Kuolema (Sibelius)
Kuolema, JS 113, is incidental music for orchestra by Jean Sibelius for a 1903 play of that title by his brother-in-law Arvid Järnefelt, structured in six movements and originally scored for string orchestra, bass drum and a bell. He conducted the first performance at the Finnish National Theatre in Helsinki on 2 December 1903. He drew individual works from the score and revised them as:
- Op. 44 no. 1 Valse triste , completed in 1904
- Op. 44 no. 2 Scene with Cranes, completed in 1906
- Op. 62a Canzonetta for string orchestra, first version in 1906, final version in 1911
- Op. 62b Valse romantique, completed in 1911
Background
Initially, Sibelius wrote six numbers for the 2 December 1903 production:- Tempo di valse lente - Poco risoluto
- Moderato
- Moderato assai - Moderato - Poco adagio
- Andante
- Moderato
- Andante ma non tanto
In 1906, he combined Nos. 3 and 4 and revised the music under the title Scene with Cranes. This was performed in Vaasa on 14 December 1906. Sibelius did not ascribe an opus number to it, it was not performed again in his lifetime, and it was not published until 1973, 16 years after his death.
In 1906, he wrote a Rondino der Liebenden for string orchestra, adapted from the music for Kuolema. It lay unperformed until 1911.
In 1911, Järnefelt produced a revised version of the play. For this, Sibelius wrote a revised version of Rondino der Liebenden, which he now called Canzonetta; and a new piece, Valse romantique. These were first performed in Helsinki at the Finnish National Theatre on 8 March 1911, together with Valse triste. The play was not a success, however, hoping to repeat the success of Valse triste with Canzonetta and Valse romantique, Sibelius immediately published them together, as Op. 62a and Op. 62b respectively. They failed to grab the public's attention the way Valse triste had done.
In 1973, Scene with Cranes was posthumously published, as Op. 44, No. 2, and Valse triste was retrospectively renumbered as Op. 44, No. 1.
Recordings and performances sometimes present Valse triste, Scene with Cranes, Canzonetta and Valse romantique as a unified suite, as it represents the totality of what is known of the incidental music for the two versions of Kuolema. However, this was not Sibelius's intention.