Judy Collins
Judith Marjorie Collins is an American singer-songwriter and musician with a career spanning nearly seven decades. An Academy Award-nominated documentary director and a Grammy Award-winning recording artist, she is known for her eclectic tastes in the material she records, for her social activism, and for the clarity of her voice. Her discography consists of 36 studio albums, nine live albums, numerous compilation albums, four holiday albums, and 21 singles.
Collins' debut studio album, A Maid of Constant Sorrow, was released in 1961 and consisted of traditional folk songs. She had her first charting single with "Hard Lovin' Loser" from her fifth studio album In My Life, but it was the lead single from her sixth studio album Wildflowers, "Both Sides, Now" – written by Joni Mitchell – that gave her international prominence. The single reached No. 8 on the Billboard Pop Singles chart and won Collins her first Grammy Award for Best Folk Performance. She enjoyed further success with her recordings of "Someday Soon", "Chelsea Morning", "Amazing Grace", "Turn! Turn! Turn!", and "Cook with Honey".
Collins experienced the biggest success of her career with her recording of Stephen Sondheim's "Send in the Clowns" from her tenth studio album Judith. The single peaked at No. 36 on the Billboard Pop Singles chart in 1975 and then again in 1977 at No. 19, spending 27 non-consecutive weeks on the chart and earning her a Grammy Award nomination for Best Pop Vocal Performance, Female, as well as a Grammy Award for Sondheim for Song of the Year. Judith also became her best-selling studio album; it was certified Gold by the RIAA in 1975 for sales of over 500,000 copies and Platinum in 1996 for sales of over 1,000,000 copies.
In 2017, Collins' rendition of the song "Amazing Grace" was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". That same year, she received a Grammy Award nomination for Best Folk Album for Silver Skies Blue with Ari Hest. In 2019 at the age of 80, she scored her first No. 1 album on an American Billboard chart with Winter Stories, a duet album with Norwegian singer, songwriter, and guitarist Jonas Fjeld featuring Chatham County Line. In 2022, she released her first studio album of all original material, titled Spellbound, and it earned her another Grammy nomination for Best Folk Album.
Early life
Collins was born the eldest of five siblings in Seattle where she lived for the first ten years of her life. Her father, Chuck Collins took a job in Denver in 1949 and the family moved there. Her grandfather on her father's side was Irish.Judy Collins contracted polio at the age of 11 and spent two months in isolation in a hospital. She grew up listening to the traditional Irish music her father sang. She did not know what folk music was when she was young. She said, "I just thought it was probably Rodgers and Hart. Those were the songs he sang on the radio. I didn't understand until I discovered "The Gypsy Rover" and "Barbara Allen" when I was 15. I didn't realize I had been singing "Danny Boy" all of that time... "Danny Boy" was a folk song.”
Career
Beginnings
Collins studied classical piano with Antonia Brico, making her public debut at age 13 performing Mozart's Concerto for Two Pianos. She also played Chopin, Debussy, and Rachmaninoff as a child. Brico took a dim view of her developing interest in folk music, which led her to the difficult decision to discontinue her piano lessons. Years later, after she became known internationally, she invited Brico to one of her concerts in Denver. When they met after the performance, Brico took both of Collins' hands into hers, looked wistfully at her fingers and said, "Little Judy—you really could have gone places." Still later, she discovered that Brico herself had made a living when she was younger playing jazz and ragtime piano.In her early life, Collins met many professional musicians through her father.
It was the music of Woody Guthrie and Pete Seeger and the traditional songs of the folk revival of the early 1960s, however, that kindled Collins' interest and awoke in her a love for lyrics. Three years after her debut as a piano prodigy, she was playing guitar. Her first public appearances as a folk artist after her graduation from Denver's East High School were at Michael's Pub in Boulder, Colorado and the folk club Exodus in Denver. Her music became popular at the University of Connecticut, where her husband taught. She performed at parties and for the campus radio station along with David Grisman and Tom Azarian.
1960s
Collins eventually made her way to Greenwich Village, New York City where she played in clubs like Gerde's Folk City until she signed with Elektra Records, a label she was associated with for 35 years. In 1961, she released her debut studio album, A Maid of Constant Sorrow, at age 22.At first, Collins sang traditional folk songs or songs written by others–in particular the protest songwriters of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of important songs from the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn! Turn! Turn!". She was also instrumental in bringing little-known musicians to a wider public. For example, she recorded songs by Canadian poet Leonard Cohen, who became a close friend over the years. She also recorded songs by singer-songwriters such as Eric Andersen, Fred Neil, Ian Tyson, Joni Mitchell, Randy Newman, Robin Williamson, and Richard Fariña long before they gained national acclaim.
Collins' first few studio albums consisted of straightforward guitar-based folk songs, but with her fifth studio album In My Life, she began branching out to include works from such diverse sources as the Beatles, Leonard Cohen, Jacques Brel, and Kurt Weill. Mark Abramson produced and Joshua Rifkin arranged the album, adding lush orchestration to many of the numbers. The album was a major departure for a folk artist and set the course for Collins' subsequent work over the next decade.
With her sixth studio album Wildflowers, also produced by Abramson and arranged by Rifkin, Collins began to record her own compositions, beginning with "Since You Asked". The album also provided her with a major hit and a Grammy Award in Mitchell's "Both Sides, Now", which in December 1968 reached No. 8 on the Billboard Hot 100, later reaching No. 14 on the UK Singles Chart.
Collins' seventh studio album Who Knows Where the Time Goes was produced by David Anderle, and featured back-up guitar by Stephen Stills, with whom she was romantically involved at the time. Time Goes had a mellow country sound and included Ian Tyson's "Someday Soon" and the title track, written by the UK singer-songwriter Sandy Denny. The album also featured Collins' composition "My Father" and one of the first covers of Leonard Cohen's "Bird on the Wire".
Two of Collins' songs were featured in the 1968 film The Subject Was Roses.
1970s
By the 1970s, Collins had a solid reputation as an art song singer and folksinger and had begun to stand out for her own compositions. She also performed a broad range of material: her songs from this period included the traditional Christian hymn "Amazing Grace", the Stephen Sondheim Broadway ballad "Send in the Clowns", a recording of Joan Baez's "A Song for David", and her own compositions, such as "Born to the Breed".In 1971, Collins released her second live album, Living and the compilation album Colors of the Day: The Best of Judy Collins followed a year later. Collins' contemplative ninth studio album True Stories and Other Dreams featured an original song about a friend who took his own life and another about the life of Argentine Marxist revolutionary Che Guevara. For her tenth studio album Judith, Collins collaborated with producer Arif Mardin and produced her biggest hit single with her reflective version of Stephen Sondheim's "Send in the Clowns". It became her best-selling record, eventually going platinum.
As Collins stepped up to a higher level of stardom, the longtime activist put political themes at the forefront of her eleventh studio album Bread and Roses. Political statements like the title song, originally a poem by James Oppenheim commonly associated with a 1912 garment workers strike in Lawrence, Massachusetts, were balanced with such pop compositions as Elton John's "Come Down in Time", but the album failed to achieve the commercial success of Judith. Following the release of the album, Collins underwent treatment for damaged vocal cords, and after years of struggling with alcoholism, she sought medical help to give up drinking. Her compilation album So Early in the Spring... The First 15 Years sold modestly.
Collins guest starred on The Muppet Show in an episode broadcast in January 1978, singing "Leather-Winged Bat", "There Was an Old Lady Who Swallowed a Fly", "Do-Re-Mi", and "Send in the Clowns". She also appeared several times on Sesame Street, where she performed "Fishermen's Song" with a chorus of Anything Muppet fishermen, sang a trio with Biff and Sully using the word "yes", and starred in a modern musical fairy tale skit called "The Sad Princess". In 1979, Collins released her twelfth studio album Hard Times for Lovers, a pop-oriented album in the same vein as Judith; she gained some extra publicity with the cover sleeve photograph of her in the nude.
1980s
Running for My Life and Times of Our Lives were well-crafted exercises in adult pop and soft rock, but as tastes changed, Collins' sales were on the decline. Home Again found her exploring some new musical avenues, including a synth-based cover of Yaz's "Only You" and a duet with country star T. G. Sheppard on the title cut. While the "Home Again" single was a minor hit, the album was not, and after 23 years, Collins and Elektra parted ways. She performed the music for the 1983 animated television special The Magic of Herself the Elf, as well as the theme song of the Rankin/Bass Productions television film The Wind in the Willows.Collins traveled to England in 1985 and struck a one-off deal with Telstar Records to record the studio album Amazing Grace, in which she re-recorded several of her better-known songs with an inspirational bent. In 1987, she signed with the independent Gold Castle label, and her first studio album for them, Trust Your Heart, which collected seven tracks from Amazing Grace and added three new selections. That same year, she released her first memoir, Trust Your Heart.
In 1989, Collins released two albums: a live disc titled Sanity and Grace, and a collaboration with clarinetist Richard Stoltzman, Innervoices.