Joking Apart
Joking Apart is a BBC television sitcom written by Steven Moffat about the rise and fall of a relationship. It juxtaposes a couple, Mark and Becky, who fall in love and marry, before getting separated and finally divorced. The twelve episodes, broadcast between 1993 and 1995, were directed by Bob Spiers and produced by Andre Ptaszynski for independent production company Pola Jones.
The show is semi-autobiographical; it was inspired by the then-recent separation of Moffat and his first wife. Some of the episodes in the first series followed a non-linear parallel structure, contrasting the rise of the relationship with the fall. Other episodes were ensemble farces, predominantly including the couple's friends Robert and Tracy. Paul Mark Elliott also appeared as Trevor, Becky's lover.
Scheduling problems meant that the show attracted low viewing figures. However, it scored highly on the Appreciation Index and accrued a loyal fanbase. One fan acquired the home video rights from the BBC and released both series on his own DVD label.
Production
Inception
By 1990, Moffat had written two series of Press Gang, but the programme's high cost along with organisational changes at Central cast its future in doubt. As Moffat wondered what to do next and worried about his future employment, Bob Spiers, Press Gang's primary director, suggested that he meet with producer Andre Ptaszynski to discuss writing a sitcom. Moffat's father had been a headteacher and Moffat himself had taught English before writing Press Gang, so his initial proposal was a programme similar to what would become Chalk, a series that eventually aired in 1997.As he was separating from his wife, Moffat was going through a difficult period and aspects of it coloured his creative output. He introduced a proxy of his wife's new partner into the Press Gang episode "The Big Finish?", the character Brian Magboy. Moffat scripted unfortunate situations for the Magboy character, such as having a typewriter drop on his foot. Moffat says that the character's name was inspired by his wife's: "Magboy: Maggie's boy".
During the pitch meeting at the Groucho Club, Ptaszynski realised that Moffat was talking passionately about his impending divorce and suggested that he write about that instead of his initial proposal, a school sitcom. Taking Ptaszynski's advice, Moffat's new idea was about "a sitcom writer whose wife leaves him". Speaking about the autobiographical elements of the show, the writer jokes that he has to remember that his wife didn't leave him for an estate agent; his wife was an estate agent. In 2003, Moffat told The New York Times that his "ex-wife wasn't terribly pleased about her failed marriage being presented as a sitcom on BBC2 on Monday nights". In an interview with Richard Herring, Moffat says that "the sit-com actually lasted slightly longer than my marriage". Conversely, his later sitcom Coupling was based on his relationship with his second wife, TV producer Sue Vertue. Moffat reused the surname 'Taylor', which is Mark's surname in Joking Apart, for Jack Davenport's character Steve in Coupling.
Recording
The pilot, directed by John Kilby, was filmed at Pebble Mill in Birmingham on 9–10 August 1990. It is practically identical to the first episode of the series proper; some scenes are even reused, notably the scene with Mark and Becky meeting when he accidentally turns up at a funeral. The reused footage gave rise to the first episode's shared director credit between Spiers and Kilby. The stand-up sequences were shot against a black background. Although this made it clearer that they were not "real", Moffat thought that it looked odd. The pilot was transmitted on BBC2 as part of its Comic Asides series of pilot shows on 12 July 1991.Moffat had written all six episodes of the first series before recording commenced. With series two, he had written only the first four episodes by the time recording had commenced, only delivering the final episode by the first day of rehearsals.
All of the location shots were filmed at the beginning of the production block. Recording for the first series of six episodes began on location in the first half of April 1992 and were mainly filmed in Chelsea within a short distance from the director's home. The stand-up sequences were filmed in the Café Des Artistes on London's Fulham Road, now known as the Valmont Club, and were shot for the benefit of the studio audience, with the intention of reshooting them later for the broadcast version. Robert Bathurst has complained that, in order to save £5,000, this promised reshoot never materialised. The close ups of Bathurst were filmed in the studio for the second series, with stock footage of the club's audience reused.
After the exterior shots had been filmed, the episodes were recorded at BBC Television Centre in April and May 1992 for the first series, and 12 November until 18 December 1993 for the second. Studio recording sessions were normally completed quickly; Gillies recalls "an hour and a half, tops". To a large extent, the editing occurred live during the studio recording with only tightening later. At the end of the recording on Sunday evenings Spiers would review the show before retiring to the bar, with the bulk of the work complete. Moffat contrasts this with the editing of modern sitcoms, which, he says, are edited more like film.
Structure
Many of the first six episodes of Joking Apart were constructed non-sequentially, with scenes from the beginning of the relationship juxtaposed with those from the end. Moffat describes this non-linear technique as a "romantic comedy, but a romantic comedy backwards because it ends with the couple unhappy". Moffat had experimented with non-linear narrative in Press Gang, such as the episode "Monday-Tuesday". Various episodes of Coupling played with structure, such as the fourth series episode "9½ Minutes" which showed the same events from three perspectives.Image:Joking Apart - Robert Bathurst.jpg|thumb|alt=A close-up shot of the character Mark holding a microphone|Robert Bathurst, as Mark, in a fantasy stand-up sequence. In the pilot, Bathurst was filmed against a completely black backdrop. According to Moffat, this looked "odd" for the viewer.
All of the episodes open with Bathurst portraying Mark Taylor, a sitcom writer, apparently performing stand-up in a small comedy club. These performances are fantasy sequences, playing out in the character's mind and portraying his internal creative processes as comedic monologues; these monologues mainly employ material from the character's failing marriage and are intended to show that "he thinks in punchlines, in comedy". Episodes regularly cut back to these fantasy performances, which usually open with the signature line: "My wife left me ...". Moffat felt that audiences needed to know from the start that the relationship would not survive. However, it was unclear to some viewers that the fantasy sequences were set in the writer's mind; many journalists reported that the character Mark was a stand-up comic, not a sitcom writer.
In the fantasy sequences for the pilot, Bathurst was filmed against a completely black backdrop, which Moffat describes as "hell to look at". For the series, the sequences were filmed in a real club. Moffat describes this as the "wrong direction" as it became unclear that the fantasy sequences were "not real". Moffat observes that, like Seinfeld, an American sitcom that used a similar device, Joking Apart used less of the stand-up as the series progressed. In retrospect, Moffat regrets including the stand-up sequences. Bathurst, however, has considered refilming them as a video diary. Now with older features, he can portray a Mark Taylor reflecting on his earlier life. Both are very critical of the sequences in the DVD audio commentaries. The sequences have also drawn the sharpest criticisms from reviewers. The second series followed a more linear structure, although it retained the stand-up sequences.
Music and titles
"Fool ", written by Chris Rea, was used for both the opening and closing credit sequences. The original Rea version was used for the pilot's closing credits, but for the series it was performed by Kenny Craddock, who arranged the incidental music with Colin Gibson. Beginning with a saxophone, only the chorus of the theme song accompanied the opening titles. These ran over legal imagery and a sequence of images of famous separated couples, including Arthur Miller and Marilyn Monroe; Winnie and Nelson Mandela; Princess Anne and Mark Phillips, and culminating in Mark and Becky. The closing credits featured a verse and chorus. The first part of the closing credits was usually over a still of the final frame, and faded to black with the line "All dressed in black."Characters
Mark Taylor is a television sitcom writer. Other than episode one, where he is shown working on a script and references to a show of his that had aired during a dinner with Robert and Tracy the night before, his work is hardly mentioned. Mark is quick-witted, and the stand-up sequences indicate that he thinks in one-liners. However, this proves to be the downfall of his marriage with Becky, who says that she didn't sign on to become his "lawfully wedded straight man". In one episode, Mark jokes about worrying if his virginity will heal back; Becky articulates her frustration by responding "What page is that on?" Identifying his insecurities, she points out that the "thing about someone who uses humour as a weapon, is not the sense of humour, but the fact that they need a weapon". In interviews, Bathurst has compared Steven Moffat to his character: Mark is "a man whose wife leaves him because he talks in one-liners. And Steven Moffat's wife had just left him, because he talks in one-liners."Robert Bathurst, a former Footlights president, was cast as Mark Taylor. He was performing on a live topical programme on BSB called Up Yer News. A fellow performer on that show also auditioned for the part at what is now the Soho Theatre, then the old Soho Synagogue in Dean Street, and claimed that he would break Bathurst's legs if the latter got the job. In a 2005 interview, Bathurst recalls that the threat seemed not to be entirely jocular. Bathurst speaks very highly of Joking Apart, identifying it as a "career highlight" and the most enjoyable job he has ever done. Retrospectively, he wishes that he had "roughened up" Mark, as he was "too designery".
Becky Johnson/Taylor meets Mark at a funeral and they eventually marry. Although irritated at being his comic foil, she is capable of her own quick-witted put-downs. In episode 3, for example, she wins an impromptu one-liner contest over Mark, whose put-downs fall flat. Becky is shown as an independent woman, meeting Mark on her terms. The first series revolves around her leaving Mark for estate agent Trevor, whom she subsequently cheats on in series two. This was Fiona Gillies' first major television role, having appeared in "The Hound of the Baskervilles", a 1988 episode of The Adventures of Sherlock Holmes, and the mini-series Mother Love. She was aware that some of her dialogue was based on what had been said to Moffat during his own separation.
Robert and Tracy Glazebrook are their "increasingly bizarre and totally dim friends". They are initially Becky's friends, but soon befriend Mark, comforting him on the night Becky leaves him. Tracy, as Tracie Bennett identifies, is a stereotypical Tracy—normally a dysphemism for an intellectually inadequate, usually blonde, female. However, "she's not a bimbo: she's quite clever in her own logic". Bennett jokes that she was quite offended that such a character was named Tracy. Tracy's catchphrase of "you're a silly" was originally Moffat's typographical error, which Bennett faithfully reproduced in her performance. They decided that the amended version worked well for the character.
They are both naive about sex and technology. Tracy, for example, attempts to telephone Robert to inform him that he's lost his mobile phone, and believes that she is a lesbian when she discovers her husband in women's clothing. They have a baby, who is seen or referred to occasionally. This reflects, as the writer observes, Moffat's inexperience of looking after children at the time.
Trevor is Becky's lover. His job as an estate agent regularly provokes derision from Mark. He is himself cheated on in the second series, as Becky dates her solicitor Michael. Trevor's debut appearance is in the third episode where he and Becky go to Robert and Tracy's house for dinner, but he generally features less regularly than the main ensemble.