In Situ Contemporary Art Foundation
In Situ Contemporary Art Foundation is a Polish foundation set up in 2004 by Bożenna Biskupska and Zygmunt Rytka.
Festivals
Hommage à Kieślowski Festival, Sokolovsko
Every September since 2011, the In Situ Foundation organizes an international film festival called Hommage à Kieślowski in Sokolovsko, Poland, where the film director Krzysztof Kieślowski, spent his childhood. During the festival, his films are presented along with contemporary movies referencing his work, and many important figures of the Polish cinema and music scene are involved in this project, including Katarzyna Figura, Agnieszka Holland, Zbigniew Preisner, Zbigniew Zamachowski, and Philip Rappold. Screenings are held in cinemas, theaters, and outdoor cinemas, and there are discussion panels, concerts focussing on film music, exhibitions, workshops, and meetings with actors and directors.Contexts ephemeral art festival, Sokolovsko
"Contexts" is an international artistic and educational event, that takes place every summer in Sokolovsko, which presents ephemeral art. The festival program includes performances, live action artists, presentations, including that of documentation of various artistic activities and monographic shows, film screenings, exhibitions, installations, workshops and conferences, panel discussions, lectures and meetings with artists. Many international artists have been featured in the program, including: Ines Rolo Amado, Janusz Bałdyga, Adina Bar-On, Jerzy Bereś, Nenad Bogdanovic, Loic Bertrand, Shirley Cameron, Colm Clarke, Florian Feigel, Anglika Fojtuch, Andres Galeano, Sophie Jocz, Wanda Lacrampe, Alastair MacLennan, Holly Morrison, Roland Miller, Sybille Omlin, Józef Robakowski, Nigel Rolfe, Ryszard Piegza, Andrew Spira, Jiří Surůvka, Petra Filipovska, Giullietta Ockenfuβ, Katerina Olivová, Katerina Sudolska, and Michelle Yom.The first edition in 2011 was devoted to conceptual art – from the 70 years of avant-garde to the present day – and the work of Jan Świdziński. His manifesto "Art as Contextual Art" became the motto for the whole event.
The program of the 2012 edition was built around the art of Zbigniew Warpechowski. Over sixty artists, critics and art historians from many countries took part. The festival was also a place of the last performance by Jerzy Bereś, another influential Polish artist.
Passengers public art festival
Passengers is an urban festival, which has been running since 2007. Different artistic projects intersect in the urban space.The first event took place in a passenger tram line, exceptional tram, which was turned into a Camera obscura. The passenger could see the unusual movie made up of views of their own city. This Tram Obscure was designed by Simon Lee. Another part of this edition was Küchenmonument of Raumlabor Berlin and Plastique Fantastique, which was an ephemeral architectural object. Küchenmonument reorganised public space.
In 2008 there were several small events under the banner of fight against privatisation of public space in the city. The aim of the action was to pay attention to spaces, which had been closed, fenced-off and privatised. The performances were realised by different artist, including: Folke Köbberling, Martin Kaltwasser in co-operation with Heath Bunting. San Keller's "Wolf’s Choir" received wide attention setting up a debate on gated communities and their influence on public space in Poland. The third edition, in 2009, presented artistic answers to the question of how to manage the financial crisis – "Money for Nothing: Manifesto" for a time of crisis. For example, Roland Schefferski in the name of a potlatch of ideas dropped tokens around the city, with the idea that people could collect and exchange them for ideas. For the fourth edition, in 2012, the foundation organised balcony-concerts with alternative music. Concerts took place on Mokotowska Street in a very special place in the city, also known as “The Warsaw Smile” because its layout on a map looks like a smile. Accompanying the festival, there was extraordinary photography exhibitions of Warsaw before 1939 in shops and café house windows.