Jem Southam
Jem Southam is a British landscape photographer and educator. He has had solo exhibitions at Tate St Ives, the Victoria and Albert Museum, The Lowry, and the Royal [West of England Academy].
Southam's work is held in the collections of the British Council; UK Government Art Collection; J. Paul Getty Museum, Los Angeles; Metropolitan Museum of Art, New York; Nelson-Atkins Museum of Art, Kansas City, Missouri; Rijksmuseum, Amsterdam; Science Museum Group, UK; Tate, UK; and the Victoria and Albert Museum, London.
Life and work
Southam was born in Bristol. He studied creative photography at the London College of Printing, then worked at Arnolfini Gallery in Bristol from 1976 to 1982. He taught at Falmouth School of Art then taught photography for many years at the University of Plymouth where he is now emeritus Professor of Photography in the School of Art, Design and Architecture.Predominantly, "Southam's subject is the rural landscape of the South West of England, where he lives and works." He conducts long-term studies of selected sites, that trace changes over seasons and even several years. His first project, in black and white, was The Floating Harbour: a Landscape History of Bristol City Docks. All subsequent series are in colour and include Paintings of the West of Cornwall ; and The Long White Cloud, made in New Zealand at the end of 2018. He uses an 8×10 large format view camera.
Publications
- The Floating Harbour – A landscape history of Bristol City Docks. Redcliff, 1982. With John Lord.
- The Red River. Manchester: Cornerhouse, 1989. With essays by D.M.Thomas, Frank Turk and Jan Ruhrmund.
- The Raft of Carrots. London: The Photographers' Gallery, 1992. With an essay by David Chandler.
- Rockfalls, Rivermouths and Ponds. Eastbourne: Towner Gallery; Maidstone: Photoworks, 2000. With essays by David Chandler, Ian Jeffrey and Jeremy Millar.
- Landscape Stories. Princeton Architectural Press/Blindspot, 2005. With essays by Andy Grundberg and Gerry Badger..
- The Painter's Pool. Nazraeli, 2007. With an essay by Chris Cook.
- Clouds Descending. Salford: Lowry, 2008 With essays by Nick Alfrey, Lindsay Brooks, David Chandler, Richard Hamblyn, Matthew Southam and Harriet Tarlo.
- Rockfalls and Ponds. La Fabrica / PHotoEspaña, 2010. With an introduction by Sergio Mah.
- The Moth. London: Mack. 2018.
- Four Winters. London: Stanley/Barker, 2022..
- The Harbour. Bristol: RRB, 2023.
Solo exhibitions
- Jem Southam: From A Distance: An Industrial Landscape in Cornwall, Tate St Ives, St Ives, 2004/5
- Jem Southam: Path to a Picture, Victoria and Albert Museum, London, 2006
- Clouds Descending, The Lowry, Salford, 2010
- Jem Southam: A Bend in The River, Royal West of England Academy, Bristol, 2023
Awards
- 2001: Shortlisted, Citigroup Photography Prize, London
Collections
Southam's work is held in the following permanent collections:- Metropolitan Museum of Art, New York: 1 print
- British Council, UK
- Government Art Collection, UK: 4 prints
- J. Paul Getty Museum, Los Angeles, California: 7 prints
- Nelson-Atkins Museum of Art, Kansas City, Missouri: 2 prints
- Rijksmuseum, Amsterdam
- Science Museum Group, UK: 5 prints
- Tate, UK: 12 prints
- Victoria and Albert Museum, London: 11 prints