Isabel Capeloa Gil


Isabel Maria de Oliveira Capeloa Gil is a Portuguese academic. She is the 6th Presidente of the Universidade Católica Portuguesa, appointed by the Congregation for Catholic Education on 26 September 2016, at the proposal of the Grand Chancellor of the institution, D. Manuel Clemente, 17th Patriarch of Lisbon. She took office on 28 October 2016. On 23 October 2020, Isabel Capeloa Gil was reappointed President of the Universidade Católica Portuguesa for the 2020-2024 term. On 15 November 2024, she began a third term as President, for the four-year period 2024–2028, by decision of the Grand Chancellor of the Universidade Católica Portuguesa, D. Rui Valério.

Biography

Having grown up in China, Isabel Gil has a special interest in researching issues of diversity and conflict and has structured her work around the exploration of the disciplinary boundaries between literature, the arts and other disciplines. She is an advocate of international education.
The main projects that marked her first mandate as President of , between 2016 and 2020, were: the development of the project of national strategic interest between Universidade Católica Portuguesal, the American biotechnology company Amyris, Inc. and the Portuguese State, with a value of 42 million euros; the accreditation of the first Integrated Master's degree in Medicine, at a non-state University; and the development of the new infrastructures of the headquarters of Universidade Católica - Campus Veritati.
Isabel Capeloa Gil founded the Strategic Alliance of Catholic Research Universities in 2017, an alliance between the Universidade Católica portuguesa and seven Universidades Católicas.
In 2018, she was elected the first woman President of the International Federation of Catholic Universities and was responsible for the strategic plan "A Global Voice for a Common Future" and founder of the task force for women's leadership of Catholic Universities.
Isabel Capeloa Gil is a Member of the Board of Trustees of the Global Federation of Competitiveness Councils .
In July 2022, she joined the Advisory Board of the Portuguese Diaspora Council.
In August 2022, Isabel Capeloa Gil was re-elected President of the International Federation of Catholic Universities.
In September 2022, she joined the Board of Trustees of Europaeum.
On 28 July 2025, she was elected President of the Strategic Alliance of Catholic Research Universities.

Other activities

Her research is currently published in Portuguese, English, German, French, Italian and Spanish. She is the author of over 182 publications, bridging cultural theory, interarts studies, visual culture and culture and conflict.

Books

  • , Lisboa: with PcPinto
  • , New York, with Christoph Wulf.
  • . , Lisbon: Imprensa Nacional – Casa da Moeda.
  • . , Würzburg
  • . , Lisboa.
  • . , De Gruyter
  • . , De Gruyter
  • . , Argumento Collection, Lisbon.

    Edited books

  • ., Contradições Electivas. Actas do Colóquio Comemorativo dos 250 Anos do Nascimento de J.W.Goethe, Lisbon.
  • ., , Lisbon.
  • . Poéticas da Navegação, Lisboa.
  • . , Würzburg.
  • . Identidade Europeia. Identidades na Europa, Lisbon.
  • . Kulturbau. Aufräumen, Einräumen, Ausräumen] , Zurich.
  • ., , Würzburg
  • ., Simone de Beauvoir. Olhares Sobre a Mulher e o Feminino, Lisbon.
  • ., Plots of War. Modern Narratives of Conflict, Series Culture and Conflict, Berlim, New York.
  • ., , Würzburg.
  • ., , Berlin, New York.
  • ., '', New York.

    Scientific articles

  • . Caos e Metamorfose: Uma Leitura da Dança na Obra de Hugo von Hofmannsthal]", Runa nº20, 2/93, pp.151–160.
  • . "Antigonae – Antigone. Uma leitura de Hölderlin e Claus Bremer", Runa, nº22,2/1994, pp. 99–114.
  • . "Tot sein und atmen... O complexo de Antígona no romance Malina de Ingeborg Bachmann", Runa, nº23–24, 1995, pp. 309–325.
  • . , Colloquia Germanica, Bd. 33, 2/2000, pp. 149–162.
  • . "Antigone and Cassandra: Gender and Nationalism in German Literature", Orbis Litterarum. International Review of Literary Studies, Vol.55, 2/2000,pp. 118–134.
  • . „Komm mit, o Schöne, Komm mit mir zum Tanze’ Die Geschlechtspolitik und die Ort des Tanzes in Texten J.W.Goethes", Runa, 28/1999-2000, pp. 131–148.
  • . „Schweig und tanze!” Textos no Limite da Presentação. A Palavra e o Gesto no Drama de Franz Werfel, Eberhard Pannwitz e Hugo von Hofmannsthal", Dedalus, nº 9, 2004, pp. 91–117.
  • . "O que significa Estudos de Cultura? Um diagnóstico cosmopolita sobre o caso da Cultura Alemã", Revista de Comunicação e Cultura, nº6, 2009, pp. 137–166.
  • . ", 10,1, 2010, pp.62–84.
  • ., Fluid Cartographies – New Modernities Special Monographic Issue, Journal of Romance Studies, Vol.11, Issue 1, Spring 2011.
  • . "Savages and Neurotics. Freud at the Colonial School", Journal of Romance Studies, Vol.11.3, 2011, pp. 27–42.
  • . "A Question of Scale? Lázló László Almásy's Desert Mapping and Its Postcolonial Rewriting" Journal of Romance Studies, Vol.11.1.
  • . "Fuss-Karrieren: Der Schuh von Baudelaire bis Warhol", Paragrana. Zeitschrift für historische Anthropologie 21.2, 2011, pp. 1–23.
  • . "Fragile Matters. Literature and the Scene of Torture" in New German Critique, 127, Feb. 2016, pp. 119–140.
  • . “The risky NPV of Literature in dos Passos and Pessoa”, REAL – Yearbook of English and American Literature.

    Chapters in books

  • . "Bodies Beyond the Fall. The Allure of Dolls from Rilke to Salman Rushdie", in Ana Gabriela Macedo, Orlando Grossegesse, Re-Presentações do Corpo Re-Presenting the Body, Braga: Universidade do Minho, Centro de Estudos Humanísticos, pp. 47–66
  • . "Nemesi's City. Urban Casualties and the Modernist Novel", in Manfred Schmeling, Monika Schmitz-Emans, Modernist Landscapes, Würzburg: Königshausen & Neumann, pp. 215–232.
  • . "Jede Frau ist eine Tänzerin... The Gender of Dance in Weimar Culture" in Christiane Schönfeld, Carmel Finnan, Practicing Modernity. Female Creativity and Weimar Germany, Würzburg: Königshausen & Neumann, pp. 218–241.
  • . "Die Schwere. Ein Versuch über Macht und Tanz" in Christoph Wulf, Gabriele Brandstetter, Tanz als Anthropologie, Munique: Wilhelm Fink Verlag, pp. 64–84.
  • . "Sentimental Physics: Gottfried Benn, Heisenberg, & Co." in Monika Schmitz-Emans, Manfred Schmeling, Literature and Science, Würzburg: Königshausen & Neumann, pp. 177–192.
  • . "Stemming the Tide... Carl Schmitt and Ernst Jünger’s Reactionary Modernism" in António Sousa Ribeiro, Maria Irene Ramalho, Translocal Modernisms, Zurich: Peter Lang, pp. 185–212.
  • . "Le voyeur dans la nuit. L’esthétique nocturne d’Egar Allan Poe" in Alain Montandon, Promenades Nocturnes, Paris : L’Harmattan, pp. 61–84.
  • . "Monks, Managers and Celebrities. Refiguring the European University" in Barbie Zelizer, Making the University Matter, Londres: Routledge, pp. 73–83.
  • . "The Visual Literacy of Disaster in Ernst Jünger’s Photo Books" in Carsten Meiner, Kristin Veel, The Cultural Life of Catastrophes and Crises, Berlin, New York: de Gruyter, pp. 147–176.
  • . "This is It! Rate, Rattle and Roll in the Struggle for Financial Narratives" in Ansgar Nünning, Kai Sicks, Turning Points. Concepts and Narratives of Change in Literature and Other Media, Berlin: de Gruyter, pp. 191–212.
  • . "The Risk Doctrine. On Money, Uncertainty and Literature" in Monika Schmitz-Emans,, Literatur als Wagnis/Literature as Risk. DFG Symposium 2011, Berlin: de Gruyter, pp. 239–263.
  • . "Visual recall in the present. Critical nostalgia and the memory of empire in Portuguese culture" in Naomi Segal, Daniela Koleva, Cultural Literacy in Europe, London: Palgrave, 2014, pp. 25–52.
  • . "Smuggling Lust. On the Cultural Re-Turn of Luxury" in Anders Michelsen, Frederik Tygstrup : Socioaesthetics:Ambiance – Imaginary, Amsterdam: Brill Publishers, pp. 202–220.
  • . “Visible Theory. Paul Auster and the Artist as Cultural Critic”, in Christiane Solte-Gresser, Manfred Schmeling : Raconter la théorie/Narrating Theory, Würzburg: Königshausen & Neumann, pp. 111-124.
  • . "Seeing Voice. On the Cinematic Politics of Representation" in Alexandra Lopes, Adriana Martins, Mediations of Disruption in Postconflict Cinema, London: Palgrave, pp. 154–168.
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