Humanitas Programme
The Humanitas Programme is a series of Visiting Professorships at the Universities of Oxford and Cambridge in England, intended to bring leading practitioners and scholars to both universities to address major themes in the arts, social sciences, and humanities.
Appointed for a given academic year, each Humanitas Visiting Professor delivers a series of events ranging from lectures to workshops, masterclasses, recitals and symposia. Lectures and symposia are filmed and available online to audiences throughout the world
Created by Lord Weidenfeld in 2010, the Humanitas Programme is funded by a number of donors and managed by the Oxford-based Weidenfeld-Hoffmann Trust. The Humanitas Programme has also been run in collaboration with TORCH and CRASSH Centre for Research in the Arts, Social Sciences and Humanities
The Humanitas Programme often draws media attention for its topical and high-profile speakers, such as Eric Schmidt sharing a positive outlook on the impact of new technologies on our world, or Murray Perahia exploring the personal and universal in the work musical genius, or Shirin Neshat discussing the formation of her artistic identity.
Its Visiting Professorships have touched upon topics ranging from the complexity of narrating history to the challenges of sustainable development in the 21st century.
List of Humanitas Visiting Professorships
Visiting Professorship in Architecture University of Oxford, Brasenose College- 2010–2011: Lord Foster, How do we sustainably accommodate even larger populations in cities in a way that does not recklessly deplete natural resources?
- 2011–2012: Lord Foster, Heritage and Lessons
- 2010–2011: Alfred Brendel, On Character in Music and Light and Shade of Interpretation
- 2012–2013: Robert Levin, Encountering Mozart
- 2013–2014: Angela Hewitt, The Art of Fugue
- 2014–2015: Murray Perahia, On Performing the Classics
- 2015–2016: Mitsuko Uchida,
- 2011–2012: Wu Hung, Reading Absence in Chinese Art and Material Culture
- 2012–2013: Chen Yung-fa, The Meaning of the Chinese Communist Revolution
- 2013–2014: David Wang, What is Chinese about Chinese Literature?
- 2014–2015: Xu Bing, The Reactivation of Tradition
- 2012–2013: Imogen Cooper,
- 2010–2011: James Wood, Everything, Nothing, Something; 'Melville and the New Atheists; Jens Peter Jacobsen and the contradictions of atheism; 'Tolstoy's Third Way Lecture; An answer vouchsafed them: Virginia Woolf's mystic God; Beckett and Nothing,
- 2011–2012: Ali Smith, On Time, On Form, On Edge, On Offer, and On Reflection
- 2013–2013: Don Paterson The Domain of the Poem
- 2014–2015: Javier Cercas The Blind Spot
- 2010–2011: Thomas Struth, Do pictures contribute to identity and cultural difference?
- 2011–2012: Shirin Neshat, Images and History
- 2012–2013: William Kentridge, Thinking On One's Feet
- 2013–2014: Vik Muniz Class Dismissed... Art, Creativity and Education
- 2014–2015: Maya Lin Between Art and Architecture
- 2010–2011: Athol Fugard, The Playwriting Process and Theatrical Directing
- 2011–2012: Vanessa Redgrave, Theatre and Politics Today
- 2012–2013: Gregory Doran
- 2014–2015: David Edgar Plays Today
- 2011–2012: Sir Partha Dasgupta, Time and the Generations
- 2012–2013: Stanley Fischer, Lessons of the Crisis
- 2013–2014: Roger Myerson, Political Economy and Economic Development
- 2012–2013: Michael Winterbottom, Genre, Adaptation, and Contemporary Cinema
- 2013–2014: Kelly Reichardt American Landscapes and Narratives of the Road
- 2016–2017: Lenny Abrahamson The Uncertain Filmmaker
- 2017–2018: Sam Mendes
- 2011–2012: Saul Friedländer, Trends in the Historiography of the Holocaust
- 2012–2013: Christopher Bayly, Worlds of Thought: Empire, India and Islam
- 2013–2014: Lynn Hunt Dilemmas of History in a Global Age
- 2014–2015: Barbara Rosenwein The History of Emotions
- 2015–2016: Simon Schama, the Past and its Publics
- 2012–2013: Philippe de Montebello, The Multiple Lives of the Work of Art
- 2013–2014: Pierre Rosenberg, Poussin in England
- 2015–2016: Wim Pijbes, Old Masters Fit for the Future
- 2012–2013: Lorraine Daston, Nature's Revenge: A History of Risk, Responsibility, and Reasonableness
- 2016–2017: Jared Diamond, The Use of Religion
- 2013–2014: General Hayden, Terrorism and Islam's Civil War
- 2014–2015: John McLaughlin, Challenges Facing American Intelligence
- 2010–2012: Jan Assmann, Ancient Egyptian Religion
- 2011–2012: Lord Sacks, A Jewish Theology of the Other
- 2012–2013: Abdou Filali-Ansary, Beyond Apologetics: Approaching Religious Traditions Through Modern Disciplines
- 2013–2014: Rowan Williams, Faith and Power
- 2010–2011: Mathias Döpfner, ‘The Freedom Trap’, ‘The Internet – a Liberating or Enslaving Machine?’ and ‘Can Journalism be Free in the Digital Age?'
- 2011–2012: Manuel Castells, Communication Power in the Network Society
- 2012–2013: Eric Schmidt, Our Connected Age
- 2013–2014: Alastair Campbell, A Life at the Nexus of Media and Politics
- 2014–2015: Emily Bell,, The Impact of Social Media and the Internet on Journalism and News Publishing
- 2010–2011: Glen D. Lowry, The Abodes of the Muses: Theorising the Modern Art Museum
- 2011–2012: Malcolm Rogers, The Art Museum in the 21st Century
- 2012–2013: Ivo Mesquita, Contemporary Art and Globalisation
- 2013–2014: Michael Govan, A Voice from the Pacific: Re-envisioning the Art Museum
- 2014–2015: Stephen Greenblatt, The Humanities are they important?
- 2011–2012: Joseph Volpe, Whither Opera in the 21st Century?
- 2012–2013: Gerard Mortier
- 2013–2014: Renee Fleming
- 2015–2016: Christian Thielemann
- 2016–2017: William Christie
- 2012–2013: Mark Thompson, The Cloud of Unknowing
- 2011–2012: Helen Clark, '
- 2012–2013: Gareth Evans, In Defence of Optimism
- 2014–2015: Richard Haass World Order: Its Past, Present & Prospects
- 2015–2016: Martti Ahtisaari Preventing Conflicts and Building Fairer Societies
- 2013–2014: Gretchen Daily, Nature's Competing Values
- 2014–2015: Johan Rockstrom, Human Prosperity within Planetary Boundaries
- 2015–2016 Paul Ferraro, Environmental Problems are Human Problems
- 2018–2019: Pamela Matson, The Tellus Mater Distinguished Fellowship’
- 2019–2020: Ruth de Fries, The Tellus Mater Distinguished Fellowship’
- 2014–2015: Sir John Tomlinson
- 2017–2018: Andreas Scholl
- 2019–2020: James Conlon
- 2023-2024: Joyce DiDonato
- 2010–2011: Hew Strachan, Modern War and the Question of History
- 2011–2012: Jay Winter, Imagining War in the 20th Century and After
- 2012–2013: Martin van Creveld, The Future of War
- 2010–2011: Nancy Fraser,