Harmonielehre
Harmonielehre is a 40-minute orchestral composition by the American composer John Adams, composed in 1985. In his memoir, Adams wrote that the piece "was a statement of belief in the power of tonality at a time when I was uncertain about its future" and that it was "a one-of-kind once-only essay in the wedding of fin-de-siècle chromatic harmony with the rhythmic and formal procedures of Minimalism".
The composition's title, German for "study of harmony", is a reference to Arnold Schoenberg's 1911 music theory textbook of the same name, a study of tonal harmony. Other theory texts titled Harmonielehre include those by Heinrich Schenker and Hugo Riemann.
Adams has said that the piece was inspired by a dream he had in which he was driving across the San Francisco–Oakland Bay Bridge and saw an oil tanker on the surface of the water abruptly turn upright and take off like a Saturn V rocket. This dream and the composition of Harmonielehre shortly thereafter ended a writer's block Adams had been experiencing for 18 months.
Music
The composition is in three movements:The first movement begins with the powerful repetition of chords in E minor in minimalist fashion. These chords form a recurring theme throughout the movement, interspersed with motoric episodes that use Schoenberg's harmonic progressions as chordal "gates". At the center of the arch-like 17-minute movement arises what Tom Service has called an "achingly expressive lyrical theme."
The brooding second movement, based on the legend of the Fisher King, shuns minimalist processes, favoring bleak Sibelius-like soundscapes, building inexorably slowly to twin climaxes of brutal dissonance, the second of which is drawn from the climactic sonority of the first movement of Gustav Mahler's unfinished Tenth Symphony.
The third movement, according to Adams, is inspired by a dream that he had about his infant daughter Emily, whom he and his wife had briefly nicknamed "Quackie".
Instrumentation
The piece is scored for the following orchestra:;Woodwinds
;Brass
;Percussion
;Keyboards
;Strings
Recordings
- Edo de Waart / San Francisco Symphony
- Simon Rattle / City of Birmingham Symphony Orchestra
- David Robertson / Saint Louis Symphony Orchestra
- Michael Tilson Thomas / San Francisco Symphony
- Peter Oundjian / Royal Scottish National Orchestra
- Kent Nagano / Montreal Symphony Orchestra
- Giancarlo Guerrero / Nashville Symphony