Helen C. Frederick
Helen C. Frederick is an American artist, curator, and the founder of Pyramid Atlantic Art Center, an arts organization in Maryland. She is known mainly for printed media and large-scale works created by hand papermaking as a medium of expression that often incorporate the use of language. She has curated exhibitions such as Ten Years After 9/11, which respond to issues about the human condition.
Early life and education
Helen C. Frederick was born in 1945 in Pottstown, Pennsylvania. Frederick received her BFA degree in Illustration and her Master of Fine Arts degree in painting from the Rhode Island School of Design, where she met German artist Dieter Roth, who introduced her to innovative printed media techniques.Frederick's interest in paper as a medium began in 1976, when she visited Ahmedebad, India, where Robert Rauschenberg had completed a papermaking project. She continued her study of paper-making during travels to the Netherlands, Japan and China.
Work
In 1981, she founded Pyramid Atlantic Art Center, a center for contemporary printmaking, hand papermaking and the art of the book, which she directed for twenty-eight years.Since 1996, Frederick has taught printmaking and graduate studies at George Mason University's School of Art, where she serves as director of the department's imprint, Navigation Press.
Frederick specializes in hand-driven media such as custom-formed paper, artist's books, paintings, drawings, and prints, and she is recognized as the D.C. area's “most knowledgeable paper artist." Her work has also incorporated electronic media, video, digital prints, photography, “video books,” and sculpture.
Her video work “Dislocations” has been compared to Andy Warhol by curator Jeffry Cudlin; Critic Paul Ryan described her work in “Hungry Ghosts” as "drawing us closer to victims as they linger within the beyond – a liminal space conceptually akin to that described by post-colonial theorist Homi K. Bhabha as a physical space and occurrences where …there is a sense of disorientation, a disturbance of direction..an exploratory, restless movement….” Ryan also noted that "Hungry Ghosts" was influenced by Frederick's interest in Buddhist teachings and meditation practices.
In her 2010 solo exhibition, Dissonance at Hollins University’s Eleanor D. Wilson Art Museum, Frederick referenced the atomic bomb and the Cold War, themes that have often surfaced in her work. Her 1996 installation Caution: Appearance appearance explored the significance of the atomic bomb fifty years after its first detonation. In this installation, Frederick, who was born shortly before the first testing of the atomic bomb, examined her own personal connection with the bomb and how it has impacted her life, as well as its implications for the natural world. She explored similar themes in her 1995 collaborative book with Bridget Lambert, Abracadabra, which used fifty images to “represent the 50 years of Frederick's life from 1945 to 1995.”
Frederick's Masse Ici, exhibited at Texann Ivy Fine Arts in 1998, “delve deeply into issues of our technological age and the landscape of memory."