| Title | Year | First publisher | Notes | |
| Keep Cool, A Novel | 1817 | Baltimore: Joseph Cushing | Explores gender roles in relationships and expresses Neal's views against dueling; in two volumes; authorship ascribed as "Written in Hot Weather, by Somebody, M.D.C. &c. &c. &c.", in which "M.D.C." stands for "Member of the Delphian Club"; republished in 2024 with footnotes and a scholarly introduction | |
| Logan, a Family History | 1822 | Philadelphia: H.C. Carey & I. Lea | A "gothic tapestry" that explores racial boundaries between White and Indigenous Americans; in two volumes; republished in London in 1823 in four volumes by A.K. Newman & Co.; republished as Logan, the Mingo Chief. A Family History "By the Author of Seventy-Six in London in 1840 by J. Cunningham | |
| Seventy-Six | | Baltimore: Joseph Robinson | First use of son-of-a-bitch in an American work of fiction; Neal's favorite of his own novels; in two volumes; published in London the same year in three volumes by Whittaker and Company; facsimile of Baltimore edition published in 1971; excerpted in The Genius of John Neal: Selections from His Writings ; published before Randolph and Errata | |
| Randolph, a Novel | | | "A story in the form of letters, giving an account of our celebrities, orators, writers, painters, &c., &c."; in two volumes; contains the earliest of Neal's significant art criticism; "By the Author of Logan — and Seventy-Six"; excerpted in American Writers: A [Series of Papers Contributed to Blackwood's Magazine ] and The Genius of John Neal: Selections from His Writings ; published after Seventy-Six and before Errata | |
| Errata; or, the Works of Will. Adams | | New York: Published for the Proprietors | A semi-autobiographical account of Neal's life before 1823; excerpted in the New England Galaxy and The Genius of John Neal: Selections from His Writings ; in two volumes; "A Tale by the Author of Logan, Seventy-Six, and Randolph"; published after Seventy-Six and Randolph | |
| Brother Jonathan: or, the New Englanders | 1825 | Edinburgh: William Blackwood | A story of the American Revolution depicting regional American folkways and dialect; in three volumes; excerpted in The Genius of John Neal: Selections from His Writings | |
| Rachel Dyer: A North American Story | 1828 | Portland, Maine: Shirley and Hyde | "Almost universally regarded as Neal's most successful fictional work"; first hardcover novel based on the Salem witch trials; an expansion of "New-England Witchcraft" likely written for but never published by Blackwood's Magazine in 1825, but published serially over five issues of The New-York Mirror ; republished by facsimile in 1964; excerpted in The Genius of John Neal: Selections from His Writings ; "Unpublished Preface" republished in "Critical Essays and Stories by John Neal" | |
| Authorship, a Tale | 1830 | Boston: Gray and Bowen | A "spritely spoof" about authors likely largely written during Neal's stay with Jeremy Bentham in London; "By a New Englander Over-Sea" | |
| 1833 | New York: Harper & Brothers | Showcases regional variation in American character, dialect, and setting; Neal's "fullest expression" of "regional realism"; in two volumes; includes two short stories: "Bill Frazier—the Fur Trader" and "Robert Steele"; excerpted in The Genius of John Neal: Selections from His Writings | |
| Ruth Elder | 1843 | Brother Jonathan magazine | "A Down-East story of seduction"; a serial novella published over fifteen issues ; first three installments originally published in The New Mirror | |
| True Womanhood: a Tale | 1859 | Boston: Ticknor and Fields | Defends the dignity of unmarried women; explores social life, business, and legal procedure in New York City; couched in an "abundant and all-pervasive" religious theme | |
| 1863 | New York: Beadle and Company | The top-ranked dime novel when it was published; an adaptation of "The Switch-Tail Pacer. A Tale of Other Days" | |
| 1864 | New York: Beadle and Company | A dime novel | |
| Little Moccasin; or, Along the Madawaska | 1866 | New York: Beadle and Company | A dime novel; "A Story of Life and Love in the Lumber Region"; published in London the same year by George Routledge & Sons | |
| Live Yankees; or, The Down Easters at Home | 1867 | | A serial novella published over eight weekly installments; a reworking of the novel The Lumberman, rejected by Beadle and Company | |
| Title | Year | First publisher | Notes | |
| Constitution of the Portland Gymnasium with the Rules and Regulations, and the Names of the Subscribers | 1828 | Portland, Maine: James Adams | Handbook for the gymnasium established by Neal in 1827; published in June | |
| Address Delivered before the Portland Association for the Promotion of Temperance, February 11, 1829 | 1829 | Portland, Maine: Day and Fraser | Address delivered at the First Parish Church; also published in The Yankee ; excerpted in the Ladies Miscellany August 18, 1829 | |
| City of Portland, Being a General Review of the Proceedings Heretofore Had, in the Town of Portland, on the Subject of a City Government | 1829 | Portland, Maine: Shirley & Hyde | A "pamphlet of about fifty octavo pages, with tables, petitions, on both sides, and statistics, giving undeniable statistics, where necessary" advocating municipal incorporation as a city | |
| Our Country | 1830 | Portland, Maine: S. Colman | "An Address Delivered before the Alumni of Waterville-College, July 29, 1830" | |
| 1831 | Portland, Maine: Day and Fraser | Address delivered to the Maine Charitable Mechanic Association | |
| Banks and Banking | 1837 | Portland, Maine: Orion Office | "A Letter to the Bank Directors of Portland"; "This communication accused banks of ungenerous response to the curtailment in public demand upon them. Neal, among others, had striven to secure leniency of demand upon the local banks in their critical hour, and he now accused the banks of failure to reciprocate with a proper leniency toward the public." | |
| Oration: By John Neal, Portland, July 4, 1838 | | Portland, Maine: Arthur Shirley | Address delivered for a meeting of the Portland, Maine Whigs | |
| Man | | Providence: Knowles, Vose & Company | "A Discourse, before the United Brothers' Society of Brown University, September 4, 1838" | |
| | Portland, Maine: Charles Day & Co | In First Exhibition and Fair of the Maine Charitable Mechanic Association | |
| Appeal from the American Press to the American People, in Behalf of John Bratish Eliovich | 1840 | Portland, Maine: Argus Office | A collection of letters written for, but refused by The New World defending alleged con man John Bratish Eliovich from recent attacks in periodicals; disavowed by Neal in 1844 | |
| 1858 | Portland, Maine: Brown Thurston | Concerning land development in Cairo, Illinois, in which Neal invested money; based largely on a trip to Cairo by Neal in 1858 | |
| Account of the Great Conflagration in Portland, July 4th & 5th, 1866 | 1866 | Portland, Maine: Starbird & Twitchell | Concerning the 1866 great fire of Portland, Maine | |
| Title | Date | Publication type | Publication name | Topic | Notes | |
| | Newspaper | Hallowell Gazette | Law and politics | Neal's first published work: a political essay published when Neal was living in Hallowell, Maine, as a penmanship instructor | |
| | Magazine | | Literary criticism | A 150-page criticism of Lord Byron's works written in four days and published in four installments; Neal's first published literary criticism | |
| | Magazine | | Social criticism | "Describes dueling as a gendered performance, in which women play an enabling role and which they have an obligation to stop", similar to his subsequent novel, Keep Cool | |
| | Magazine | Blackwood's Edinburgh Magazine | Biography | Biographical sketches of George Washington, John Adams, Thomas Jefferson, James Madison, James Monroe, John C. Calhoun, John Quincy Adams, Andrew Jackson, William H. Crawford, and Henry Clay; the first article by an American to appear in a British literary journal; republished in four languages by Alexander Walker in The European Review: or, Mind and its Productions, in Britain, France, Italy, Germany, &c. the same year | |
| | Magazine | Blackwood's Edinburgh Magazine | Art criticism | The first published history of American painting; excerpted in Observations on American Art: Selections from the Writings of John Neal ; a critique of cultivation of fine arts in the US and a discussion of eleven American artists, including Benjamin West and John Trumbull; republished in the Columbian Observer | |
| | Magazine | Blackwood's Edinburgh Magazine | Literary criticism | Criticism of 135 American authors in five installments; the earliest written history of American literature; reprinted as a collection in American Writers: A Series of Papers Contributed to Blackwood's Magazine ; excerpted in The Genius of John Neal: Selections from His Writings | |
| | Magazine | Blackwood's Edinburgh Magazine | Feminism and women's rights | An exploration of how women are unlike, but not inferior, to men | |
| | Magazine | Blackwood's Edinburgh Magazine | Multiple | Purportedly a review of A Summary View of America by Isaac Candler "literally buried beneath the grasping tendrils and riotous fruitage of Neal's birthright knowledge of his native country" in a "vast panorama" conveying Neal's views on slavery and other topics in thirty-six pages that "should be read by anyone interested in the America of 1825"; the longest article Blackwood's had yet published; includes Neal's first call for women's suffrage | |
| | Magazine | Blackwood's Edinburgh Magazine | Literary criticism | A review of North American Review and new American literature including Lionel Lincoln; predicts a new American revolution against "literary, not political bondage"; republished in American Writers: A Series of Papers Contributed to Blackwood's Magazine ; excerpted in The Genius of John Neal: Selections from His Writings | |
| | Magazine | Westminster Review | Social criticism | A summary of Neal's views on the American militia system, slavery, legal system, and literary style | |
| | Magazine | | Travel | An account of Neal's departure from Baltimore, transatlantic journey, early impressions of England over late 1823 through early 1824, and contrasts between the UK and US; the most detailed account of Neal's reasons for leaving Baltimore and for relocating to London; published in three installments | |
| | Magazine | | Feminism and women's rights | Denounces "with considerable heat" Josiah Quincy III's decision to close the Boston High School for Girls and attacks the legal institution of coverture; includes "Neal's angriest and most assertive feminist claims" | |
| | Magazine | | Art criticism | Criticism of the current state of American art written "with a pungency rare in nineteenth century criticism"; republished in American Art 1700–1960 | |
| | Magazine | | Theatrical criticism | Published in five installments; Neal's most noteworthy work of theatrical criticism; calls for "a revolution that was still in progress sixty years later"; elaborates on points made in the prefaces to Otho and the second edition of The Battle of Niagara ; republished in "Critical Essays and Stories by John Neal" | |
| | Magazine | | Literary criticism | Neal's first criticism of Edgar Allan Poe; referred to by Poe as "the very first words of encouragement I ever remember to have heard" | |
| | Magazine | | Art criticism | An "early, unprecedented effort to define a canon of American art"; anticipates John Ruskin's Modern Painters by distinguishing between "things seen by the artist" and "things as they are"; a call for "straightforward realism... made at the height of the Romantic era"; republished in American Art 1700–1960 | |
| | Magazine | | Literary criticism | An analysis of ambiguous and inane qualities in common speech patterns; republished in "Critical Essays and Stories by John Neal" | |
| 1835 | Gift book | | Children and education | An essay of "considerable popularity and a good deal of republication" and "a sensible, original inquiry into the nature of children"; "the best John Neal has ever written" according to the New-York Mirror; revised and republished in Portland Magazine, New England Galaxy, Godey's Lady's Book, and The Genius of John Neal: Selections from His Writings ; excerpted in the New-York Mirror October 18, 1834; excerpted as "Rustic Civility, or Children—What Are They?" in The Ladies' Companion ; republished as "Children—What Are They Good For?" in Great Mysteries and Little Plagues | |
| | Magazine | | Multiple | A discussion of storytelling in paintings by John Wesley Jarvis; acting by James Henry Hackett, Charles Mathews, and George Handel Hill; and oral exchange among strangers aboard American stagecoaches and steamboats; excerpted in the New-York Mirror ; republished in "Critical Essays and Stories by John Neal" | |
| | Newspaper | New England Galaxy | Science | An account of Neal's role as the first lawyer to use psychiatric testimony and seek leniency in a US court on account of a defendant's alleged mental defect; published in five installments; reviewed in the Annals of Phrenology | |
| | Magazine | Brother Jonathan | Feminism and women's rights | Neal's most influential statement on women's rights; lecture originally delivered January 24, 1843 before 3,000 attendees at the Broadway Tabernacle; "a scathing satire", according to the History of Woman Suffrage; republished in The Genius of John Neal: Selections from His Writings | |
| | Magazine | Brother Jonathan | Feminism and women's rights | Responds to arguments against women's suffrage by Eliza Farnham, prompted by Neal's "Rights of Women" speech on January 24 of that year; "Mrs. Farnham lived long enough to retrace her ground and accept the highest truth", according to the History of Woman Suffrage; republished in The Genius of John Neal: Selections from His Writings | |
| | Magazine | Brother Jonathan | Feminism and women's rights | Concluding remarks to Eliza Farnham's second essay prompted by Neal's "Rights of Women" speech on January 24 of that year; republished in The Genius of John Neal: Selections from His Writings | |
| | Newspaper | Portland Tribune | Slavery and race | "Neal's most significant pronouncement" on slavery; repeats arguments made in "A Summary View of America" and "United States" ; argues for gradual emancipation and colonization | |
| | Magazine | Sartain's Union Magazine of Literature and Art | Literature | Asserts that all are poets though few recognize it in themselves; claims poetry as a necessary refinement and embellishment of the world; marks a departure from Neal's earlier opinion of poetry as "superficial adornment" and "deliberate falsification of fact"; republished in "Critical Essays and Stories by John Neal" | |
| | Newspaper | Portland Daily Advertiser | Biography | A refutation of Rufus Wilmot Griswold's biography of Edgar Allan Poe in two installments; republished in The Genius of John Neal: Selections from His Writings | |
| | Magazine | Sartain's Union Magazine of Literature and Art | English language | Uplifts the value of natural diction in writing and expression of thought as it spontaneously occurs to the writer; includes an analysis of New England speech and character he saw as underrepresented in literature; republished in The Genius of John Neal: Selections from His Writings | |
| | Magazine | | Feminism and women's rights | "One of the most interesting essays of his career"; "an incisive piece of feminist social criticism" disguised "as a conservative critique of current fashion"; "the beginning of the last phase of Neal's feminist journalism" | |
| | Magazine | Atlantic Monthly | Art criticism | Republished in Observations on American Art: Selections from the Writings of John Neal ; based on notes from his stay in London over forty years earlier; published in two installments | |
| | Newspaper | | Feminism and women's rights | A report of Portland, Maine's first women's suffrage meeting, organized by Neal; republished in History of Woman Suffrage volume 3 | |
| Title | Date | Publication type | Publication name | Notes | |
| | Newspaper | | A "narrative fragment"; originally prepared for recitation at the Wanderer Club of Baltimore; published in volume I, pp. 394–395 | |
| | Magazine | | Neal's only contribution to the magazine's regular "Club-Room" department, supervised by the fictitious "Horace De Monde, Esquire" that detailed happenings at real and fictitious clubs; attributed to the pseudonym "Jamie"; "shows a good grasp of character" | |
| | Magazine | | A satirical letter from a fictitious author to a fictitious recipient outlining the peculiarities of Boston; possibly a precursor to Neal's novel Randolph | |
| | Magazine | | A series of five character sketches published over five issues; a study of human nature that contributed to Neal's first novel, Keep Cool | |
| | Magazine | | A satirical letter from a fictitious author to a fictitious recipient discussing a fictitious "Miss Olivia Teaseabit", possibly based on a real "Miss Olivia T.", with whom Neal had become infatuated after encountering her in Exeter, New Hampshire, and Waterville, Maine, over the winter of 1813–1814 | |
| | Magazine | | A character sketch "more penetrating and expository" than his "Sketches from Nature — By a club of Painters" series, likely based on himself | |
| | Magazine | | A dual sketch contrasting two characters; likely used later by Neal as the basis for the Oadley brothers in his novel Seventy-Six | |
| | Newspaper | Federal Republican and Baltimore Telegraph | A series of narrative sketches with distinct subtitles: "More Dogs", "Fact", "Cats", and "Joe Miller" | |
| 1828–1829 | Magazine | | "Fragmentary and unsatisfactory" fictional segments likely drawn from an early draft of Brother Jonathan ; published in eleven installments | |
| 1829 | Gift book | | Along with "David Whicher", one of Neal's best short stories; republished in Stories of American Life; By American Writers edited by Mary Russell Mitford, "Critical Essays and Stories by John Neal", and The Genius of John Neal: Selections from His Writings ; excerpted as "Ruins of North America" in The Literary Gazette of Concord, New Hampshire | |
| 1829 | Magazine | | A narrative comical sketch of a criminal trial; likely written while Neal lived in London; republished in The Ladies' Companion as "The Prisoner at the Old Bailey" | |
| | Magazine | | A fictional fragment likely from an early draft of Brother Jonathan that muses about the differences between men and women in a way similar to "Men and Women; Brief Hypothesis concerning the Difference in their Genius" | |
| 1829 | Magazine | | A fictional fragment of "meaningless nonsense" likely drawn from an early draft of Brother Jonathan | |
| 1829 | Magazine | | A fictional fragment of "meaningless nonsense" likely drawn from an early draft of Brother Jonathan | |
| 1829 | Magazine | | A fictional fragment of "meaningless nonsense" likely drawn from an early draft of Brother Jonathan | |
| 1829 | Magazine | | A fictional fragment of "meaningless nonsense" likely drawn from an early draft of Brother Jonathan | |
| 1829 | Magazine | | A fictional fragment of "meaningless nonsense" likely drawn from an early draft of Brother Jonathan | |
| | Magazine | | A winter recreation scene along the Kennebec River in Maine during the winter of 1815–1816 followed by an exchange between an American and an Englishman in England in 1827 involving counterfeit money; likely semi-autobiographical; "the only piece of pure, unified, prose fiction Neal published in the Yankee"; published in two installments | |
| | Magazine | | "Though too slight for special commendation, it is not ungracefully done"; republished as "The Old Bachelor" in The Ladies' Companion, Boston Pearl and Galaxy, and the Portland Transcript | |
| 1830 | Gift book | | Reprinted serially in The Free Enquirer on January 15 and January 22, 1831 | |
| 1831 | Gift book | | A fictionalized story of the life of John Dunn Hunter based mostly on knowledge gained during cohabitation at a rooming house in London in the mid 1820s | |
| | Newspaper | Morning Courier and New-York Enquirer | A comic tall tale from an "unconsciously ludicrous Down Easter" | |
| 1832 | Gift book | | The first work of fiction to utilize psychotherapy | |
| 1832 | Gift book | | Along with "Otter-Bag, the Oneida Chief", one of Neal's best short stories; published anonymously and not attributed to Neal until the 1960s; republished in "Critical Essays and Stories by John Neal" and The Genius of John Neal: Selections from His Writings | |
| 1833 | Novel | | Along with "Robert Steele", one of two stories included with The Downeasters to take up space at the request of the publisher | |
| 1833 | Novel | | Republished in Mrs. Stephens' Illustrated New Monthly ; along with "Bill Frazier—the Fur Trader", one of two stories included with The Downeasters to take up space at the request of the publisher | |
| | Magazine | | "Ostensibly a string of three stories to illustrate the quick destructive power of the Maine forest fire; republished in the New England Galaxy, The Literary Gazette of Concord, New Hampshire, and The Genius of John Neal: Selections from His Writings | |
| | Magazine | | A story about young William Shakespeare | |
| | Newspaper | New England Galaxy | About an Englishman in Virginia who claims his head is so beautifully shaped he wears hats and wigs to hide it from phrenologists like Neal and John Elliotson who want to examine him to no end, though he contemplated offering his head for dissection by Johann Spurzheim for examination by John Pierpont; "aside from the evidence it affords of Neal's ability to laugh at what he took most seriously, this piece has little or no significance" | |
| | Newspaper | New England Galaxy | A series of six fictional sketches illustrating New England dialect and character | |
| | Newspaper | New England Galaxy | Based on Neal's travels in England; similar to the novel Authorship; published serially in five installments | |
| | Newspaper | New England Galaxy | Illustrates Neal's opposition to dueling | |
| | Newspaper | New England Galaxy | A children's story concerning a cat who protects her noisy kittens from a human child; prefaced by a statement that Neal intends "to furnish a series of the best little books for children that ever appeared" | |
| | Newspaper | New England Galaxy | A children's story concerning a homeless orphan reunited with his grandfather who is rewarded for honesty and courage; published serially in four installments | |
| | Newspaper | New England Galaxy | Two reworked extracts from Errata | |
| | Newspaper | New England Galaxy | Likely portions of "The Adventurer" rejected by The Token | |
| 1836 | Gift book | | Republished in The New England Galaxy October 3, 1835, in Atkinson's Casket in 1838, and in Emerson's United States Magazine and Putnam's Monthly September 1857 | |
| 1836 | Book | Portland Sketch Book | Included in a book edited by Ann S. Stephens featuring Portland, Maine authors | |
| | Newspaper | | Published serially over six installments; a study of female development from adolescence to womanhood; includes a character who becomes magnetized | |
| | Newspaper | | A children's story written for Neal's daughter, Margaret Neal; republished in Ballou's Monthly Magazine in 1866, Great Mysteries and Little Plagues by Neal in 1870, and Little Classics edited by Rossiter Johnson in 1875 | |
| | Newspaper | | Published serially over five issues; likely written for but never published by Blackwood's Magazine in 1825 and later expanded into Rachel Dyer | |
| | Magazine | | "A highly artificial, melodramatic sketch, cast so exclusively into dialogue as to be almost dramatic in effect"; first of three works in the "Sketches by Lamp-Light" series for The Ladies' Companion | |
| | Magazine | | Based on Neal's family life; third of three works in the "Sketches by Lamp-Light" series for The Ladies' Companion | |
| | Magazine | Godey's Lady's Book | Based on Neal's experience living with Jeremy Bentham in London in August 1826 | |
| 1840 | Book | | Written for a collection of anti-slavery prose and poetry edited by Frances Harriet Whipple Green McDougall and published by the Juvenile Emancipation Society; republished in the Portland Tribune circa 1841; republished in The Star of Bethlehem | |
| | Newspaper | The New World | "A countryman's farcical account... of his appearance at his first ball"; republished in The Evergreen: A Monthly Magazine of New and Popular Tales and Poetry February 1840 | |
| | Newspaper | The New World | Intended to be titled "The Self-educated Man" by Neal, but retitled by editor Park Benjamin Sr.; roughly based on Neal's travels in the UK "woven in a bizarre plot involving disastrous elopement and a suicide"; republished in The New World and The Evergreen: A Monthly Magazine of New and Popular Tales and Poetry | |
| | Magazine | Brother Jonathan | "A preposterous bit of tomfoolery" written to accompany an illustration | |
| | Magazine | | An "expression of contempt for politics" based on Neal's involvement in the Benjamin Harrison's 1840 presidential campaign and subsequent failed attempt at securing a political appointment | |
| | Magazine | | "Shows a lively crispness that contrasts with the lumbering involutions of Neal's usual long, closely packed, rambling sentences"; three sketches of disparate scenes in Austria-Hungary "bound together by explanatory threads"; published in three installments | |
| | Newspaper | Portland Tribune | A New Englander's visit to the French theatre; "shows Neal's usual facility in Yankee dialect and Yankee psychology" | |
| | Magazine | Brother Jonathan | The story of Nathan Hale "with many variations and considerable subordination of historical fact"; published serially over three installments | |
| | Magazine | | Takes its title from Lord Byron's The Deformed Transformed; "advances the notion... that a beautiful soul may inhabit an unlovely body"; "a careless, perfunctory performance" | |
| | Magazine | Brother Jonathan | A children's story, "quite meaningless in its haphazard shiftings", about a young sailor addicted to tobacco and alcohol who experiences a drunken hallucination while shipwrecked; includes an illustration by David Claypoole Johnston published serially in two installments | |
| | Newspaper | Portland Tribune | "A slapdash attempt to represent New England character without plot — with a mere string of meaningless, illogical incidents" about a schoolmaster correcting mispronunciations of a family he visits | |
| | Magazine | Brother Jonathan | "Rhapsodic, deep-dyed, unrelieved Gothicism as he had not perpetrated since Logan"; published serially over six installments | |
| | Magazine | | About a young wife's attachment to family heirlooms; "slight in its conception" and "gives every evidence of a careless preciptancy in execution" | |
| | Magazine | Brother Jonathan | "A tale about the madness of patriarchy"; published serially over two installments; republished in The Genius of John Neal: Selections from His Writings | |
| | Magazine | | A "pseudo-narrative" that portrays lotteries as an objectionable industry that dupes customers into wasting money | |
| | Magazine | Pierian: or, Youth's Fountain of Literature and Knowledge | A sketch of a family with children, likely based on Neal's own, followed by a moral statement about when and when not to give up; republished in the Portland Tribune | |
| | Magazine | Brother Jonathan | A "strangely autobiographic" short narrative about an abandoned family with a plot "too complicated for the space allotted it" | |
| | Magazine | Columbian Lady's and Gentleman's Magazine | "Warns against over-confidence in human powers" | |
| | Magazine | Columbian Lady's and Gentleman's Magazine | A feminist defense of unmarried women | |
| | Magazine | Godey's Lady's Book | A study of female development from adolescence to womanhood | |
| | Magazine | Columbian Lady's and Gentleman's Magazine | Illustrates the value of purchasing life insurance and concludes "P.S. Go thou and do likewise" | |
| | Newspaper | Portland Transcript | A sequel to the novella Ruth Elder | |
| | Magazine | Godey's Lady's Book | "A queer hybrid narrative... with one of Neal's delightful family sketches... as a symbol of the vanity of life" and a "story of an absurd faith in buried treasures"; republished in the Portland Transcript | |
| | Magazine | Beadle's Monthly, a Magazine of To-day | Three story fragments illustrating New England speech and social phenomena based on accompanying engravings: "The Memorial Quilt", "The Apple-Bee", and "The Sewing-Circle" | |
| Title | Date | Publication type | Publication name | Notes | |
| | Newspaper | | Originally prepared for recitation at the Wanderer Club of Baltimore; published in volume I, pp. 174–175 | |
| | Newspaper | | Originally prepared for recitation at the Wanderer Club of Baltimore; published in volume I, pp. 221–222 | |
| | Magazine | | Shows influence of Lord Byron; republished in Keep Cool | |
| | Magazine | | Shows influence of Lord Byron; written while Neal was still engaged in dry goods business, at the suggestion of John Pierpont | |
| | Magazine | | | |
| | Magazine | | | |
| | Magazine | | Shows influence of Lord Byron; republished in The Battle of Niagara: Second Edition — Enlarged: with Other Poems and in the Portland Tribune | |
| | Magazine | | Shows influence of Lord Byron; republished in the Portland Tribune | |
| | Magazine | | | |
| | Magazine | | Republished in Randolph, The Yankee, and the Portland Tribune | |
| | Magazine | | Shows influence of Lord Byron; republished in The Yankee and the Portland Tribune | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | | |
| | Magazine | | Republished in the Portland Tribune ; to the tune of "Meeting of the Waters" | |
| | Magazine | | | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | | |
| | Magazine | | | |
| | Magazine | | | |
| | Magazine | | Originally published in The Portico as "Song"; republished in The Battle of Niagara: Second Edition — Enlarged: with Other Poems ; revised and republished as "Ambition" in Randolph, Atkinson's Casket, Brother Jonathan, The Poet's Gift: Illustrated by One of Her Painters edited by John Keese, and Songs of Three Centuries edited by John Greenleaf Whittier ; excerpted in Seventy-Six and The Gift Book of Gems | |
| | Magazine | | To the tune of "Go Where Glory Waits Thee" | |
| | Magazine | | | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | Republished in Keep Cool | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | "Given special prominence" at the end of volume 3 of The Portico; republished in the Portland Tribune | |
| | Magazine | | | |
| | Magazine | | Republished in The Battle of Niagara: Second Edition — Enlarged: with Other Poems ; | |
| | Magazine | | | |
| | Magazine | | | |
| | Magazine | | | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | | |
| Battle of Niagara | 1818 | Book | Battle of Niagara, a Poem, without Notes; and Goldau, or the Maniac Harper | Recognized at the time as the best poetic description of Niagara Falls; inspired Charles Naylor as a boy; used by Edward Dickinson Baker in political campaigns; revised and republished in The Battle of Niagara: Second Edition — Enlarged: with Other Poems ; excerpted in Lady's Amaranth, Brother Jonathan, Portland Tribune, The Gift Book of Gems, and A Down-East Yankee from the District of Maine | |
| Goldau | 1818 | Book | Battle of Niagara, a Poem, without Notes; and Goldau, or the Maniac Harper | An epic poem in English verse about the destruction of an Alpine village; revised and republished in The Battle of Niagara: Second Edition — Enlarged: with Other Poems ; excerpted in Lady's Amaranth and Portland Tribune | |
| 1819 | Book | | Originally written for a Delphian Club meeting as "Ode, alias Poem, on the Anniversary of His Ludships Elevation to the Tripod" | |
| 1819 | Book | | A fragmented experiment in blank verse | |
| 1819 | Book | | Written for the ordination of John Pierpont | |
| | Newspaper | Federal Republican and Baltimore Telegraph | Republished in The Battle of Niagara: Second Edition — Enlarged: with Other Poems | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| 1823 | Book | Randolph, A Novel | Represented as the work of a fictional character in the novel | |
| | Magazine | | Republished in The Edinburgh Literary Journal: or, Weekly Register of Criticism and Belles Lettres, Specimens of American Poetry, with Critical and Biographical Notices edited by Samuel Kettell, The Poets of America: Illustrated by One of Her Painters edited by John Keese, The Poets and Poetry of America, The Gift Book of Gems, and Cyclopedia of American Literature | |
| | Magazine | | Republished as "The Indian Girl" in The Ladies' Companion and the Portland Tribune | |
| | Book | | Republished in Specimens of American Poetry, with Critical and Biographical Notices edited by Samuel Kettell | |
| | Magazine | | | |
| 1829 | Magazine | | Republished in Specimens of American Poetry, with Critical and Biographical Notices edited by Samuel Kettell, the Portland Tribune, and Brother Jonathan | |
| 1829 | Magazine | | | |
| 1829 | Book | Specimens of American Poetry, with Critical and Biographical Notices | Poetry collection edited by Samuel Kettell | |
| | Magazine | | Republished in the Portland Tribune | |
| | Magazine | | Republished in The Portland Sketch Book ; republished as "War Song of Other Days" in the Evening Signal, The New World, The Evergreen: A Monthly Magazine of New and Popular Tales and Poetry | |
| | Magazine | | Republished in Brother Jonathan | |
| 1835 | Book | Practical Grammar of the English Language | Republished in the Portland Tribune and One Word More | |
| | Magazine | | A "once-popular" poem with "vigor and rhetorical apostrophe... but none of the freshness of diction or image that mark fine poetry"; originally published without a title; republished in the Gift Book of Gems | |
| | Magazine | | "Marred by graveyard sentimentality" with "at least one effective stanza" that anticipates the "later macabre effects of Poe" | |
| | Magazine | | A ballad about a hotel by that name Neal owned in Cape Elizabeth, Maine; republished in the Portland Tribune and The New World, | |
| | Newspaper | | Republished in The Evergreen: A Monthly Magazine of New and Popular Tales and Poetry, the Portland Tribune, and Brother Jonathan | |
| | Magazine | | | |
| | Newspaper | Portland Tribune | | |
| | Newspaper | Portland Tribune | | |
| | Newspaper | Portland Tribune | | |
| | Newspaper | Portland Tribune | Republished in Alexander's Whig Messenger | |
| | Newspaper | Portland Tribune | | |
| | Newspaper | Portland Tribune | | |
| | Magazine | | Republished in Emerson's United States Magazine December 1856 | |
| | Magazine | | Republished in Brother Jonathan magazine April 30, 1842 | |
| | Magazine | Brother Jonathan | | |
| | Magazine | Brother Jonathan | | |
| 1847 | Gift book | | Inspired by the death of Neal's infant daughter Eleanor in 1845. | |
| 1851 | Book | | Printed in the front of a memorial book in honor of Frances Sargent Osgood | |
| | Magazine | Graham's Magazine | Republished in the Portland Tribune | |
| 1854 | Book | One Word More: Intended for the Reasoning and Thoughtful among Unbelievers | | |
| | Newspaper | | | |
| | Magazine | Harper's Magazine | Inspired by the Civil War; appears with the date "Nov. 9, 1863" | |
| | Magazine | | Inspired by the Civil War; appears with the date "January 28, 1864" | |
| | Magazine | | Inspired by the Civil War | |
| | Magazine | Beadle's Monthly, a Magazine of To-day | Blank verse; about the return of Jews to Jerusalem | |