Jean-Patrice Brosse


Jean-Patrice Bernard Simon Brosse was a French harpsichordist and organist.
WWW jeanpatrice-brosse.com

Biography

Born in Le Mans on 23 June 1950, Brosse gradually followed a complete artistic training at the conservatory of Le Mans, Conservatoire de Paris, the Accademia Musicale Chigiana, and the École nationale supérieure des beaux-arts of Paris.
At twenty-three, after a major tour of chamber music concerts in the US and South America, he became organist and harpsichordist of the Ars Antiqua ensemble of Paris, the Ensemble polyphonique and the Orchestre de la Radio, then the Orchestre de chambre de Paris and the . He was then the appreciated partner of great interpreters such as Henryk Szeryng, Jean-Pierre Wallez, Jean-Pierre Rampal, Maurice André, Frédéric Lodéon, Arto Noras... and accompanied singers such as Gundula Janowitz, Rita Streich, Hugues Cuénod, Isabel Garcisanz, Derek Lee Ragin, Michel Sénéchal and Cecilia Bartoli.
He participated in the activities of the Jeunesses musicales de France, for which he gave numerous concerts, and then recorded his first records as soloist: complete works by Henry Purcell, Clérambault and Jacques Duphly EMI, Bach's sonatas with Jean-Pierre Wallez at IPG. He played the great orchestral works: Poulenc's Concertos for harpsichord and organ, Camille Saint-Saëns's Symphony with organ, Manuel de Falla's and Frank Martin's Concertos, Sauguet's Church sonata... with the biggest ensembles: Monte-Carlo, RAI, National et Philharmonique de Radio-France, Orchestre national des Pays de la Loire, Capitole de Toulouse..., under the direction of Georges Prêtre, Emmanuel Krivine, Jean-Pierre Marty, Marek Janowski, Michel Plasson... Henri Sauguet wrote his Church sonata to him, Jean-Michel Damase's Pastorales for organ, Joaquin Nin-Culmell's Symphonie des Mystères...
Deepening the study of baroque treaties and instruments, he founded the Concerto Rococo, a small group of early instruments dedicated to the 18th century harpsichord and concert organ repertoire. Through his musicological research, Jean-Patrice Brosse also worked on the restitution of baroque religious services alternating organ and Gregorian chant., and ensured the revision of old works at Éditions J. M. Fuzeau.
A recitalist, concertist, chamber musician, he was regularly invited to the great French festivals: Festival de musique de La Chaise-Dieu, Sully, Septembre musical de l'Orne, Saou, Saint-Riquier, Lessay, the,, Prades, Centre baroque de Versailles, Orangerie de Sceaux, Avignon, Aix, Art sacré de Paris, Toulouse les Orgues, Printemps des Arts de Nantes, Radio-France-Montpellier, Albi, Nuits d’Uzès, Festival baroque de Pontoise, Mai de Bordeaux, Saint-Lizier, Comminges, Maguelone, Déodat de Séverac à Saint-Félix-Lauragais, Bourges, La Rochelle, Dijon... He performed in most European countries, in the US, in South America, in the Far East, in tours - often illustrated with lectures and master classes - or in prestigious festivals: Echternach, Brussels, Antwerp, Frankfurt, Berlin, Dresden, Bonn, Düsseldorf, Amsterdam, Rotterdam, The Hague, Vienna, Budapest, Belgrade, Zagreb, Warsaw, Istanbul, Madrid, Milan, Naples, Hong Kong.
Brosse made a series of recordings dedicated to the Parisian harpsichordists of the Enlightenment era, in parallel with the work he wrote on this subject, Le Clavecin des Lumières for Bleu nuit publisher. He is also the author of Le clavecin du Roi Soleil. The musical and literary richness of this period inspired him to create a poetic evocation, "Le Soir des Lumières", which he shared on stage with the actress Françoise Fabian, as well as a series of concerts-readings Mozart et le clavecin des Lumières and Les derniers jours du Roi Soleil after Saint-Simon's Mémoires. With Marie-Christine Barrault, he also conceived a series of poetic and musical shows around works ranging from the Renaissance to the present day.
His eclectic tastes also made him approach the repertoire of the romantic and contemporary organ. Artistic director of the, he was honorary professor of baroque organ and harpsichord at the École normale de musique de Paris.
Jean-Patrice Brosse's independent spirit and very personal style are reflected in his writings on music and fine arts, as well as in the sixty or so recordings he made for EMI, Virgin, Universal, Arion, Vérany... whose originality has been supported several times by the and awarded Grand Prix record awards and nominations at the Victoires de la musique.
Jean-Patrice Brosse held the rank of chevalier of the Ordre des Arts et des Lettres.
Brosse died on 18 September 2021 at the age of 71 due to a cancer.

Discography

Arion:
EMI :
Saphir:
  • Bach: Toccatas, Fantaisies, Préludes and fugues 2008
Triton: Messe de Bordeaux 2007
Universal:
  • Bach: 6 Sonatas for violin and harpsichord 2000
Verany:Batailles à Versailles 1986Le Concert des oiseaux à Versailles 1986Le Clavecin au siècle de Louis XIV 1987Le Siècle d’or du clavecin 1987Le Clavecin au siècle des Lumières 1987
  • Bach: Les Concertos pour orgue 1987
  • Bach: Grandes œuvres pour orgue 1987Le Clavecin à la fin de l’Ancien Régime 1989
  • Bach: La Clavierübung III 1990
  • Johann Schobert: Trios 1991
  • Schobert: Quatuors 1992
  • Michel Corrette : Concertos pour orgue 1993
  • Bach: Variations canoniques et Partitas pour orgue 1993
  • Claude Balbastre: Quatuors 1994
  • Jean-François Dandrieu : Messe et Vêpres de Pâques 1994
  • François d'Agincourt: Messe de l’Assomption 1996
  • Dandrieu: Vêpres de l’Assomption 1996
  • Mathieu Lanes : Messe Agatange 1998
  • Soler: Quintettes pour clavecin et cordes 1999
  • Balbastre: Livre de clavecin 1999
  • Michel Corrette: Livre de clavecin 2001
  • Armand-Louis Couperin: Livre de clavecin 2001
  • Pancrace Royer: Livre de clavecin 2003
  • Jacques Duphly: Les quatre livres de clavecin 2004
  • Simon Simon: Livre de clavecin 2006
  • Balbastre: Pièces de clavecin manuscrites 2006
  • Corrette: Les Amusements de Parnasse II et III 2007
Virgin:

Fac-simile editions

  • Johann Schobert: Sonatas op. I, II, II, XVII
  • Johann Schobert: Sonatas en quatuor op. VII
  • Soler: ''6 Quintets for Harpsichord and Strings''