Jain meditation

Jain meditation includes various practices of reflection and meditation. While Jainism considers yoga and dhyana as necessary practices, it has never been a fully developed practice, but "an adjunct to austerity" to still mental and physical activity. According to the Jain-canon, the only means to attain liberation is sukla-dhyāna, but essential knowledge of dhyana may have been lost early in the Jain-tradition, and the Tattvārtha-sūtra "states that pure meditation is unattainable in the current time-cycle." Nevertheless, sāmāyika is an essential practice in Jainism.
The oldest descriptions of Jain yoga and meditation can be found in the Acaranga Sutra, which describes the solitary ascetic meditation of Mahavira. It mentions Trāṭaka meditation, and uses the phrase "kāyaṃ vosajjamaṇgāre", "an ascetic who has given up the body," which may be an early reference to Kayotsarga, "giving up the body," an essential Jain meditative practice, in which one stands motionless, signifying the death of the body, achieving tranquility and purity of mind, resembling the three limbs of dharana, dhyana, and samadhi of Patanjali's eight limb yoga. The Sutrakritanga mentions preksha, and states that "the ultimate means for emancipation are dhyana, yoga and titiksa. It also states that yoga and meditation can be completed by kayotsarga.
Texts attributed to a Kundakunda incorporated samkhya, Buddhist and Advaita Vedanta influences. The 8th century Jain philosopher Haribhadra wrote the Yogadṛṣṭisamuccaya, developing his own unique system that "depart from the scriptures," assimilating many elements from Patañjali's Yoga-sūtra into his new Jain yoga. The 20th century saw the development and spread of new modernist forms of Jain dhyana, including prekṣā-dhyāna of the Śvētāmbara Terāpanth-sect, which sought to rediscover Jain meditation; and the stress on direct recognition the self or atman by various teachers, and by Digambara lay-movements who are inspired by texts attributed to a Kundakunda.

Influences and practices

Adjunct to austerity

Paul Dundas notes that Jainism never “fully developed a culture of true meditative contemplation.” According to Dundas, Jainism
According to Dundas, while earliest Jainism may have had a tradition of stilling the mind inherited by highly accomplished kevalins, the knowledge of these skills was lost at an early date in the history of Jainism, leaving Jains incapable of attaining these states.

Influences

Jainism has been influenced by other Indian religions and traditions, including yoga, samkhya, Buddhism, and Advaita Vedanta. Texts attributed to a Kundakunda incorporated samkhya, Buddhist and Advaita Vedanta influences. The 8th century Jain philosopher Haribhadra assimilated many elements from Patañjali’s Yoga-sūtra into his new Jain yoga.

Practices

''Tapas'' (austerities)

According to Sagarmal Jain, "the Jain sadhana of the canonical age was centered on a three- or fourfold path of emancipation, i.e. right faith, right knowledge, right conduct, and right austerity." Meditation is a form of austerity and ascetic practice, which is a central feature of Jainism. Ascetic life may include nakedness, symbolizing non-possession even of clothes, fasting, body mortification, and penance, to burn away past karma and stop producing new karma, both of which are believed essential for reaching siddha and moksha.
Jain texts like Tattvartha Sūtra and Uttaradhyayana Sūtra discuss austerities in detail. Six outer and six inner practices are oft-repeated in later Jain texts. Outer austerities include complete fasting, eating limited amounts, eating restricted items, abstaining from tasty foods, mortifying the flesh, and guarding the flesh. Inner austerities include expiation, confession, respecting and assisting mendicants, studying, meditation, and ignoring bodily wants in order to abandon the body. Lists of internal and external austerities vary with the text and tradition. Asceticism is viewed as a means to control desires, and to purify the jiva.

''Kayotsarga'' (body-detachment) and ''sukla-dhyana'' (pure meditation)

Kayotsarga, "giving up the body," is an essential practice in the earliest texts. According to Jain-tradition, this was practiced by Mahavira when he attained liberation.
In kayotsarga one stands motionless, "unaffected by physical surroundings as well as emotions," signifying the death of the body, and achieving tranquility and purity of mind. The intense meditation described in these texts "is an activity that leads to a state of motionlessness, which is a state of inactivity of body, speech and mind, essential for eliminating karma."
According to Sagarmal Jain, kayotsarga resembling the three limbs of dharana, dhyana, and samadhi of Patanjali's eight limb yoga.

''Sukla-dhyana'' (pure meditation)

Sukla-dhyana, "pure" or "clean" meditation, also rendered as "abstract" meditation, is another essential practice in the earliest texts, according to Jain-tradition practiced by Mahavira when he attained liberation.
Sukla-dhyana] has four elements:
The first two are said to require knowledge of the lost Jain scriptures known as purvas, and thus since ca. 150-350 CE pure meditation is considered to be no longer possible. The other two forms are said in the Tattvartha sutra to be only accessible to Kevalins. The Tattvārtha-sūtra "states that pure meditation is unattainable in the current time-cycle." yet, the Jain-tradition solved this problem of non-accessibility by the mytheme of Mahavideha, a non-earthly realm were this knowledge is preserved, and people who are reborn in this realm can access this knowledge.
According to Jain accounts, first attested by Jayasena, Kundakunda visited Mahavideha receiving the teachings from Jina Simandhara, which gave Kundakunda insight into the true nature of the soul. Kanji Swami elaborated on the Kundakunda-narrative, by claiming that, in a previous life, he was present when This presence was suggested to him by Campabahen Mataji, a female disciple, who said that she also had been present then.

''Anuprekṣā'' (contemplation)

Anuprekṣā, also called bhāvanā is one of the central practices of Jainism. Anuprekṣā typically refers to the twelve reflections:

anitya bhāvanā – the transitoriness of the world;
aśaraņa bhāvanā – the helplessness of the soul.
saṃsāra – the pain and suffering implied in transmigration;
aikatva bhāvanā – the inability of another to share one’s suffering and sorrow;
anyatva bhāvanā – the distinctiveness between the body and the soul;
aśuci bhāvanā – the filthiness of the body;
āsrava bhāvanā – influx of karmic matter;
saṃvara bhāvanā – stoppage of karmic matter;
nirjarā bhāvanā – gradual shedding of karmic matter;
loka bhāvanā – the form and divisions of the universe and the nature of the conditions prevailing in the different regions – heavens, hells, and the like;
bodhidurlabha bhāvanā – the extreme difficulty in obtaining human birth and, subsequently, in attaining true faith; and
dharma bhāvanā – the truth promulgated by Lord Jina.

''Sāmāyika'' (equanimity)

According to Sagarma Jain, the threefold path can be summarized in sāmāyika or samatva yoga, and is "the principal concept of Jainism." It is the first of the six avashyak for monks and householders.
According to Padmanabh Jaini, Sāmāyika is a practice of "brief periods in meditation" in Jainism that is a part of siksavrata. The goal of Sāmāyika is to achieve equanimity, and it is the second siksavrata.
According to Johnson, as well as Jaini, samayika connotes more than meditation, and for a Jain householder is the voluntary ritual practice of "assuming temporary ascetic status". According to Dundas, samayika seems to have meant "correct behavior" in early Jainism.
The samayika ritual is practiced at least three times a day by mendicants, while a layperson includes it with other ritual practices such as Puja in a Jain temple and doing charity work. It consits of:

pratikramana, recounting the sins committed and repenting for them,
pratyākhyanā, resolving to avoid particular sins in future,
sāmāyika karma, renunciation of personal attachments, and the cultivation of a feeling of regarding every body and thing alike,
stuti, praising the four and twenty Tīrthankaras,
vandanā, devotion to a particular Tirthankara, and
kāyotsarga, withdrawal of attention from the body and becoming absorbed in the contemplation of the spiritual Self.

Digambara self-other (body) distinction

The Digambara-tradition developed meditative parctices which center on the distinction between "self" and "other", akin to the Samkhya purusha-prakriti dualism. Foundational in this regard are the writings by Kundakunda, which show influences from Samkhya, Mahayana Buddhism, and especially Advaita Vedanta, reflected in the distinction between niścayanaya or ‘ultimate perspective’ and vyavahāranaya or ‘mundane perspective’, or the pure atman and the material world. The recognition of this distinction is called bhed-jnan, bhedvijnan, bheda-vijnana, bhedvigyan, or bhedgnan.
With the Kundakunda-texts the Digambara developed a mystical tradition focusing on the direct realization of the ultimate perspective of the pure soul. Kundakunda's emphasis on liberating knowledge has become a mainstream view in Digambara Jainism, and the Kundakunda-texts were an important inspiration for Shrimad Rajchandra, who in turn inspired Kanji Swami, Rakesh Jhaveri and the Shrimad Rajchandra Mission, and Dada Bhagwan.

Pre-canonical (before 6th c. BCE)

Sagarmal Jain divides the history of Jaina yoga and meditation into five stages: 1. pre-canonical ; 2. canonical age ; 3. post-canonical ; 4. age of tantra and rituals ; 5. modern age.
In the pre-canonical period, Jainism developed as one of the sramana-movements in the 6th-5th century BCE, just like Buddhism, Ajivika, Samkhya and Yoga.

Canonical (5th c. BCE - 5th c. CE)

In this era, the Jain canon was recorded and Jain philosophy systematized. Sagarmal Jain notes that during the canonical age of Jaina meditation, one finds strong analogues with the 8 limbs of Patanjali Yoga, including the yamas and niyamas, through often under different names. Sagarmal also notes that during this period the Yoga systems of Jainism, Buddhism and Patanjali Yoga had many similarities. Nevertheless, "the Jain sadhana of the canonical age was centered on a three- or fourfold path of emancipation, i.e. right faith, right knowledge, right conduct, and right austerity."

''Ācārāṅga Sūtra'' (3rd c. BCE) and ''Sutrakritanga'' (2nd c. BCE)

The earliest mention of yogic practices appear in early Jain canonical texts like the Ācārāṅga Sūtra, Sutrakritanga, and Rsibhasita.
The Ācārāṅga Sūtra, one of the oldest Jain texts, describes the solitary ascetic meditation of Mahavira. It mentions Trāṭaka meditation, and uses the phrase "kāyaṃ vosajjamaṇgāre", "an ascetic who has given up the body," which may be an early reference to Kayotsarga, "giving up the body." The Acaranga also mentions the tapas practice of standing in the heat of the sun. Mahavira's practice is described as follows:
The Ācārāṅga Sūtra states that Mahavira, after more than twelve years of austerities and meditation, entered the state of Kevala Jnana while doing "abstract meditation" in a squatting position: "..in a squatting position with joined heels exposing himself to the heat of the sun, with the knees high and the head low, in deep meditation, in the midst of abstract meditation, he reached Nirvana."
According to Pragya, from the Ācārāṅga Sūtra "we can conclude that Mahāvīra’s method of meditation consisted of perception and concentration in isolated places, concentration that sought to be unaffected by physical surroundings as well as emotions." Pragya also notes that fasting was an important practice done alongside meditation. The intense meditation described in these texts "is an activity that leads to a state of motionlessness, which is a state of inactivity of body, speech and mind, essential for eliminating karma."
The Sutrakritanga mentions preksha, and states that "the ultimate means for emancipation are dhyana, yoga and titiksa. It also states that yoga and meditation can be completed by kayotsarga, "giving up the body," or "to give up one's physical comfort and body movements," an essential Jain meditative practice in which one stands motionless, signifying the death of the body, and achieving tranquility and purity of mind. Sagarmal Jain compares kayotsarga to the last three stages of Patanjali's eight limb of yoga, dharana, dhyana, and samadhi.

The ''Mūlasūtras'': ''Uttarādhyayana-sūtra'' and ''Āvaśyaka-sūtra''

According to Samani Pratibha Pragya, the four mūlasūtras are important sources for early Jain meditation. The Uttarādhyayana-sūtra "offers a systematic presentation of four types of meditative practices such as: meditation, abandonment of the body, contemplation, and reflection." Another meditation described in the Āvaśyaka-sūtra is meditation on the tīrthaṅkaras.

''Sthananga Sutra'' (2nd c. BCE)

The Sthananga Sutra gives a summary of four main types of meditation or concentrated thought. The first two are mental or psychological states in which a person may become fully immersed and are causes of bondage. The other two are pure states of meditation and conduct, which are causes of emancipation. They are:

, "a mental condition of suffering, agony and anguish." Usually caused by thinking about an object of desire or a painful ailment;
, associated with cruelty, aggressive and possessive urges;
Dharma-Dhyana, "virtuous" or "customary" meditation, "meditation on the destruction of karma";
Sukla-Dhyana], "pure" or "clean" meditation, divided into

The first two are said to require knowledge of the lost Jain scriptures known as purvas and thus it is considered by some Jains that pure meditation was no longer possible. The other two forms are said in the Tattvartha sutra to be only accessible to Kevalins.
This broad definition of the term dhyana means that it signifies any state of deep concentration, with good or bad results. Later texts like Umaswati's Tattvārthasūtra and Jinabhadra's Dhyana-Sataka also discusses these four dhyanas. This system seems to be uniquely Jain.

Bhadrabahu II (c. 2nd c. CE) - ''Āvaśyaka-Niryukti''

Bhadrabahu II composed the Āvaśyaka-Niryukti, describing Mahavira as practicing intense austerities, fasts and meditations. In one instance he practiced standing meditation for sixteen days and nights. He did this by facing each of the four directions for a period of time, and then turning to face the intermediate directions as well as above and below.

Umāsvāti (2nd-5th c. CE) - ''Tattvartha Sutra''

The Tattvarthasutra, composed by Umāsvāti, is a key text which codified Jain doctrine. According to the Tattvarthasutra, yoga is the sum of all the activities of mind, speech and body. Umāsvāti calls yoga the cause of "asrava" or karmic influx as well as one of the essentials—samyak caritra—in the path to liberation. Umāsvāti prescribed a threefold path of yoga: right conduct/austerity, right knowledge, right faith. Umāsvāti also defined a series of fourteen stages of spiritual development, into which he embedded the fourfold description of dhyana. These stages culminate in the pure activities of body, speech, and mind, and the "cessation of all activity". Umāsvāti also defined meditation in a new way : "Concentration of thought on a single object by a person with good bone-joints is meditation which lasts an intra-hour.” Yet, the Tattvārtha-sūtra also "states that pure meditation is unattainable in the current time-cycle."
Other important figures are Jinabhadra, and Pujyapada Devanandi.

Post-canonical (6th c. CE - 12th c. CE)

This period saw new texts specifically on Jain meditation and further Hindu influences on Jain yoga.

Kundakunda (400-500 CE up to 1100 CE)

This period also sees the elucidation of the practice of contemplation with the Vārassa-aṇuvekkhā or “Twelve Contemplations”, attributed to Kundakunda. These twelve forms of reflection aid in the stopping of the influx of karmas that extend transmigration.
In his Niyamasara, Kundakunda, also describes yoga bhakti—devotion to the path to liberation—as the highest form of devotion.

Haribhadra

Haribhadra in the 8th century wrote the meditation compendium called Yogadṛṣṭisamuccya which discusses systems of Jain yoga, Patanjali Yoga and Buddhist yoga and develops his own unique system that are somewhat similar to these. Ācārya Haribhadra assimilated many elements from Patañjali’s Yoga-sūtra into his new Jain yoga and composed four texts on this topic, Yoga-bindu, Yogadṛṣṭisamuccaya, Yoga-śataka and Yoga-viṅśikā. Johannes Bronkhorst considers Haribhadra's contributions a "far more drastic departure from the scriptures." He worked with a different definition of yoga than previous Jains, defining yoga as "that which connects to liberation" and his works allowed Jainism to compete with other religious systems of yoga.
The first five stages of Haribhadra's yoga system are preparatory and include posture and so on. The sixth stage is kāntā and is similar to Patañjali's "Dhāraṇā." It is defined as "a higher concentration for the sake of compassion toward others. Pleasure is never found in externals and a beneficial reflection arises. In this state, due to the efficacy of dharma, one’s conduct becomes purified. One is beloved among beings and single-mindedly devoted to dharma. With mind always fixed on scriptural dharma." The seventh stage is radiance, a state of calmness, purification and happiness as well as "the discipline of conquering amorous passion, the emergence of strong discrimination, and the power of constant serenity." The final stage of meditation in this system is 'the highest', a "state of Samadhi in which one becomes free from all attachments and attains liberation." Haribhadra sees this as being in "the category of “ayoga”, a state which we can compare with the state just prior to liberation."
Acarya Haribhadra also mentions the five major vows of ascetics and 12 minor vows of laity under yoga. This has led certain Indologists like Prof. Robert J. Zydenbos to call Jainism, essentially, a system of yogic thinking that grew into a full-fledged religion. The five yamas or the constraints of the Yoga Sutras of Patanjali bear a resemblance to the five major vows of Jainism, indicating a history of strong cross-fertilization between these traditions.

Later works

Later works also provide their own definitions of meditation. The Sarvārthasiddhi of Akalanka states "only the knowledge that shines like an unflickering flame is meditation." According to Samani Pratibha Pragya, the Tattvānuśāsana of Ramasena states that this knowledge is "many-pointed concentration and meditation is one-pointed concentration."

Tantric influences and ritual (13th to 19th c. CE)

This period sees tantric influences on Jain meditation, which can be gleaned in the Jñānārṇava of Śubhacandra, and the Yogaśāstra of Hemacandra. Śubhacandra offered a new model of four meditations:

Meditation on the corporeal body, which also includes five concentrations : on the earth element, the fire element, the air element, the water element and the fifth related to the non-material self.
Meditation on mantric syllables ;
Meditation on the forms of the arhat ;
Meditation on the pure formless self.

Śubhacandra also discusses breath control and withdrawal of the mind. Modern scholars such as Mahāprajña have noted that this system of yoga already existed in Śaiva tantra and that Śubhacandara developed his system based on the Navacakreśvara-tantra and that this system is also present in Abhinavagupta’s Tantrāloka.
The Yogaśāstra of Hemacandra closely follows the model of Śubhacandra. This trend of adopting ideas from the Brāhmaṇical and tantric Śaiva traditions continues with the work of the later Śvetāmbara upādhyāya Yaśovijaya, who wrote many works on yoga.
During the 17th century, Ācārya Vinayavijaya composed the Śānta-sudhārasabhāvanā in Sanskrit which teaches sixteen anuprekṣā, or contemplations.

Modern (20th-21st c. CE)

The growth and popularity of mainstream Yoga and Hindu meditation practices influenced a revival in various Jain communities, especially in the Śvētāmbara Terapanth order. These systems sought to "promote health and well-being and pacifism, via meditative practices as “secular” nonreligious tools." 20th century Jain meditation systems were promoted as universal systems accessible to all, drawing on modern elements, using new vocabulary designed to appeal to the lay community, whether Jains or non-Jains. It is important to note that these developments happened mainly among Śvētāmbara sects, while Digambara groups generally did not develop new modernist meditation systems. Digambara sects instead promote the practice of self-study as a form of meditation, influenced by the work of Kundakunda. This practice of self study is included in the practice of equanimity which is the spiritual practice emphasized by 20th century Digambara sects.

Terāpanth ''prekṣā-dhyāna''

The modern era saw the rise of a new Śvētāmbara sect, the Śvetāmbara Terapanth, founded by Ācārya Bhikṣu. Tulasī, the ninth Acharya of the Terapanth Sangha, and his student Ācārya Mahāprajña sought to rediscover Jain meditation and developed a system termed prekṣā-dhyāna. It includes "meditative techniques of perception, kayotsarg, anupreksha, mantra, posture, breath control, hand and body gestures, various bodily locks, meditation and reflection," "intersect with the global yoga market". Despite the innovations, the meditation system is said to be firmly grounded in the classic Jain metaphysical mind body dualism in which the self is covered over by subtle and gross bodies.
Prekṣā means "to perceive carefully and profoundly". In prekṣā, perception is an impartial experience bereft of the duality of like and dislike, pleasure and pain, attachment or aversion. Meditative progress proceeds through the different gross and subtle bodies, differentiating between them and the pure consciousness of jiva. Mahāprajña interprets the goal of this to mean to “perceive and realise the most subtle aspects of consciousness by your conscious mind.” Important disciplines in the system are synchrony of mental and physical actions, present-mindedness or complete awareness of one's actions, disciplining the reacting attitude, friendliness, diet, silence, spiritual vigilance.
The prekṣā system uses an eight limb hierarchical schema, where each one is necessary for practicing the next:

Relaxation, abandonment of the body, also “relaxation with self-awareness,” allows vital force to flow.
Internal Journey, this is based on the practice of directing the flow of vital energy in an upward direction, interpreted as being connected with the nervous system.
Perception of Breathing, of two types: perception of long or deep breathing and perception of breathing through alternate nostrils.
Perception of Body, one becomes aware of the gross physical body, the fiery body and karmic body, this practice allows one to perceive the self through the body.
Perception of Psychic Centres, defined as locations in the subtle body that contain ‘dense consciousness’, which Mahāprajña maps into the endocrine system.
Perception of Psychic Colors, these are subtle consciousness radiations of the soul, which can be malevolent or benevolent and can be transformed.
Auto-Suggestion, Mahāprajña defines bhāvanā as “repeated verbal reflection”, infusing the psyche with ideas through strong resolve and generating "counter-vibrations" which eliminate evil impulses.
Contemplation, contemplations are combined with the previous steps of dhyana in different ways. The contemplations can often be secular in nature.

Contemplation themes are impermanence, solitariness, and vulnerability. Regular practice is believed to strengthen the immune system and build up stamina to resist against aging, pollution, viruses, diseases. Meditation practice is an important part of the daily lives of the religion's monks.
Mahāprajña also taught subsidiary limbs to prekṣā-dhyāna, which would help support the meditations in a holistic manner, these are Prekṣā-yoga and Prekṣā-cikitsā. Mantras such as Arham are also used in this system.

Kundakunda-inspired lay-movements

The Digambara text Pravacanasara, attributed to a Kundakunda but probably the result of multiple authorship over multiple centuries, states that a Jain mendicant should meditate on "I, the pure self." Anyone who considers his body or possessions as "I am this, this is mine" is on the wrong road, while one who meditates, thinking the antithesis and "I am not others, they are not mine, I am one knowledge" is on the right road to meditating on the "soul, the pure self". The texts attributed to Kundakunda inspired two contemporary lay-movements within Jainism with his notion of two truths and his emphasis on direct insight into niścayanaya or ‘ultimate perspective’, also called “supreme” and “pure”.
Shrimad Rajchandra was a Jain poet and mystic who was inspired by works of Kundakunda and Digambara mystical tradition. He in turn inspired the Kanji Panth, a lay movement founded by Kanji Swami, and also inspired Dada Bhagwan, Rakesh Jhaveri, Saubhagbhai, Lalluji Maharaj, Atmanandji and several other religious figures. Bauer notes that " recent years there has been a convergence of the Kanji Swami Panth and the Shrimad Rajcandra movement, part of trend toward a more eucumenical and less sectarian Jainism among educated, mobile Jains living overseas."

Other teachers

Citrabhānu was a Jain monk who moved to the West in 1971, and founded the first Jain meditation center in the world, the Jaina Meditation International Centre in New York City. He eventually married and became a lay teacher of a new system called "Jain meditation", on which he wrote various books. The core of his system consists of three steps : 1. who am I?, 2. I am not that, 3. I am that . He also makes use of classic Jain meditations such as the twelve reflections, Jaina mantras, meditation on the seven chakras, as well as Hatha Yoga techniques.
Ācārya Suśīlakumāra of the Sthānakavāsī tradition founded “Arhum Yoga” and established a Jain community called the “Arhat Saṅgha” in New Jersey in 1974. His meditation system is strongly tantric and employs mantras, nyasa, visualization and chakras.
The Sthānakavāsī Ācārya Nānālāla, developed a Jaina meditation called Samīkṣaṇa-dhyāna in 1981. The main goal of samīkṣaṇa-dhyāna is the experience of higher consciousness within the self and liberation in this life. Samīkṣaṇa-dhyāna is classified into two categories: introspection of the passions and samatā-samīkṣaṇa, which includes introspection of the senses, introspection of the vow introspection of the karma, introspection of the Self and others.
Bhadraṅkaravijaya of the Tapāgaccha sect founded “Sālambana Dhyāna”. According to Samani Pratibha Pragya, most of these practices "seem to be a deritualisation of pūjā in a meditative form, i.e. he recommended the mental performance of pūjā." These practices focus on meditating on arihantas and can make use of mantras, hymns, statues and diagrams.
Ācārya Śivamuni of the Śramaṇa Saṅgha is known for his contribution of “Ātma Dhyāna”. The focus in this system is directly meditating on the nature of the self, making use of the mantra so’ham and using the Ācārāṅga Sūtra as the main doctrinal source.
Muni Candraprabhasāgara introduced “Sambodhi Dhyāna” in 1997. It mainly makes use of the mantra Om, breathing meditation, the chakras and other yogic practices.

Iconography

According to Jain-tradition, meditation derives from Rishabhanatha, the first tirthankara. Jains believe that all twenty-four Tirthankaras practiced deep meditation, some for years and some for months, and attained enlightenment. All the statues and pictures of Tirthankaras primarily show them in meditative postures.