Jonathan Brown (art historian)


Jonathan Mayer Brown was an American art historian, known for his work on Spanish art, particularly Diego Velázquez. He was Carroll and Milton Petrie Professor of Fine Arts at New York University.

Early life and education

Brown was born on July 15, 1939, in Springfield, Massachusetts, to Leonard M. Brown, an insurance agent and Jean Brown, a librarian and art collector who was particularly intrigued by the Fluxus movement. He studied Spanish literature at Dartmouth College and spent a year abroad in Madrid. While in Spain, he became fascinated with the painter Diego Velázquez, which inspired a lifelong interest in Spanish art. He graduated from Dartmouth in 1960 and continued on to Princeton University, where he received his PhD in 1964 with a dissertation titled "Painting in Seville from Pacheco to Murillo: A Study of Artistic Transition."

Academic career

Brown began his teaching career at Princeton in 1965. The same year, Brown was promoted to associate professor. In 1972, he received the Arthur Kingsley Porter Prize of the College Art Association of America for an article the Art Bulletin about works of art in the Church of the Hermandad de la Caridad in Seville. The following year, Brown was appointed director of the Institute of Fine Arts, New York University's graduate program in art history. He was named full professor in 1977. At the IFA, Brown promoted the study of Spanish art, a relatively neglected field in the American academy. During the last two decades of his career, he expanded his interests to viceregal Latin American art, particularly the painting of New Spain.

Curation

Brown curated and co-curated a number of exhibitions throughout his career. While a faculty member at Princeton, he organized "Jusepe de Ribera: Prints and Drawings" at the university's museum, which featured several Spanish drawings from its collection. He continued to organize shows focusing on Spanish drawings, including 1976's Murillo & His Drawings, also held at the Princeton University Art Museum, and "The Spanish Manner: Drawings from Ribera to Goya," held at The Frick Collection in 2010. Brown had a long association with The Frick Collection, co-curating several shows at the institution, including Goya's Last Works in 2006. In his review of the exhibition, Andrew Schulz commented that: "Brown and Galassi did a marvelous job of assembling works from public and private collections in North America and Spain that covered the full range of late production: portraits in oil, ivory miniatures, black crayon drawings, and lithographs." Schulz concludes: "Their landmark exhibition and catalogue will provide the point of departure as we continue to gain insights into the last works of this singular artist." Reflecting his later interest in the art of the Spanish viceroyalties, Brown organized the 2010–2011 traveling exhibition "Pintura de los reinos. Identidades compartidas en el mundo hispánico" on view at the Museo Nacional del Prado and Palacio Real in Madrid and the Palacio de Iturrbide in Mexico City. In 2013, he co-curated "La Mexique au Louvre: Chefs-d'œuvrede la Nouvelle Espagne" with Guillaume Kientz.

Personal life and death

Brown died at his home in Princeton on January 17, 2022, at the age of 82.

Awards and honors

Slade Professor of Fine Art, Oxford University, 1981
Comendador de la Orden de Isabel la Católica, 1986
Medalla de Oro de Bellas Artes, 1986
American Philosophical Society, 1988
Andrew W. Mellon Lecturer in the Fine Arts, National Gallery of Art, Washington, 1994
Gran Cruz, Order of Alfonso X el Sabio, 1996
American Academy of Arts and Sciences, 1996
Premio Elio Antonio Negrija, University of Salamanca, 1997
College Art Association Distinguished Scholar, 2011
Corresponding member, Real Academia de Bellas Artes de San Fernando

Selected publications

Italy and Spain, 1600–1750: Sources and Documents, 1970 Jusepe de Ribera: Prints and Drawings, 1973 Francisco de Zurbarán, 1974 Images and Ideas in Seventeenth-Century Spanish Painting, 1978 A Palace for a King: The Buen Retiro and the Court of Philip IV, 1980 El Greco of Toledo, 1982 Velázquez: Painter and Courtier, 1986
  • "Enemies of Flattery: Velázquez' Portraits of Philip IV", in Rotberg, Robert I. and Rabb, Theodore K., Art and History: Images and Their Meaning, Cambridge: Cambridge University Press.The Golden Age of Painting in Spain, 1991 Kings and Connoisseurs: Collecting Art in Seventeenth-Century Europe, 1995. Picasso and the Spanish Tradition, 1996 Velázquez: The Technique of Genius, 1998
  • , El Greco: Themes & Variations, 2001
  • , The Sale of the Century: Artistic Relations between Spain and Great Britain, 1604–1655, 2002 Goya's Last Works, 2006 Collected Writings on Velázquez, 2008 The Spanish Manner: Drawings from Ribera to Goya, 2010 Murillo: Virtuoso Draftsman, 2011 Painting in Latin America 1550-1820: From Conquest to Independence, 2014 In the Shadow of Velázquez: A Life in Art History, 2014 Art and Empire: The Golden Age of Spain, 2019.