Khamas (raga)
Khamas or Kamās/ Khamās /Khamāch/ Khamāj / Kamāchi is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji. It is a janya scale, as it does not have all the seven swaras in the ascending scale.
It is a scale that evokes Shringara rasa. It is suitable for javali type compositions.
Khamas is an asymmetric rāgam that does not contain rishabham in the ascending scale. It is a vakra-shadava-sampurna rāgam. Its structure is as follows:
- [Arohana|] :
- [Avarohana|] :
The notes used in this scale are shadjamam, antara gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatam and kaisiki nishadham in ascending scale, with chathusruthi rishabham included in descending scale. For the details of the notations and terms, see swaras in Carnatic music.
Alternate versions
Originally, Khamas was an upanga raga. Later with the usage in javalis and other later compositions, the bhashanga type of Khamas came into use. Kakali nishadam is introduced as anya swara occasionally.
According to Muthuswami Dikshitar school of music, Khamas is a sampurna raga with no zig-zag notes.
Khamāj of Hindustani Music closely resembles Khamas raga. The Hindi film song ‘Tere Mere Milan Ki’ from the movie Abhimaan is based on Khamaj.
Popular compositions
There are many compositions set to Khamas Raga. Here are some popular Kritis, Thillanas, ''Varnams, Swarajatis, Padams and Javalis composed in this Raga.
Sambhashiva by Chinnikrishna DasarEdho Paramukham by Ponniah Pillai of the Tanjore QuartetMate Malaya-dhvaja pandya-sanjate by Muthiah BhagavatarSamiyai Azhaittu Vaadi and Sami Ni Rammanave by Ponniah Pillai of the Thanjavur QuartetEntaninne by Subbarama DikshitarSa vama rusha yatu, Sarasa-sama-mukha, Sreesha Padmanabha Pahi and Palayamamayi bho shrikanthesha by Maharaja Swathi ThirunalVelanai Kaanbom an Velanai Ninainthal by Muthuswami KaviVesariti Neeve by Dr. M. BalamuralikrishnaMa Mohalahiri by Kadigal Namachivaaya PulavarSantanagopala Krishnam, Danda Nathaya, Shadanane Sakalamarpayami, Sri Swaminathaya Namaste and Sarasa Dala Nayana by Muthuswami DikshitarSujana Jeevana, Laali Laaliyani and Seethapathe composed by TyagarajaManasa Ramuni Maravakave by Venkataramana BhagavatharDooru Maduvarene, Mooruthiyanu Niliso and Palise Enna By Purandara DasaTheruvil Varano by Muthu ThandavarMaatada Baradeno By Bangalore NagarathnammaAapaduraku By PattbhiramayyaRama Jogi Mandu, Ivela Nannu Brovara and Rama Rara by Bhadrachala RamadasuBrochevaarevarura, Upendram Ashrayami Santatam and Intha Paraakaelanayya by Mysore Vasudevachar, whose use of N3 in his compositions in this raga is particularly noteworthy.Konji Konji Vaa Guhane Murugane by Periyasaamy ThooranIdathu Padam Thookki, Thiruvalar Mayilaiyin, Senthil Valar Sevalane, Kadaikkan Paarvai and Rama Naama Amrutha Paaname by Papanasam SivanAmba Ninnu Korina by Dr. M. BalamuralikrishnaTillana by Patnam Subramania IyerTillana by Dr. Lalgudi JayaramanDholayam Chala Dholayam Chala by AnnamacharyaShambho Mahadeva Chandrachuda by Palghat Parameswara BhagavatharSaraswati Sarasa-vani Sarasija-bhavunikki-rani by M. D. RamanathanJayati Jayati Bharata Mata'' by Mayuram Vishvanatha shastri