial Ballet, with Riccardo Drigo revising and adding new music to Cesare Pugni's score. First presented at the Imperial Mariinsky Theatre on October 25/November 6, 1888 in St. Petersburg, Russia. Principal dancers: Elena Cornalba and Pavel Gerdt.
Revival by Fredy Franzutti as Catarina, ossia La figlia del bandito for the Balletto del Teatro dell'Opera di Roma. First presented at the Teatro dell'Opera di Roma on 11 May 2007 in Rome, Italy, with Gaia Straccamore, Mario Marozzi, and Alessandro Molin.