Ken Hirano


Ken Hirano was the pen name of a prominent Japanese literary critic and longtime professor of literature at Meiji University. His real name was Akira Hirano.
Hirano was one of the seven founders of the journal Kindai Bungaku, and played a starring role in the "politics and literature debates" of the 1940s and 1950s, as well as the "pure literature debate" of the early 1960s. In 1977, he was awarded the prestigious Imperial Prize from the Japan Art Academy.

Early life and education

Ken Hirano was born Akira Hirano in Kyoto, Japan on October 30, 1910. His father was a Buddhist monk who wrote literary criticism on the side. When he was five years old, Hirano's family moved to Gifu prefecture, where he grew up. As a teenager, Hirano refused his father's wish that he follow in his footsteps and become a monk, and instead enrolled in Eighth High School in Nagoya, where he was classmates with Shūgo Honda and Shizuo Fujieda.
In 1930, Hirano enrolled at Tokyo Imperial University, but dropped out in 1933, before re-enrolling in 1937 and graduating with a degree in literature in 1940. During his university years, Hirano became involved in illegal Marxist organizing as well as the Proletarian literature movement, but distanced himself from these activities as state repression ramped up in wartime. After graduating, Hirano spent part of World War II working in the Cabinet Information Bureau.

Career as a literary critic

In 1945, Hirano co-founded the influential literary journal Kindai Bungaku, along with Shūgo Honda, Yutaka Haniya, Masahito Ara, Kiichi Sasaki, Hideo Odagiri, and Shizuka Yamamuro.
In 1946, Hirano touched off the so-called "politics and literature debate" when he published his essay "Hitotsu no hansōtei" in the journal Shinseikatsu. Thereafter, a vigorous debate emerged between the proletarian writers affiliated with the New [Japanese Literature Association] and those affiliated with Hirano's Kindai Bungaku group. Hirano called for the proletarian writers in the New Japanese Literature Association to carry out more thoroughgoing self-reflection regarding their wartime responsibility. More importantly, Hirano criticized the "primacy of politics" in their literature, and called for a more diverse literature that honored each author's individuality. Hirano was supported in his stance by Masahito Ara, Kiichi Sasaki, Hideo Odagiri, and others, and was vigorously opposed by Nakano Shigeharu, Korehito Kurahara, and others associated with the New Japanese Literature Association.
From 1950 Hirano accepted a position as a professor of literature at newly-formed Sagami Women's University. In 1957, he moved to Meiji University, where he taught until his death in 1978.
In 1960, Hirano set off the so-called "Parutai debate"

Posthumous criticism

In the 1980s, literary critic Jun Etō harshly criticized a number of articles that Hirano had written during his time working for the Cabinet Information Bureau. Etō believed these articles demonstrated Hirano's support for the war effort, and rendered hypocritical Hirano's calls for other writers to accept their own wartime responsibility.