Harishena
Harishena was the last known ruler of the Vatsagulma branch of the Vakataka dynasty. He succeeded his father Devasena. Harishena was a great patron of Buddhist architecture, art and culture, with the World Heritage monument of Ajanta being his greatest legacy. He is also credited with many conquests. The end of Harishena's reign and the ultimate fate of the Vatsagulma branch is shrouded in mystery, as it seems the Vakataka dynasty came to an end not long after the death of Harishena.
Reign
Harishena was the most powerful of the Vakataka rulers of the Vatsagulma branch. The Ajanta cave inscription of Harishena's minister Varahadeva describes the king's influence extending over many countries including Kuntala, Avanti, Kalinga, Koshala, Lata, Andhra, and Trikuta. In the west, the Traikutaka dynasty seems to have come to an end around 495 following the death of Vyaghrasena, who had no known successors, and the termination of this line of rulers may have been due to conquest by Harishena. In the north, it seems that part of the Anupa region was included in Harishena's kingdom, as the Bagh caves of this region are closely related to those of Ajanta in style and date. The extent of the Vakataka empire under Harishena was thus even greater than what it had been during the reign of Emperor Pravarasena I.Harishena's contemporary in the Nandivardhana-Pravarapura branch of the Vakataka dynasty was Prithivishena II, the last king of that branch. Nothing definite is known about the relations between the Vakatakas of Vatsagulma and the Vakatakas of Nandivardhana-Pravarapura during this time. However, it seems that Harishena assumed leadership over both branches of the Vakataka dynasty following the death of Prithivishena II. The greater wealth and importance of the Vatsagulma branch compared to the Nandivardhana-Pravarapura branch is reflected in the archaeological record of this period. Whereas in the first six decades of the fifth century there is a wealth of material from the kingdom of Nandivardhana-Pravarapura, there is very little that can be attributed to the later period. In stark contrast, the period after the 460s saw the kingdom of Vatsagulma producing its own stunning art and architecture, which surpassed that of its contemporaries in the Nandivardhana-Pravarapura branch.